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“A seventeenth-century heroine for our times” could face death for her dangerous affair with an English revolutionary (O, The Oprah Magazine). London, 1649. King Charles has been beheaded for treason; Cromwell is in power; paranoia and self-righteousness rule; and glove maker Rachel Lockyer has been engaged in a secret affair with William Walwyn, a Leveler who advocates for independence and tolerance. But when Rachel’s “bastard” infant is found hidden in the woods, Rachel is arrested. No one disputes that the young mother buried her beloved daughter. The question that has brought Rachel to trial for murder is: why? Now drawn into Rachel’s circle is the married lover she is loathe to reveal; a fiercely compassionate mother who lost her own children to smallpox; a prosecutor hell-bent on making an example of Rachel; and the criminal investigator, increasingly reluctant to build his case against the condemned young woman—all of them brought to reckon for this one life. At once a remarkable love story and a breathtaking thriller based on true events, Accidents of Providence is “heart-poundingly vivid [and] intellectually provocative . . . historical fiction at its best” (Kirkus Reviews, starred review). “[A] delightfully seditious heroine . . . Proof that a historical novel can be educational and entertaining.” —O, The Oprah Magazine “Wonderfully detailed and keenly researched, it is a moving portrait of a courageous woman caught between a disastrous affair with a charismatic revolutionary and the draconian laws of the land that would put her to death because of it.” —Kathleen Kent, author of The Traitor’s Wife
The story of an unmarried tradeswoman in London during the Puritan Revolution (1649–1650) whose passionate love affair leads to a trial for murder.
There is now an extensive literature on the social and environmental consequences of living in the risk society. Studies of trauma are also increasingly prominent. But scant attention has been paid to perceptions of risk and danger in the past — in particular, to the history of accidents and the meanings of the accidental. This collection of interdisciplinary essays addresses this lacuna providing a theoretically informed historical sociology of the accident and risk. It explores the social and cultural contexts in which ‘acts of God', calamities, catastrophes, disasters, injuries, casualties, and other category of ‘mishaps' were experienced, conceptualized and responded to. Drawing on the skills of British, European and North American scholars, Accidents in History combines philosophical, sociological and ecological overviews with in-depth historical case-studies. It spans the period from the eighteenth century to the present, probing the epistemological, social and political roots of the accidental. The authors differentiate between industrial and other forms of injury; trace the origins of the normalization of accidents; and analyze the interactions and gendered discrepancies between domestic and non-domestic mishaps. They also investigate the medicalization of sudden injury, and discuss the emergence of new socio-medical and humanitarian discourses around the organization of relief for victims.
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Collapsing buildings, unexpected meetings in the marketplace, monstrous births, encounters with pirates at sea—these and other unforeseen “accidents” at the turn of the seventeenth century in England acquired unprecedented significance in the early modern philosophical and cultural imagination. Drawing on intellectual history, cultural criticism, and rhetorical theory, this book chronicles the narrative transformation of “accident” from a philosophical dead end to an astonishing occasion for revelation and wonder in early modern religious life, dramatic practice, and experimental philosophy. Embracing the notion that accident was a concept with both learned and popular appeal, the book traces its evolution through Aristotelian, Scholastic, and Calvinist thought into a range of early modern texts. It suggests that for many English writers, accidental events raised fundamental questions about the nature of order in the world and the way that order should be apprehended. Alongside texts by such canonical figures as Shakespeare and Bacon, this study draws on several lesser-known authors of sensational news accounts about accidents that occurred around the turn of the seventeenth century. The result is a cultural anatomy of accidents as philosophical problem, theatrical conceit, spiritual landmark, and even a prototype for Baconian “experiment,” one that provides a fresh interpretation of the early modern engagement with contingency in intellectual and cultural terms.