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A book on the later works of the Austrian architect, designer and theoretician, Josef Frank.
Josef Frank (1885-1967) ranks among Europe's most significant architects of the twentieth century, and his designs for furniture and textiles have made him one of the eminent figures of modernist interior design. Though there have been many studies of Frank's architecture previously, Josef Frank--Spaces is the first comprehensive book to look specifically at Frank's single-family houses. Architects Mikael Bergquist and Olof Mich lsen explore the evolution of Frank's designs for single-family homes over the years, and they investigate the influences that shaped his work, such as Adolf Loos's "spatial plan" concept, Le Corbusier's ideas, and Hermann Muthesius's groundbreaking book The English House. The authors also look at Frank's architectural concepts of movement and his use of stairs in residential buildings. The book also includes an in-depth examination of six of Frank's houses, including both built projects-- the Villas Cla son and Wehtje in Falsterbo, Sweden, and Villa Beer in Vienna--and unrealized ones--House for Vienna XIII, House MS in Los Angeles, and Fantasy House 9 (Accidental House). This section includes images and plans of each of the houses and a close analysis of their specific characteristics. A complete catalog of Frank's single-family houses rounds out the book. Featuring new material and many previously unpublished images and plans, Josef Frank--Spaces will be the authoritative reference to this renowned architect's contributions to the design of residential dwellings.
APPENDIX: Essays by Oskar Strnad, Heinrich Kulka, and Josef Frank -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Architect, designer, and theorist Josef Frank (1885-1967) was known throughout Europe in the 1920s as one of the continent's leading modernists. Yet despite his important contributions to the development of modernism, Frank has been largely excluded from histories of the movement. Josef Frank: Life and Work is the first study that comprehensively explores the life, ideas, and designs of this complex and controversial figure. Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences. He was able to put these ideas into practice when, in 1933, he was forced to leave Vienna for Sweden. There his work came to define Swedish (or Scandinavian) modern design. For more than thirty years he was the chief designer for the Stockholm furnishings firm Svenskt Tenn, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s. In this sensitive study of one of the twentieth century's seminal architects and thinkers, Christopher Long offers new insight into Josef Frank's work and ideas and provides an important contribution to the understanding of modernist culture and its history.
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Between 1924 and 1936, the Austrian-born architect and designer who became a Swedish citizen, designed five summer houses in Falsterbo. In Villa Carlsten, the smallest of the Flasterbo projects, Frank shows how modernism can be combined with comfort in an inclusive and refined everyday architecture.
A mammoth history of interior design and the way it shapes our lives, in 20 iconic interiors Our homes are an expression of how we want to live; they shape our everyday routines and fundamentally affect our well-being. Interior design for the home sustains a giant global industry and feeds an entire branch of the media. However, the question of dwelling, or how to live, is found increasingly to be lacking in serious discourse. This book sets out to review the interior design of our homes. It discusses 20 iconic residential interiors from the present back to the 1920s, by architects, artists and designers such as Assemble, Cecil Beaton, Lina Bo Bardi, Arno Brandlhuber, Elsie de Wolfe, Elii, Josef Frank, Andrew Geller, IKEA, Finn Juhl, Michael Graves, Kisho Kurokawa, Adolf Loos, Claude Parent, Bernard Rudofsky, Margarete Schütte-Lihotzky, Alison and Peter Smithson, Jacques Tati, Mies van der Rohe and Andy Warhol. Including historic and recent photographs, drawings and plans, the book explores these case studies as key moments in the history of the modern interior. Penny Sparke provides a concise history of the discipline of interior design, Alice Rawsthorn investigates the role of gender, and Mark Taylor discusses the discourse on interior design in the 21st century. Adam Stech offers insights into the use of colour in residential interiors and Matteo Pirola offers a detailed and richly illustrated chronology of significant events in the history of interior design. In a portfolio of photographs selected exclusively for this book, Jasper Morrison explores what makes a good interior. In addition to interviews with contemporary interior design practitioners, experts in the fields of the sociology of living and psychology provide further insight. This book is a valuable resource for anyone interested in interior design.
Piero Fornasetti was a master of the decorative imagination. His motifs conjure up the illusionism of Arcimboldo, the grand architectural fantasies of Piranesi and Palladio, and something of the wit of Pirandello or even Picasso. Fornasetti's decorations transform furniture, created in collaboration with Gio Ponti, into art objects touched by trompe l'oeil humour. His designs endure in an astonishing variety of forms: chairs, desks, screens, pianos, plates, masks and other objects all present the artist's timeless vocabulary. Fornasetti's endless invention is celebrated here in a book published to coincide with a major retrospective exhibition in Paris. His visual puns and decorative devices are set out in the context of his paintings, little considered until now. Bibliophilia occupies centre stage, with graphic schemes, designs for imaginary libraries and bookcases set in ironic interiors. The book gathers a plentiful array of his famous Themes and Variations, a series of plate designs drawing on over 500 variations on the face of a famous operatic beauty. A full chronology of Fornasetti's life and work accompanies the text.
Previously uncollected essays of an architect whose love of people, buildings, and nature was reflected in the places he built. Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising are more relevant than ever.The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design, and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity, and great wit.