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Transnistria, Romania, did not exist on a map. Yet that is where ten-year-old Felicia Steigman and her parents arrive in 1941, after a cruel deportation and death march overseen by Romanian Nazi collaborators. On finally returning to their pre-war idyllic hometown, Vatra Dornei, after surviving three years amid squalor, devastation and death, they find their suffering being silenced. Decades later, Felicia is determined to commemorate the forgotten cemetery of Transnistria in a way that cannot be ignored.
A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....
A river is a thread, embroidering our world. This non-fiction picture book brings attention to the rivers that stitch and thread our world together.
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”
"A woman born without legs spends her days swimming with manatees. Two artists, separated by centuries, guide each other's hands. And a child of the Florida frontier sits on the graves of her siblings to think about race relations and the habits of caterpillars. These are some of the women who live along the banks of a river where water billows from caverns of silent lakes. None of them are famous. None have children. Instead, their stories exist in a mosaic of time and shadowed history, and the things of the river -- clay and water, trees and bone -- carry their memories forward."--Cover page 4.
The true story of a young black man's quest: to canoe the length of the Mississippi River from Minnesota to New Orleans.
Incorporating seven years of photography and research, Krista Schlyer portrays life along the Anacostia River, a Washington, DC, waterway rich in history and biodiversity that has nonetheless lingered for years in obscurity and neglect in our nation’s capital. River of Redemption offers an experience of the river that reveals its eons of natural history, centuries of destruction, and decades of restoration efforts. The story of the Anacostia echoes the story of rivers across America. Inspired by Aldo Leopold’s classic book, A Sand County Almanac, Krista Schlyer evokes a consciousness of time and place, taking readers through the seasons in the watershed as well as through the river’s complex history and ecology. As with rivers nationwide, the ways we’ve changed the Anacostia affect the people and wildlife that inhabit its shores, from the headwaters in Maryland, past its confluence with the Potomac River, and ultimately to the Chesapeake Bay. Centuries of abuse at the hands of people who have altered the landscape and mistreated the waterway have transformed it into a polluted, toxic soup unfit for swimming or fishing. The forgotten river is both a reminder of the worst humanity can do to the natural landscape and a wellspring of memory that offers a roadmap back to health and well-being for watershed residents, human and non-human alike. Blending stunning photography with informative and poignant text, River of Redemption offers the opportunity to reinvent our role in urban ecology and to redeem our relationship with this national river and watersheds nationwide.
“You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.” Andrew Ranulf Blankenship is a stylish nonconformist with wry wit, a classic Mustang, and a massive library. He’s also a recovering alcoholic and a practicing warlock. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic is a brutal game requiring blood sacrifice and a willingness to confront death, but years of peace and comfort have left him more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.
The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation
For fans of Cormac McCarthy and Annie Proulx, “a wonderfully cinematic story” (The Washington Post) set in the post-Katrina South after violent storms have decimated the region. It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn’t rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land. The Gulf Coast has been brought to its knees. Years of catastrophic hurricanes have so punished and depleted the region that the government has drawn a new boundary ninety miles north of the coastline. Life below the Line offers no services, no electricity, and no resources, and those who stay behind live by their own rules—including Cohen, whose wife and unborn child were killed during an evacuation attempt. He buried them on family land and never left. But after he is ambushed and his home is ransacked, Cohen is forced to flee. On the road north, he is captured by Aggie, a fanatical, snake-handling preacher who has a colony of captives and dangerous visions of repopulating the barren region. Now Cohen is faced with a decision: continue to the Line alone, or try to shepherd the madman’s prisoners across the unforgiving land with the biggest hurricane yet bearing down—and Cohen harboring a secret that poses the greatest threat of all. Eerily prophetic in its depiction of a Southern landscape ravaged by extreme weather, Rivers is a masterful tale of survival and redemption in a world where the next devastating storm is never far behind.“This is the kind of book that lifts you up with its mesmerizing language then pulls you under like a riptide” (The Atlanta Journal-Constitution).