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A guide to proper American English word usage, grammar, pronunciation, and style features examples of good and bad usage from the media.
A comprehensive guide to legal style and usage, with practical advice on how to write clear, jargon-free legal prose. Includes style tips as well as definitions.
In his debut book, Nebraskan author Scott Howard exposes the actors financing the institutionalization of transgenderism. Behind the medical research into gender transitioning of children, ubiquitous pride parades, and Drag Queen Story Hours is a lot of money. Sex education, the homosexual and feminist precursor projects, and the global propaganda are all pushed and paid for by very wealthy and well-connected people with motive and will. Howard demonstrates that the transgender phenomenon is far from the "grass-roots movement" some of its advocates would have the public believe. Impeccably sourced and researched, The Transgender-Industrial Complex pulls the mask off the complex network of influential groups responsible for this inhuman project. Howard takes a deep dive into the murky depths of the Big Money behind Big Gay, exposing how the concept gained such recognition as well as the goals of the people behind it. At once wide-ranging and specific, advanced and accessible, The Transgender-Industrial Complex is essential reading for anyone who wants to understand why every institution with power, and a great many without, are uniform in their inversion of reality, their religion of lies, and their commitment to all that is ugly, broken, and foul. Antelope Hill is proud to present it's first original work: Scott Howard's The Transgender-Industrial Complex.
This book is a simple yet thorough introduction to Q methodology, a research technique designed to capture the subjective or first-person viewpoints of its participants. Watts and Stenner outline the key theoretical concepts developed by William Stephenson, the founder of Q methodology, including subjectivity, concourse theory and abduction. They then turn to the practicalities of delivering high quality Q methodological research. Using worked examples throughout, the reader is guided through: • important design issues • the conduct of fieldwork • all the analytic processes of Q methodology, including factor extraction, factor rotation and factor interpretation. Drawing on helpful conceptual introductions to potentially difficult statistical concepts and a step-by-step guide to running Q methodological analyses using dedicated software, this book enables interested readers to design, manage, analyse, interpret and publish their own Q methodological research.
The remarkable expansion of information leading to a deeper understanding of enzymes on the molecular level necessitated the development of this volume which not only introduces new topics to The Enzymes series but presents new information on some covered in Volume I and II of this edition.
An erudite scholar and an elegant writer, Gordon S. Wood has won both numerous awards and a broad readership since the 1969 publication of his widely acclaimed The Creation of the American Republic. With The Purpose of the Past, Wood has essentially created a history of American history, assessing the current state of history vis-à-vis the work of some of its most important scholars-doling out praise and scorn with equal measure. In this wise, passionate defense of history's ongoing necessity, Wood argues that we cannot make intelligent decisions about the future without understanding our past. Wood offers a master's insight into what history-at its best-can be and reflects on its evolving and essential role in our culture.
“A thoughtful, intimate memoir of life in the burgeoning movement of new jazz, poetry, and politics . . . in Lower Manhattan in the late 1950s and early 1960s” (Alix Kate Shulman, The Nation). Greenwich Village in the 1950s was a haven to which young poets, painters, and musicians flocked. Among them was Hettie Cohen, who’d been born into a middle-class Jewish family in Queens and who’d chosen to cross racial barriers to marry African American poet LeRoi Jones. This is her reminiscence of life in the awakening East Village in the era of the Beats, Black Power, and bohemia. “As the wife of controversial black playwright-poet LeRoi Jones (now Amiri Baraka), Hettie Cohen, a white Jew from Queens, NY, plunged into the Greenwich Village bohemia of jazz, poetry, leftish politics and underground publishing in the late 1950s. Their life together ended in 1965, partly, she implies, because of separatist pressures on blacks to end their interracial marriages. In this restrained autobiographical mix of introspection and gossip, the author writes of coping with racial prejudice and violence, raising two daughters, and of living in the shadow of her husband. When the couple divorced, she became a children’s book author and poet. The memoir is dotted with glimpses of Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O’Hara, Billie Holiday, James Baldwin, Franz Kline, among others.” —Publishers Weekly
Winner of the Hayden Carruth Award uses "broken sonnets" to explore complex juxtapositions of contemporary culture.
Since the 1987 appearance of A Dictionary of Modern Legal Usage, Bryan A. Garner has proved to be a versatile and prolific writer on legal-linguistic subjects. This collection of his essays shows both profound scholarship and sharp wit. The essays cover subjects as wide-ranging as learning to write, style, persuasion, contractual and legislative drafting, grammar, lexicography, writing in law school, writing in law practice, judicial writing, and all the literature relating to these diverse subjects.