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This richly illustrated book takes the reader on a journey through the legendary and famous places of Burma, and relates the legends associated with each place, legends which are in the blood and soul of every Burmese - young or old.
This richly illustrated book takes the reader on a journey through the legendary and famous places of Burma, and relates the legends associated with each place, legends which are in the blood and soul of every Burmese - young or old.
This handbook is the first in-depth overview of the fascinating world of Burmese folk-tales. Part one provides a wide-ranging and multi-disciplinary survey of folk-tale studies, together with a broad functional classification of Burma’s tales. Part two presents, mostly for the first time in a European language, the categorized actual tales themselves. With commentaries on plots and cross-cultural motifs - past and present. With index, substantial bibliography, and suggestions for further research.
The Female Voice of Myanmar seeks to offer a female perspective on the history and political evolution of Myanmar. It delves into the lives and works of four of Myanmar's remarkable women who set aside their lives to answer the call of their country: Khin Myo Chit, who spoke about latent sexual politics in pre-Independent Burma; Ludu Daw Amar, who as the editor of the leftist Ludu Daily, was deemed anti-establishment and was witness to the socialist government's abortive efforts at ethnic reconciliation; Ma Thida, whose writing bears testimony to the impact the authoritative military rule had on the individual psyche; and Aung San Suu Kyi, who has re-articulated Burmese nationalism. This book breaks new ground in exploring their writing, both published and hitherto unexamined, some in English and much in Burmese, while the intimate biographical sketches offer a glimpse into the Burmese home and the shifting feminine image.
The collection of stories and sketches giving the readers entertainment, pleasure, glimpses of the authorâs life, as well as information on Myanmar Culture which she is so proud of.
Wider Bagan: Ancient and Living Buddhist Traditions is the first book to define the area outside the renowned Buddhist capital where vestiges of Bagan era cultural traditions can be found. From nearly six hundred attributes inventoried in Wider Bagan, thematic and geographical analysis of the Wider Bagan data reveals a related but different trajectory from that of the capital. The Sasanā of the court was honoured, and though its economy profited many places across Wider Bagan, local resilience was foremost. While the capital and Wider Bagan existed in relation to each other, their aims and narratives differed. Much has been written about Bagan, but little attention on the ground has been devoted to areas beyond the capital. These places have stories to tell—ones of the past and of the present—that are narrated in this book. "Wider Bagan is the most important recent publication on Myanmar’s past. Tracing Bagan’s ideational and material legacies, it recovers how this kingdom’s successors related to their heritages. Meticulously researched, beautifully illustrated, studded with clear maps, tables and outlines—Wider Bagan reveals these legacies’ custodians—inhabiting territories stretching as far as Yunnan and Bengal. Multiple topics are examined also in light of local scholarship, often ignored due to linguistic limitations. The resulting evocations of times and places make Wider Bagan an enduring guide to people’s lives—also in the larger scheme of things—like the community tracing its founding to the Buddha Gotama’s grandfather. No one interested in Myanmar’s complex past and fractious present can ignore the author’s conclusions."—Lilian Handlin, Member of the Harvard Faculty of Arts and Sciences CAMLab. "In her detailed survey of hundreds of sites in the Ayeyarwady River basin, Moore and her collaborators have revealed a long-suspected, but hitherto undocumented, rural cultural landscape with origins well before and persisting long after the political heyday of metropolitan Bagan in the eleventh through thirteenth centuries. During their investigations, the authors had numerous encounters with local scholar-archaeologists who identified frequently overlooked physical attributes that define the local cultural landscape. In mapping these attributes, the authors reconstructed a narrative of local resilience that speaks to a long local history of diversity and adaptability over an extensive region, where other scholars—working mainly from historical chronicles—had observed only a rigid hegemony emanating from the political centre at Bagan. Moore’s innovative methodology breaks new ground for the study of early urban formations, not only in Myanmar but throughout mainland Southeast Asia. This research contributes to a building body of evidence that suggests a fresh paradigm to replace the long-standing concentric circle model most often used to explain state formation throughout the region. In this new paradigm, the contradiction between urban and rural settlements is dismantled as the stories of the smaller villages and towns re-enact the iterative process between places, communities of users, and social memory of Wider Bagan, demonstrating, in the process, an ecology of resilient settlement that has endured through generations of political, social and economic upheaval."—Richard A. Engelhardt, UNESCO Chair Professor of Cultural Heritage Management and Regional Advisor for Culture in Asia and the Pacific
Burmese master silversmiths produced a magnificent body of work from the mid-19th to the early 20th centuries – the Burmese Silver Age. This aesthetic and functional work is characterized by a unique decorative style and superb technical artistry. Many of the artefacts are embellished with mysterious visual narratives drawn from ancient religious and mythological sources, communicating spiritual beliefs and values that resonate to this day. Burmese silverwork is a distinct and little-known genre of silver art. This book tackles this obscurity by illuminating and describing for the first time 100 Burmese silver artefacts in a stunning photographic gallery. This silverwork – from the Noble Silver Collection – represents some of the rarest and finest quality work from the Burmese Silver Age. The centrepiece gallery of silverwork masterpieces is bookended by two well-illustrated and informative chapters that provide readers with deeper insights into Burmese silverwork: a robust frame of reference chapter summarises the 2,000-year history and cultural tradition of Burmese silverwork; and a chapter following the gallery deciphers the complex and allegorical iconography of the decoration, which gives the reader a deeper appreciation of its religious and cultural meaning and origin. This book captures the great, almost mystical, allure of Burmese silverwork – from the sublime artistry of the decoration, to the extraordinary skill of the silversmith and the profound meaning and importance of the visual narratives. In doing so, Burmese Silver Art takes its place as a definitive reference work for any art historian, collector, expert, student, or general reader interested in this hitherto-overlooked body of noble art.
To come to Burma, one of the few places where despotism still dominates, is to take both a physical and an emotional journey and, like most Burmese, to become caught up in the daily management of fear. Based on Monique Skidmore's experiences living in the capital city of Rangoon, Karaoke Fascism is the first ethnography of fear in Burma and provides a sobering look at the psychological strategies employed by the Burmese people in order to survive under a military dictatorship that seeks to invade and dominate every aspect of life. Skidmore looks at the psychology and politics of fear under the SLORC and SPDC regimes. Encompassing the period of antijunta student street protests, her work describes a project of authoritarian modernity, where Burmese people are conscripted as army porters and must attend mass rallies, chant slogans, construct roads, and engage in other forms of forced labor. In a harrowing portrayal of life deep within an authoritarian state, recovering heroin addicts, psychiatric patients, girl prostitutes, and poor and vulnerable women in forcibly relocated townships speak about fear, hope, and their ongoing resistance to four decades of oppression. "Karaoke fascism" is a term the author uses to describe the layers of conformity that Burmese people present to each other and, more important, to the military regime. This complex veneer rests on resistance, collaboration, and complicity, and describes not only the Burmese form of oppression but also the Burmese response to a life of domination. Providing an inside look at the madness and the militarization of the city, Skidmore argues that the weight of fear, the anxiety of constant vulnerability, and the numbing demands of the State upon individuals force Burmese people to cast themselves as automata; they deliberately present lifeless hollow bodies for the State's use, while their minds reach out into the cosmos for an array of alternate realities. Skidmore raises ethical and methodological questions about conducting research on fear when doing so evokes the very emotion in question, in both researcher and informant.