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For centuries Hungarian village and peasant craftsmen and women have practiced the folk art of decorating embroidery, furniture, walls, pottery and paintings with regional motifs. Each motif is peculiar to one of the numerous ethnic and geographic areas comprising modern Hungary. Anne Szalavary's mother collected authentic designs from every corner of that country, and the author has adapted over 250 of them for use by embroiderers, woodworkers, and other craftspeople.
Péter Hajdu examines the cultivation of the Classics as an intellectual framework and crucial ingredient of the western aspect of Hungarian national identity. This book approaches the relationship of modern Hungarian culture to classical heritage from the various viewpoints of identity politics, education, translation history, scholarship, and its impact on literature. When the Hungarian nation-building project developed ideas of national identity, it necessarily incorporated the historical narrative according to which the Hungarians arrived at their current homeland in the Middle Ages, and only later did it adopt European culture. The duplicity of a mostly imagined Asian, pagan, barbaric or nomadic culture, and a Western, Christian, civilized identity, deeply rooted in European culture, has played and continues to play a role in the Hungarian discourse. Hajdu also studies the gradual disappearance of classics from the Hungarian school education since the 19th century, which has been accompanied by fervid political debates. However, over this period, translations of classical texts paradoxically became more frequent and popular with the decline of a classical education, even though fewer readers had access to the original texts. Despite this change, the translation strategies tended to remain school-bound. The knowledge of classical literature still leaves traces on Hungarian literature, which Hajdu explores using examples from nineteenth-century novels and contemporary poetry. This book sheds light on a topic of classical reception that has remained largely unexplored in this part of Europe, but one which has an incredibly rich history, culture and literary tradition.
'This book is about one of the most important questions under investigation both in Hungary and throughout Europe, namely, how and under what effects is traditional popular culture territorially distributed. This work uses new methods and new sources; it is based on the digital elaboration of the biggest and most comprehensive data set of Hungarian ethnological research, the 634 maps of the Atlas of Hungarian Folk Culture. Borsos's interdisciplinary elaboration creates a synthesis in ethnocartography with the help of mathematical, statistical methods and computerised cluster analysis, and thus assures an important leap in the science of ethnography.' Committee of Ethnology, Hungarian Academy of Sciences 'This work is a compendium, in the classical sense of the word, justifying, clarifying or eventually refuting our former knowledge obtained on the extremely rich distribution pattern of land and culture which characterises the Hungarian people. A comprehensive outlook, giving help to find our way in the complicated spatial labyrinth of cultural organisation.' Balázs Balogh, Director, HAS RCH Institute of Ethnology Balázs Borsos, Prof., DSc. of ethnography, has been working at the Institute of Ethnology of the Hungarian Academy of Sciences for nearly 30 years, since 2010 as scientific councilor (full professor). He was deputy director of the institute between 2002 and 2012. His main research interests lie in visual and ecological anthropology, ethnocartography, African ethnology.
The Zsolnay Manufactory represents a triumph of Hungarian applied arts, for during its heyday it produced elegant and innovative ceramics for an international clientele as well as architectural ceramics that embellished some of the finest public and private buildings in the Austro-Hungarian empire. This manual recounts the story of the 150-year-old company and presents numerous examples of its work, showing how its changing fortunes reflect the cultural, economic and political developments in Central and Eastern Europe.
The first comprehensive survey in English of Hungarian architecture, from prehistoric settlements to contemporary experiments. Perhaps most revealing to Western readers are the illustrations and line drawings, which document one of the most neglected but fascinating architectural traditions of Europe. 305 illustrations, 12 in color.