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An exploration by the artist and scholar Zoe Beloff of Sergei Eisenstein and Bertolt Brecht's experiences in Hollywood in the Thirties and Forties with a focus on the unrealized films "Glass House" by Eisenstein and "A Model Family in a Model Home" by Brecht. The book reproduces many important and little-known documents from the period including a large selection of previously unpublished drawings by Eisenstein discovered by Beloff in the Russian State Archive of Literature and Art in Moscow. Also included is documentation of three films by Zoe Beloff inspired by "Glass House," "A Model Family in a Model Home" and the writings of Eisenstein and Brecht as they contemplate the politics and culture of Hollywood. Two essays scholarly essays have been commissioned for this project: an essay by Hannah Frank on the affinities of American and Soviet animation during this period and a meditation on the role of laughter in the work of Bertolt Brecht by the Walter Benjamin scholar Esther Leslie.
Slavery transformed Africa, Europe and the Americas and hugely-enhanced the well-being of the West but the subject of slavery can be hard to understand because of its huge geographic and chronological span. This book uses a unique atlas format to present the story of slavery, explaining its historical importance and making this complex story and its geographical setting easy to understand.
In a perfect storm, the environment, the global economic system and geopolitics are all undergoing rapid, uncontrolled change. In the same way that the climate is in a state of flux, exhibiting erratic behavior before settling into a new norm, in the wake of the global economic crisis, many of the assumptions about the Western economic system have been destroyed, which leads to some troubling questions: How aggressive will water-hungry China become in order to secure a sufficient supply of it? What will happen when climate-triggered conflicts like the one in Sudan spread throughout the continent? As India takes its proper place at the high table of nations and begins large-scale importing of food, what will happen to already shrinking supplies? Global Warring takes a hard look at these questions. Journalist and analyst Cleo Paskal identifies problem areas that are most likely to start wars, destroy economies and create failed states. Examining the most likely environmental change scenarios, she illuminates the ways in which they could radically alter human existence. A fascinating tour through our uncertain future, Global Warring also offers a controversial new way forward for the global economy and the worldwide environmental crisis.
Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today. This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
The author's "fifth collection of essays on international affairs in forty years ... written in the past six years"--intro.