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With the author's self-portrait sketch on the cover, ""A Word With Wilderness: Poems Inspired by American Nature? is a collection of soulful nature poems accompanied by her elegant and delightful hand-drawn sketches. The gifted poet's subtle yet innocent, and often spiritual way of looking at nature's wonders makes her poetry a joy for any true nature lover - in America or any other part of the world. NOTE: This paperback edition has BLACK & WHITE INTERIOR featuring the illustrations in classic monochrome style. The preview may show color. Gyaneshwari Dave is a writer/poet, illustrator, nature photographer and the founder of www.pineconedream.com.
For every day from Shrove Tuesday to Easter Day, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive reflections on it. A scholar of poetry and a renowned poet himself, his knowledge is deep and wide and he offers readers a soul-food feast for Lent.
The effort to create a serious Hebrew literature in the United States in the years around World War I is one of the best kept secrets of American Jewish history. Hebrew had been revived as a modern literary language in nineteenth-century Russia and then taken to Palestine as part of the Zionist revolution. But the overwhelming majority of Jewish emigrants from Eastern Europe settled in America, and a passionate kernel among them believed that Hebrew provided the vehicle for modernizing the Jewish people while maintaining their connection to Zion. These American Hebraists created schools, journals, newspapers, and, most of all, a high literary culture focused on producing poetry. Sanctuary in the Wilderness is a critical introduction to American Hebrew poetry, focusing on a dozen key poets. This secular poetry began with a preoccupation with the situation of the individual in a disenchanted world and then moved outward to engage American vistas and Jewish fate and hope in midcentury. American Hebrew poets hoped to be read in both Palestine and America, but were disappointed on both scores. Several moved to Israel and connected with the vital literary scene there, but most stayed and persisted in the cause of American Hebraism.
In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets- from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder- have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale.
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Winner of the Pulitzer Prize for Poetry Her most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside. "American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz "These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson
"A testament to the miraculous beings that share our planet, The Wild in You is a creative collaboration between a lauded nature photographer and an internationally renowned poet. Inspired by the majestic and savage beauty of a place where forest and sea meet, Ian McAllister's photographs and Lorna Crozier's poetry come together to translate the fierce emotion of the wilderness into the language of the human heart. Featuring over thirty beautiful full-size photographs of wolves, bears, sea lions, jellyfish, and other wild creatures paired with original poems, The Wild in You challenges the reader to a deeper understanding of the connection between humans, animals, and our earth." -- Book jacket
ABOUT THE BOOK Shortly before he published Walden; or Life in the Woods, Henry David Thoreau called ¿The library a wilderness of books.¿ He also noted that while Americans were ¿clearing the forest in our westward progress, we are accumulating a forest of books in our rear, as wild and unexplored as any of nature¿s primitive wildernesses.¿ In "A Terrible Beauty: the Wilderness of American Literature," Jonah Raskin takes a long close look at the forest of books that poets, novelists and essayists mapped and explored before and after Thoreau. The first work of cultural criticism to look back at writing in the United States from the perspective of the contemporary environmental crisis, Raskin offers insights for students, teachers and lovers of literature as well as for backpackers and hikers who have trekked across untrammeled forests, deserts and mountains. ABOUT THE AUTHOR Jonah Raskin, Phd, has taught American literature at Sonoma State University, the State University of New York at Stony Brook and as a Fulbright professor at the University of Antwerp and the University of Ghent in Belgium. The author of fifteen books, he earned his B.A. at Columbia College in New York, his M.A. at Columbia University and his Ph.D. at the University of Manchester, Manchester, England. He lives in northern California and has written for The San Francisco Chronicle, The L.A. Times, The Nation, The Redwood Coast Review and Catamaran.
"The (Soma)tic Exercises are innovative and crucial to our art form. . . . Conrad must be one of the most original practitioners of poetry forging new territory."—The Rumpus "There was a time some of us believed poetry and poets could save the world; CAConrad never stopped believing it."—The Huffington Post From "M.I.A. ESCALATOR": The ultrasound machine gives the parents the ability to talk to the unborn by their gender, taking the intersexed nine-month conversation away from the child. The opportunities limit us in our new world. Encourage parents to not know, encourage parents to allow anticipation on either end. Escalators are a nice ride, slowly rising and falling, writing while riding, notes for the poem, meeting new people at either end, "Excuse me, EXCUSE ME. . . ." My escalator notes became a poem. CAConrad's ECODEVIANCE contains twenty-three new (Soma)tic writing exercises and their resulting poems, in which he pushes his political and ecological efforts even further. These exercises, unorthodox steps in the writing process, work to break the reader and writer out of the quotidian and into a more politically and physically aware present. In performing these rituals, CAConrad looks through a sharper lens and confirms the necessity of poetry and politics. CAConrad is the author of several books of poetry and essays. A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.
A sequence of poems that interrogates American civics and citizenry from its foundation in the pastoral tradition. In Irredenta, Oscar Oswald raises the prospect of pastoral opposition to state power, elaborating and investigating the genre through ethical and spiritual inquiry. As a citizen is a stranger to itself, so too does Oswald's pastoral speaker define the tensions between identity and nationality inherent in a civic body as they are traversed across the American political geography: land, water, and country, from the Mojave to Wisconsin.