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Injustice, romance and suspense smolder in a small Southern town in this novel from the Queen of Rubenesque Romances, Pat Ballard. Abigail Avery was falsely convicted of the murder of her father and sent to prison when she was only eighteen years old. The supposedly good citizens of Leaky Springs, Mississippi were silent as an innocent young woman was orphaned, accused, swiftly tried and locked away. Her only clue in the travesty of justice is that a bunch of crooked "good ole boys"—headed by the judge who presided at her trial—keep pestering her to sell the family farm. Now, a decade later, Abigail's out of prison and heading back to Leaky Springs. It won't be a pleasant homecoming. She's out for revenge on the people who stole ten years of her life. Especially the judge.
Emily Randall, a farm gal, and her soon to be husband, Joshua Owens, are police detectives that work alongside with Sergeant Richards. Emily is called to the scene regarding the suspicious death of a young woman. At first nothing seems to be amiss, but as they start investigating, other events unfold. While at the house, the lights suddenly go out. The death is later ruled as murder. To top all this, the elusive and vengeful Inspector Carol makes odd remarks, then altogether disappears from the scene. Emily's best friend and maid of honor, Rachel, is found murdered. The charming romance between Josh and Emily leads to marriage but their honeymoon is cut short and someone else is found dead. As more information comes to light, the mystery becomes more confusing and full of suspense until the first concrete clue is found. It's a race against time to find out who the cold-blooded killer is and to establish motive.
Jackie Kendall's childhood was a horror story of abuse. A counselor deemed her family "one of the top-ten most dysfunctional in America." Family members have dealt with this trauma in different ways: Two siblings committed suicide. Some siblings ran wild. When Jackie decided that she wanted to break the mold and be a healthy, loving woman, to forgive or not to forgive was not a question. Simply put: one can't love freely without the developed skill of forgiving freely. In Free Yourself to Love, Jackie shares her own story and struggle to learn this vital life skill. She also reveals the reasons for -- and results of -- refusing to forgive. In passionate, empathetic prose, Jackie urges her readers to exchange free-floating bitterness for the freedom to love and be loved.
In the near future the Pro-Health Laws of the United States of America have become so oppressive that people seeking freedom over their bodies have established a new country. In FatLand, life is good and scales are forbidden. Free from the hatred and discrimination of the Other Side, FatLanders have built happy, productive lives. But not everyone is flourishing. Ava came to FatLand after her lover died from bariatric surgery. She threw herself into work, believing she was immune from love. Then she saw a beautiful dancer and lost her heart again. Alvin and Reevie thought that by living in FatLand they could give their children and each other a chance for a life free of sizeism and racism. They didn't count on their lovely twin daughters' curiosity and yearning for excitement and danger. Joanne and Ed carved out what they thought was a peaceful existence. But their bright children are anything but happy in the well-appointed home and tranquil life their parents had created in FatLand. Well-to-do, attractive and sophisticated, Dara and Sandor thought they could make the FatLand Board dance to whatever tune they wished. But their way of life and beliefs are about to be tested more severely than either of them could have imagined. Dreaming and determined, luscious Margaret fled to FatLand after her rich, powerful paramour married a thin woman he didn't care for. She made a deal with her devil so she could publish the top flight newspaper FatLand badly needed. But then the devil called in the cards. Soon these FatLanders and the freedom fighters on the Other Side will face forces threatening the health and happiness of all.
A 21st century woman is transported to 1870s Texas, where she must decided whether to stay with the man she loves or return to her own time.
Bluebeard gets a feminist Gothic makeover in this subversive take on the famous French fairy tale-from the acclaimed director of The Love Witch, and for fans of Jane Eyre When the successful British mystery writer Judith Moore meets Gavin, a handsome and charming baron, at a birthday party on the Cornish coast, his love transforms her from a bitter, lonely young woman into a romance heroine overnight. After a whirlwind honeymoon in Paris, he whisks her away to a secluded Gothic castle. But soon she finds herself trapped in a nightmare, as her husband's mysterious nature and his alternation between charm and violence become increasingly frightening. As Judith battles both internal and external demons, including sexual ambivalence, psychological self-torture, gaslighting, family neglect, alcoholism, and domestic abuse, she becomes increasingly addicted to her wild beast of a husband. Why do women stay in abusive relationships? The answer can be found in the tortured mind of the protagonist, whose richly layered fantasy life parallels that of the female Gothic romance reader. Filled with dark humor and evocative imagery, Bluebeard's Castle is a subversive take on modern romance and Gothic erotica.
Fat prejudice is exploding in American society, yet even social justice advocates tend to deny fat individuals protection because fat is seen as unhealthy and permanently changeable—concepts supported by a great deal of societal belief and very little scientific evidence. Using bell hooks' ideology of domination, Lonie McMichael explores the phenomena of fat prejudice—from inception to resistance—through a rhetorical lens. Looking at the actual experiences of fat people, she argues that fat prejudice is neither acceptable nor tolerable in our society. Publishers Weekly called Acceptable Prejudice? "a useful introduction to a burgeoning movement...will make readers question their attitudes about overweight people."
All Pamela Spencer wants is to help her brother, Tom, get his life back on track. After a job-related accident, he's confined to a wheelchair, unable to do anything except endure excruciating pain. When Pam discovers an ad in the newspaper advertising for "a worthy heir" to inherit Fiona Bainbridge's millions, she jumps at the chance that will allow Tom to be back under a doctor's care. After all, it was Fiona's company that caused Tom's problems in the first place. Reese Bainbridge, Fiona's grandson, has refused to have anything to do with Bainbridge Corporation. But he quickly returns home when he discovers that his fanatical grandmother has run an ad in the newspaper for someone to replace him as her heir. His frustration with his grandmother grows when he discovers she has moved the beautiful, voluptuous, green-eyed blonde and her freeloading brother into the house that he's supposed to inherit. Sparks will fly—and Pam is up to the challenge.
In a small college town in Pennsylvania the lives of a bigamist's wife, a Polish orphan, an ex-priest and his wife—a former nun—and a mute teenage runaway intersect. The Season of Lost Children explores the question of what constitutes family and finds that the answer is often closer than we think, if only we look with and within our hearts. The Season of Lost Children can be enjoyed on its own, but was also written as part of The Fenston Trilogy, in which Blomain planned to trace fifty years of the interwoven lives and friendship of three women in a bucolic Pennsylvania college town. While The Season of Lost Children focuses on the life of the eccentric former nun, Eleanor Roderi, the first novel in the planned trilogy, A Trick of Light, chronicles the heartbreaking discovery and redemption of Hattie Darling, the only daughter of the town's first family.