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Cycling's vast history is a fascinating mix of gripping sporting moments, inspired pursuits and a whole host of heroes, hellions and legend-makers. A Year in the Saddle travels through the calendar year, each day telling a single cycling story: from the death of the great Fausto Coppi, through to the dominance of Sir Chris Hoy on the veoldrome track. It takes in the highest peaks of the Tour de France and the flats of Flanders, as well as celebrating the history of the bike itself.ÿ Cycling writer Giles Belbin brings together the most important, memorable and intriguing moments of this wide and varied history. With striking and beautiful illustrations by artist Daniel Seex, each inspired by the stories told,ÿA Year in the Saddle is a sporting treasure trove of human virtue, vice and cycling trivia. ÿ ÿ
Lisa’s on the trail ride of her life! Lisa Atwood and Carole Hanson are going to the Bar None Ranch to see their friend Kate. Of course, the Bar None means horses, but this year there’s also a cool archaeological dig going on nearby, and the girls are frequent visitors to the site. They’re having a perfect trip–and what better way to enjoy it than with a bareback midnight trail ride to watch a meteor shower? On the trail ride, Carole falls seriously ill, and Lisa has to leave her to get help. But there are other people out in the desert that night, and they don’t want Lisa to go anywhere. Now Lisa must ride for her life–and Carole’s.
When one of Pine Hollow's students makes a terrible mistake, causing a tragic accident, Carole is done with riding forever. Unless Stevie and Lisa can remind her what friendship and the Saddle Club are all about.
It's Thanksgiving time at Pine Hollow Stables, and the three members of the Saddle Club have each decided to do one good deed to celebrate the holiday. Stevie has offered to do some chores around the stable; Carole's invited stuck-up Veronica diAngelo to Thanksgiving dinner; and Lisa isn't sure what her generous act will be until she realizes that there's a special horse at Pine Hollow who really needs her.
If only the Pine Hollow girls could be as good at relationships as they are at riding horses After scoring well on the PSATs, Carole is finally getting some of the privileges back from before she was grounded. Even though she can’t work or see her friends as much as she used to, her dad is letting her go to Pine Hollow four days a week, which means she gets to see Ben. Since returning from California, Lisa and Alex haven’t been the same. They decide to take a “break” from their relationship, but what does that really mean? Meanwhile, Stevie’s first assignment on the school paper is about marriage. It’s not exactly hard-hitting journalism, but she just may learn a thing or two about romance while writing it.
A troubled girl and a damaged horse find each other, and against all odds — mistaken identity, abandonment, corruption, and fraud — make an unbeatable team. His name is Sundancer, and from the moment he arrives at Saddle Creek Farm, Bird is fascinated by him. The horse is suspicious and guarded, touchy, and even cruel. Bird’s Aunt Hannah calls him “unrideable,” and Bird has to admit that Sundancer might be trouble. But Bird, whose mother left her to be raised by her aunt halfway across the country, is a bit of trouble herself. How else would you describe a girl who hasn’t spoken since she was six, and hears things no one else can hear — like the thoughts of the animals she befriends? Sundancer is a wounded horse with a story he’s not ready to share. Bird starts to feel like, maybe, they aren’t so different, and maybe she needs him as much as he needs her. Will she be able to reach him before it’s too late?
The Prodigal Is Coming Home It's been a long time since Colt Stafford shrugged off his cowboy legacy for shiny Manhattan loafers and a promising career on Wall Street. But when stock market manipulations leave him financially strapped, the oldest son of legendary rancher Sam Stafford decides to return to the sprawling Double S ranch in Gray's Glen, Washington. He's broke, but not broken, and it's time to get his legs back under him by climbing into the saddle again. He doesn't expect to come home to a stranger pointing a loaded gun at his chest-- a tough yet beautiful woman that Sam hired as the house manager. Colt senses there's more to Angelina Morales than meets the eye, and he's determined to find out what she's hiding...and why. Colt's return brings new challenges. Younger brother Nick, who's longbeen Sam's right-hand man,isn't thrilled when Colt inserts himself into Double S affairs. And the ranch's contentious relationship with the town's people forces all the Stafford men to reconsider what it truly means to be a neighbor. As Wall Street recovers, will Colt succumb to the call of the financial district--or stay in the saddle for good?
Annie can hardly wait until Surprise, Jill's one-month-old foal, is big enough to ride. But when Annie falls off Splash during a riding lesson, the rattled Pony Scout has to decide whether or not to get back in the saddle. The Pony Scouts series is full of all the rich details young horse lovers devour, from pony-centric plots to a "Pony Pointers" vocabulary page at the end of each book. Go camping with the Pony Scouts! Author Catherine Hapka is a lifelong horse lover. She rides several times per week and keeps three horses on her small farm in Pennsylvania. If you're looking for horse books for girls 4-8, don't miss the Pony Scouts books. Pony Scouts: Back in the Saddle is a Level Two I Can Read book, geared for kids who read on their own but still need a little help. Whether shared at home or in a classroom, the engaging stories, longer sentences, and language play of Level Two books are proven to help kids take their next steps toward reading success.
“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.