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ACCIDENTALLY LIKE A MARTYR: THE TORTURED ART OF WARREN ZEVON
An interdisciplinary examination of the strategies GLBTQ communities have used to advocate for political, social, and cultural change Queerly Remembered investigates the ways in which gay, lesbian, bisexual, transgender, and queer (GLBTQ) individuals and communities have increasingly turned to public tellings of their ostensibly shared pasts in order to advocate for political, social, and cultural change in the present. Much like nations, institutions, and other minority groups before them, GLBTQ people have found communicating their past(s)—particularly as expressed through the concept of memory—a rich resource for leveraging historical and contemporary opinions toward their cause. Drawing from the interdisciplinary fields of rhetorical studies, memory studies, gay and lesbian studies, and queer theory, Thomas R. Dunn considers both the ephemeral tactics and monumental strategies that GLBTQ communities have used to effect their queer persuasion. More broadly this volume addresses the challenges and opportunities posed by embracing historical representations of GLBTQ individuals and communities as a political strategy. Particularly for a diverse community whose past is marked by the traumas of the HIV/AIDS pandemic, the forgetting and destruction of GLBTQ history, and the sometimes-divisive representational politics of fluid, intersectional identities, portraying a shared past is an exercise fraught with conflict despite its potential rewards. Nonetheless, by investigating rich rhetorical case studies through time and across diverse artifacts—including monuments, memorials, statues, media publications, gravestones, and textbooks—Queerly Remembered reveals that our current queer "turn toward memory" is a complex, enduring, and avowedly rich rhetorical undertaking.
Using perspectives on death from ancient Greek, Roman and Jewish traditions, a theology professor discusses the history of Christian martyrdom and challenges the traditional understanding of the spread of Christianity.
'Come out! Get ready! It's for our religion! From biting these cartridges we shall become infidels!' On a sleepy Sunday afternoon in March 1857, an agitated sepoy in the English East India Company's 34th Native Infantry marched on to the parade ground in Barrackpore, exhorting his comrades to join him in protecting their religion from the Europeans. When British officers arrived to arrest him, he drew his sword on them and then turned his musket on himself. As he was led off to the gallows a few days later, Mangal Pandey passed into history and legend as the man who single-handedly started the 1857 Rising. But who was the real Mangal Pandey? A dashing, heroic figure, as portrayed by Aamir Khan in the film The Rising? A flery patriot who embarked on a suicidal mission to defend his country's honour? Or just an ordinary sepoy who, in a state of intoxication, committed a foolhardy act for which he was hanged?Lively, thought-provoking as well as scholarly, Rudrangshu Mukherjee's analysis of this emotive episode in Indian history presents a vivid picture of life in the barracks of the East India Company's cantonments in 1857, describes the social customs and military regulations that governed the daily routines of Mangal Pandey and other Indian sepoys, and examines the controversies and unrest that foreshadowed the 1857 Rising. Uncovering the hard facts behind the myths and conjectures of popular belief, nationalist rhetoric and cinematic imagination, this book provides, for the first time, a credible portrait of Mangal Pandey as he really was.
