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New expanded edition of a classic anthropology title that examines ethnicity as a dynamic and shifting aspect of social relations.
A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
New York Times bestseller How do you hold on to hope when you don’t get the ending you asked for? When Katie Davis Majors moved to Uganda, accidentally founded a booming organization, and later became the mother of thirteen girls through the miracle of adoption, she determined to weave her life together with the people she desired to serve. But joy often gave way to sorrow as she invested her heart fully in walking alongside people in the grip of poverty, addiction, desperation, and disease. After unexpected tragedy shook her family, for the first time Katie began to wonder, Is God really good? Does He really love us? When she turned to Him with her questions, God spoke truth to her heart and drew her even deeper into relationship with Him. Daring to Hope is an invitation to cling to the God of the impossible—the God who whispers His love to us in the quiet, in the mundane, when our prayers are not answered the way we want or the miracle doesn’t come. It’s about a mother discovering the extraordinary strength it takes to be ordinary. It’s about choosing faith no matter the circumstance and about encountering God’s goodness in the least expected places. Though your heartaches and dreams may take a different shape, you will find your own questions echoed in these pages. You’ll be reminded of the gifts of joy in the midst of sorrow. And you’ll hear God’s whisper: Hold on to hope. I will meet you here.
This interdisciplinary collection of essays examines the translation of pain into art, the impossibility of finding one's own voice in situations of pain, and the presumed therapeutic power of the artistic representation of pain.
What can we do to prevent more atrocities from happening in the future, and to stop the ones that are happening right now? That the World May Know tells the powerful and moving story of the successes and failures of the modern human rights movement. Drawing on firsthand accounts from fieldworkers around the world, the book gives a painfully clear picture of the human cost of confronting inhumanity in our day.
On writing our pain we inevitably write about the past because it is impossible to produce art in situations of acute physical pain. As Elaine Scarry has convincingly argued in the Body in Pain, during severe illness individuals spontaneously lose the means to convey their feelings and emotions. So the art of pain inevitably comes from a witness to this pain, i.e. doctors, sympathetic onlookers and ex-patients who examine their pain once it has remitted. This interdisciplinary collection of essays identifies as its core issues the translation of pain into art, the (im)possibility of finding your own voice in situations of pain, and the presumed therapeutic power of the artistic representation of pain. This volume assembles contributions from scholars in New Zealand, Canada, the United States, Germany, Portugal, Sweden and Spain. Photographs, films, paintings, fictional narratives, autobiographies and poems on pain are analyzed using a variety of critical approaches and different perspectives that range from structuralism to psychoanalysis.
Inspired by Susan Sontag’s examination of the impact of “photography of conscience” in Regarding the Pain of Others, Kimberly A. Nance’s Responding to the Pain of Others: Ethics of Witness in Global Testimonial Narratives takes as its point of departure Sontag’s speculation that in combatting human rights abuse, “a narrative seems likely to be more effective than an image.” Building on her own earlier research on Aristotelian rhetorical theory and testimony, along with other interdisciplinary approaches, Nance analyzes the socio-literary narratives of Elvia Alvarado, Medea Benjamin, Peter Dickinson, Benjamin Alire Sáenz, Clea Koff, Delia Jarrett-Macauley, Valentino Achak Deng, Dave Eggers, Uwem Akpan, and Alicia Partnoy. Each of them, she finds, confronts a human rights discourse in which words—and witnesses—have become disconnected from actions. Recognizing that the genre’s own conventions have become an obstacle to its projects, these testimonialists draw on humor, irony, satire, parody, and innovative literary techniques, alongside strategies rooted in real-life organizing, in an effort to reactivate the discourse of human rights. They seek to persuade readers to exchange a solidarity of sentiment, a state Michael Vander Weele calls “an aesthetics in which the engine revs but the clutch is never engaged,” for actual social action.
Deeply researched and beautifully written, this fascinating and accessible study of one of our most common, disabling—and yet often dismissed—disorders will appeal to physicians, historians, scholars in medical humanities, and people living with migraine alike.
Each of us will know physical pain in our lives, but none of us knows when it will come or how long it will stay. Today as much as 10 percent of the population of the United States suffers from chronic pain. It is more widespread, misdiagnosed, and undertreated than any major disease. While recent research has shown that pain produces pathological changes to the brain and spinal cord, many doctors and patients still labor under misguided cultural notions and outdated scientific dogmas that prevent proper treatment, to devastating effect. In The Pain Chronicles, a singular and deeply humane work, Melanie Thernstrom traces conceptions of pain throughout the ages—from ancient Babylonian pain-banishing spells to modern brain imaging—to reveal the elusive, mysterious nature of pain itself. Interweaving first-person reflections on her own battle with chronic pain, incisive reportage from leading-edge pain clinics and medical research, and insights from a wide range of disciplines—science, history, religion, philosophy, anthropology, literature, and art—Thernstrom shows that when dealing with pain we are neither as advanced as we imagine nor as helpless as we may fear. Both a personal meditation and an intellectual exploration, The Pain Chronicles illuminates and makes sense of the all-too-human experience of pain—and confronts with extraordinary grace and empathy its peculiar traits, its harrowing effects, and its various antidotes.
This book discusses the kind of mental processing that can free victims from their unspeakable trauma, a trauma that has no framework in time or words with which to express it. It discusses the traumatic scenes that are extreme expressions of historic and political conditions.