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Its outstanding feature is the inclusion of journal articles. For more than 50 years the periodicals have been indexed, as well as compilations such as Festschriften, and the proceedings of congresses.
Proceedings of the annual meeting of the Society in v. 1-11, 1925-34. After 1934 they appear in Its Bulletin.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Johannes Fabian was one of the first anthropologists to introduce the concept of popular culture into the study of contemporary Africa. Drawing on his research in the Shaba region of Zaire (now the Democratic Republic of Congo), he has been writing for thirty years about the practices, beliefs, and objects that make up popular culture in an urban African setting: labor and language, religious movements, theater and storytelling, music and painting, grassroots literacy and historiography. In Moments of Freedom Fabian reflects on anthropological uses of the concept of popular culture. He retraces how his explorations of popular culture in this urban-industrial setting showed that classiclal culture theory did not account for large aspects of contemporary African life. Popular culture draws on various genres of representation and performance, and Fabian explores the notion of genre itself as it applies to Shaba religious discourse, painting, and the theater. He also addresses the element of time and how spatial thinking about culture, ethnicity, and globalization acts as an obstacle to appreciating the contemporaneity of African popular culture. The volume ends with a discussion of contestation in light of current calls for democratization. In Moments of Freedom, Johannes Fabian takes stock of decades of anthropological work on popular culture and examines the development of his own thought over time. Throughout the volume, he makes eloquent connections to other firelds such as history, folklore studies, and cultural studies, suggesting areas for further research in each.
Based around the case study of a single village in Papua New Guinea, 'Pathways to Heaven' examines the tensions, antagonisms and outright confrontations that can occur within local Christian communities upon the arrival of global versions of fundamentalism.
Focusing on the problem of time—the paradox of time's apparent universality and cultural relativity—Carol J. Greenhouse develops an original ethnographic account of our present moment, the much-heralded postmodern condition, which is at the same time a reflexive analysis of ethnography itself. She argues that time is about agency and accountability, and that representations of time are used by institutions of law, politics, and scholarship to selectively refashion popular ideas of agency into paradigms of institutional legitimacy. A Moment's Notice suggests that the problem of time in theory is the corollary of problems of power in practice.Greenhouse develops her theory in examinations of three moments of cultural and political crisis: the resistance of the Aztecs against Cortes, the consolidation of China's First Empire, and the recent partisan political contests over Supreme Court nominees in the United States. In each of these cases, temporal innovation is integral to political improvisation, as traditions of sovereignty confront new cultural challenges. These cases return the discussion to current issues of inequality, postmodernity, cultural pluralism, and ethnography.