J. G. Patterson
Published: 2015-06-16
Total Pages: 278
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Excerpt from A Zola Dictionary: The Characters of the Rougon-Macquart Novels of Émile Zola; With a Biographical and Critical Introduction, Synopses of the Plots, Bibliographical Note, Map, Genealogy, Etc In the preparation of my Introduction I have, of course, reused for information on the recognized Biographies of Zola, namely, Notes d'un Ami, by Paul Alexis (Paris, Charpentier); nUle Zola, a Biographical and Critical Study, by B.H. Sherrard (London, Chatto Windus, 893); JmiU Zola, Novelist and Reformer :An account of his Life and Work, by Ernest Alfred Vizetelly (London, John Lane, 1904). Reference has also been made to Mr. Arthur Symons Studies in Prose and Verse, and to articles in the Fortnightly Review) by Mr. Andrew Lang, in the Atlantic Monthly by Mr. Henry James, and in the Contemporary Review by M.Edouard Bod, as well as to articles in the Encyclopedia Britannica and in the Dictionnaire Universel des Contemporains. By kind permission of Messrs. Chatto Windus it has been possible to include the diagram of the Rougon-Macquart Genealogical Tree, which appears in the Preface to their edition of Doctor Pascal, and to make use of their translations in the preparation of the Dictionary. In compiling the latter, Zolas own words have been adopted so far as possible, though usually they have required such condensation as to make direct quotation difficult. This difficulty was increased by the fact that occasional use was made of different translations of the same book, and that frequent references to the original were found necessary. The Synopses of the Plots of the novels are arranged in the order in which the books should be read, as indicated by their Author in Le Docteur Pascal, and confirmed by his biographer, Mr. E. A. Vizetelly. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.