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Create beautiful botanical artworks, engage with the natural world around you, and take pleasure in the changing seasons with A Year of Watercolour. Award-winning and bestselling artist and tutor Harriet de Winton takes you through more than 30 step-by-step botanical paintings that span the seasons. Learn to paint cherry blossoms and lambs in the spring, honeybees and wildflowers for summer, oak leaves and harvest mice in autumn, and pine trees and snowdrops in winter. Plus, enjoy charming bonus features like a recipe for wild garlic pesto in springtime, or guidance on how to paint a festive wreath with winter berries and foliage. The perfect primer for creating seasonal cards, personalized stationery and stunning artworks to decorate your home or give to friends and family.
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.
In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
Realities once obscured are approaching the light, revealed for everyone to scrutinise and make apparent to the global community. This knowledge can no longer hold back those uncomfortable ‘truths’, languishing in dust covered archives: lain forgotten until the world began digitising, ready for the 21st century to access on the inter-web, at long last. This monograph represents a visual exploration into the relationships between painting, photography and our mediation with phantasmagorical collaged realities, investigating relational aspects about the way we interact with images and how these represent positive and negative forces, in-turn educating new ‘ways of seeing’.
The British artist and TV personality shows you how to have fun with watercolours by scribbling away, using big brushes, and slapping on paint. Accomplished artist, Charles Evans, will have you painting in no time with these cleverly-constructed art projects that can each be completed in a matter of minutes. Packed with simple techniques and top tips that will ensure successful results every time, Charles’ easy-to-follow instruction will help improve your painting skills at once. Quick & Clever Watercolours . . . Helps you learn professional hints and tricks about using watercolours and watercolour pencils which offer extra flexibility and convenience Includes varied art projects for outdoors and indoors, ranging from simple landscapes to more complex compositions, from pets to still lives Reveals inspirational pages from Charles’ own sketchbooks that clearly demonstrate the immediacy of this medium
Writes of Passage explores the interplay between a system of "othering" which travelers bring to a place, and the "real" geographical difference they discover upon arrival. Exposing the tensions between the imaginary and real, Duncan and Gregory and a team of leading internationa contributors focus primarily upon travelers from the 18th and 19th Centuries to pin down the imaginary within the context of imperial power. The contributors focus on travel to three main regions: Africa, South Asia, and Europe - wit the European examples being drawn from Britain, France and Greece.
In addition to his many remarkable paintings and drawings, Vincent van Gogh (1853-1890) left behind a fascinating and voluminous body of correspondence. This highly accessible book includes a broad selection of 265 letters, from a total of 820 in existence, that focus on Van Gogh’s relentless quest to find his destiny, a search that led him to become an artist; the close bond with his brother Theo; his fraught relationship with his father; his innate yearning for recognition; and his great love of art and literature. The correspondence not only offers detailed insights into Van Gogh’s complex inner life, but also re-creates the world in which he lived and the artistic avant-garde that was taking hold in Paris. The letters are accompanied by a general introduction, historic family photographs, and reproductions of 87 actual pages of letters that contain sketches by Van Gogh. Selected from the critically acclaimed 6-volume set of letters published by the Van Gogh Museum in 2009, Ever Yours is the essential book on Van Gogh’s letters, which every art and literature lover needs to own.
Lucy Willis is a well-known and successful watercolourist, renowned for her atmospheric paintings full of sunlight and shade. In her third book , Sunlight and Shadows in Watercolour, Lucy Willis shares her professional tips and expertise on painting inspirational landscapes and interiors full of light. There are several step-by-step demonstration paintings on how to achieve the different effects of light – bright sunlight, shadows, dappled light and night-time scenes. In addition, Lucy shows how to paint from photographs, how to mix colour, and stresses the importance of tone in creating a successful composition. The themes and subjects covered are Landscape, Water, Gardens, Architecture, Interiors, Still Life, Portraits and the importance of keeping a sketchbook. Lucy Willis encourages all watercolourists, whatever their level, to exploit the versatile effects of watercolour and produce exciting, atmospheric work of their own.