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Finalist for the Pulitzer Prize Winner of the California Book Award in Poetry Three kinetically distilled long poems by the singular American poet who “transfigures ‘thought’ into a weave of lexical magic” (Philip Lamantia) “The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo—two writers whose luminous art suffered “colonial wrath through refraction.” A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as “charged aural colony” and “primal interconnection,” a “subliminal psychic force” with a colonial and postcolonial history dominated by the Occident. Will Alexander’s improvisatory cosmicity pushes poetic language to the point of most resistance—incantatory and swirling with magical laterality and recovery.
Poetics: flight across precipitous intransigence.--from Across the Vapour Gulf.
A mesmerizing poetry collection by "an ecstatic surrealist on imaginal hyperdrive" (Eliot Weinberger).
African American surrealism that extends from the ocean floor to the outer reaches of space.
Kaleidoscopic Omniscience is a new collection from lingual contortionist and poetic sage Will Alexander, featuring his early works - Asia & Haiti, The Stratospheric Canticles, and Impulse & Nothingness. Alexander's prismatic and oracular voice cascades around bi-geographic confrontations, painterly morphologies, and the cosmology of the void. " Alexander is] acutely conscious of the issue of poetic voice, and is unwilling to let poetry's potential for ventriloquizing or exploring the voices of others be subsumed in an impersonal criture or ultimately homogenous montage. He seems as well interested in the spiritual dimension of poetry, especially in the degrees to which poetry can give us access to spiritual or emotional states beyond those we normally experience." - Mark Scroggins, American Book Review
In 2016, Shane Anderson made a vow to live according to the four core values of the Golden State Warriors to escape a decade of defeats—including divorce, debilitating spinal surgery and a suicide attempt. The basketball team’s values of joy, mindfulness, compassion, and competition became Anderson’s guiding principles, providing him a lens to investigate a myriad of social, personal, philosophical, and political issues, such as homelessness, the promises and failures of rave culture, and the limits of self-help. Part memoir, part essay, and part chronicle of the greatest five-year stretch of a team in NBA history, After the Oracle depicts the makes and misses of one expat trying to make a life worth living.
Asia & Haiti presents two long poems by Los Angeles poet Will Alexander, which, in the broadest sense, are about the cultures, economics, politics, history, and social concerns of the title regions. Alexander's poetry presents a remarkable re-writing of a history. Caught up in the vortex of a surrealist vision and tornadoes of language, his words call up an American equivalent of Aime Cesaire.
Claude Wheeler is a young man who was born after the American frontier has vanished. The son of a successful farmer and an intensely pious mother, Wheeler is guaranteed a comfortable livelihood. Nevertheless, Wheeler views himself as a victim of his father's success and his own inexplicable malaise.Thus, devoid of parental and spousal love, Wheeler finds a new purpose to his life in France, a faraway country that only existed for him in maps before the First World War. Will Wheeler ever succeed in his new goal? The novel is inspired from real-life events and also won the Pulitzer Prize in 1923.
Another gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes). This fixed-layout ebook is an exact replica of the print edition, and requires a color screen to properly display the high-resolution images it contains. For this reason, Envelope Poems is not available on devices with e-ink screens, such as Kindle Paperwhite. We apologize for any inconvenience.
Written in 1915, 'New Poems' is a collection of DH Lawrence's early poetry. He uses his profound perspectives on the world around him to explore issues such as human relationships, sensuality, and sexuality, setting them against unique backdrops. DH Lawrence (1885-1930) was an English poet and novelist. Famed for his lyrical prose, he was uncompromising in his mission to uncover the consequences of modernity and industrialization, particularly on sexuality, instinct, and spontaneity. His works, although innovative, were not truly appreciated until after his death, the most notable of which 'Lady Chatterley's Lover' was adapted to screen in 1981.