“This just may be my favorite true-life amazing-but-true tale—never has threatening an aircraft been funnier or more thought-provoking.” —Cory Doctorow, author of Little Brother and Homeland “I devoured the more than four hundred pages of this memoir in what was essentially one sitting . . . A welcome addition to the library of Mormon autobiography—educational and highly entertaining.” —Richard Packham, Dawning of a Brighter Day 1987. A faltering missionary named Bill Shunn lands himself in a Canadian jail, facing charges of hijacking and the prospect of life behind bars. 1844. A frontier prophet named Joseph Smith lands himself in an Illinois jail, facing charges of treason and the prospect of imminent lynching. What binds these two men together? This riveting memoir—by turns hilarious, provocative and thrilling—answers that question in style, weaving from their stories a spellbinding tapestry of deception, desperation and defiance. Answer its call and you’ll never look at a Mormon missionary the same way again. “You will read few other books as smart, funny, honest, and heartbreaking as The Accidental Terrorist, and I unreservedly recommend it to you as both a home-grown cautionary tale and a highly original coming-of-age saga.” —Michael Bishop, author of Ancient of Days and editor of A Cross of Centuries “The book grabs you on page one and never lets go. Fantastically written, beautifully paced, The Accidental Terrorist reads like a novel instead of a memoir. Only in novel form, no one would have ever believed these events could have happened. Believe it. William Shunn lived every word of this book. That he can share it so eloquently is a tribute not just to his writing skill, but his strengths as a human being.” —Kristine Kathryn Rusch, USA Today bestselling author Finalist for the 2015 Association for Mormon Letters Award
Over 13,000 Americans have been murdered in the late twentieth and early twenty-first centuries because of their sexual orientation and gender presentation. In Unfinished Lives: Reviving the Memory of LGBTQ Hate Crimes Victims, Stephen Sprinkle puts a human face on the outrage and loss suffered when people die from anti-gay hatred. Beginning with new developments in the story of Matthew Shepard's murder in Laramie, Wyoming, Sprinkle tells the stories of fourteen representative LGBTQ victims whose lives were savagely cut short due to homophobia and transphobia. These are stories about people who could be your neighbor, classmate, co-worker, or friend-real, everyday people whose love was foreclosed, relationships brutally terminated, and future contributions stolen from us by outrageous, irrational hatred. Told lovingly yet unflinchingly, Unfinished Lives lifts the stories of these LGBTQ victims from undeserved obscurity, allowing their memory to live again. Relying on personal interviews and visits to the locations where these people lived, loved, and died, Sprinkle records the raw emotions, powerful movements for social change, and unexpectedly hopeful communities that arise from the ruins of those people whose only "offense" was to live as they were born to be. Part portraiture, part crime narrative, and part ethnography, Unfinished Lives is poised to change the conversation on hate crimes in the United States.
Pseudo-Martyr was Donne's first published work and the only one he wrote as a lawyer. It is also an autobiographical document which reveals how Donne resolved his own lapse from Catholicism so that he could remain loyal to the king. A descendant of Thomas More's sister, Donne had inherited a rich tradition from the Counter-Reformation, which he sought to reconcile with the political absolutes of his day. Anthony Raspa provides a definitive critical edition of this long-neglected work, setting it in its historical context and making the forest of quotations and references given by Donne in the main body of the text and its margins intelligible to the modern reader.
The cult of St Ursula and the 11,000 virgins was one of the most popular and relic-rich of all saints’ cults in the medieval period. This volume constitutes the first interdisciplinary collection of essays in English to explore the development and transmission of the legend of St Ursula in detail, considering a wealth of different sources including physical remains, literary texts, artistic representations and medieval music.
The papers in this volume were presented at a Mellon-Sawyer Seminar held at the University of Oxford in 2009-2010, which sought to investigate side by side the two important movements of conversion that frame late antiquity: to Christianity at its start, and to Islam at the other end. Challenging the opposition between the two stereotypes of Islamic conversion as an intrinsically violent process, and Christian conversion as a fundamentally spiritual one, the papers seek to isolate the behaviours and circumstances that made conversion both such a common and such a contested phenomenon. The spread of Buddhism in Asia in broadly the same period serves as an external comparator that was not caught in the net of the Abrahamic religions. The volume is organised around several themes, reflecting the concerns of the initial project with the articulation between norm and practice, the role of authorities and institutions, and the social and individual fluidity on the ground. Debates, discussions, and the expression of norms and principles about conversion conversion are not rare in societies experiencing religious change, and the first section of the book examines some of the main issues brought up by surviving sources. This is followed by three sections examining different aspects of how those principles were - or were not - put into practice: how conversion was handled by the state, how it was continuously redefined by individual ambivalence and cultural fluidity, and how it was enshrined through different forms of institutionalization. Finally, a topographical coda examines the effects of religious change on the iconic holy city of Jerusalem.
This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.