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Soon to be an FX Docuseries from Emmy® Award-Winning Producer Marc Smerling (The Jinx) featuring the author Errol Morris! Academy Award–winning filmmaker Errol Morris examines one of the most notorious and mysterious murder trials of the twentieth century In this profoundly original meditation on truth and the justice system, Errol Morris—a former private detective and director of The Thin Blue Line—delves deeply into the infamous Jeffrey MacDonald murder case. MacDonald, whose pregnant wife and two young daughters were brutally murdered in 1970, was convicted of the killings in 1979 and remains in prison today. The culmination of an investigation spanning over twenty years and a masterly reinvention of the true-crime thriller, A Wilderness of Error is a shocking book because it shows that everything we have been told about the case is deeply unreliable and that crucial elements of case against MacDonald are simply not true.
The electrifying true crime story of Dr. Jeffrey MacDonald, the handsome, Princeton-educated physician convicted of savagely slaying his young pregnant wife and two small children—murders he vehemently denies committing... Bestselling author Joe McGinniss chronicles every aspect of this horrifying and intricate crime and probes the life and psyche of the magnetic, all-American Jeffrey MacDonald—a golden boy who seemed destined to have it all. The result is a penetration to the heart of darkness that enshrouded one of the most complex criminal cases ever to capture the attention of the American public. It is a haunting, stunningly suspenseful work that no reader will be able to forget. Includes photographs and a Special Epilogue by the author OVER ONE MILLION COPIES SOLD
The electrifying true crime story of Dr. Jeffrey MacDonald, the handsome, Princeton-educated physician convicted of savagely slaying his young pregnant wife and two small children—murders he vehemently denies committing... Bestselling author Joe McGinniss chronicles every aspect of this horrifying and intricate crime and probes the life and psyche of the magnetic, all-American Jeffrey MacDonald—a golden boy who seemed destined to have it all. The result is a penetration to the heart of darkness that enshrouded one of the most complex criminal cases ever to capture the attention of the American public. It is a haunting, stunningly suspenseful work that no reader will be able to forget. Includes photographs and a Special Epilogue by the author OVER ONE MILLION COPIES SOLD
A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.
Filmmaker Errol Morris offers his perspective on the world and his powerful belief in the necessity of truth. In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line and The Fog of War. Kuhn, meanwhile, was—and, posthumously, remains—a star in his field, the author of The Structure of Scientific Revolutions, a landmark book that has sold well over a million copies and introduced the concept of “paradigm shifts” to the larger culture. And Morris thought the idea was bunk. The Ashtray tells why—and in doing so, it makes a powerful case for Morris’s way of viewing the world, and the centrality to that view of a fundamental conception of the necessity of truth. “For me,” Morris writes, “truth is about the relationship between language and the world: a correspondence idea of truth.” He has no patience for philosophical systems that aim for internal coherence and disdain the world itself. Morris is after bigger game: he wants to establish as clearly as possible what we know and can say about the world, reality, history, our actions and interactions. It’s the fundamental desire that animates his filmmaking, whether he’s probing Robert McNamara about Vietnam or the oddball owner of a pet cemetery. Truth may be slippery, but that doesn’t mean we have to grease its path of escape through philosophical evasions. Rather, Morris argues powerfully, it is our duty to do everything we can to establish and support it. In a time when truth feels ever more embattled, under siege from political lies and virtual lives alike, The Ashtray is a bracing reminder of its value, delivered by a figure who has, over decades, uniquely earned our trust through his commitment to truth. No Morris fan should miss it.
Standard Operating Procedure is an utterly original collaboration by the writer Philip Gourevitch (We Wish to Inform You that Tomorrow We Will Be Killed With Our Families) and the film-maker Errol Morris (The Thin Blue Line, The Fog of War). They have produced the first full reckoning of what actually happened at Abu Ghraib. Standard Operating Procedure reveals the stories of the American soldiers who took and appeared in the haunting digital snapshots from Abu Ghraib prison that shocked the world – and simultaneously illuminates and alters forever our understanding of those images and the events they depict. Drawing on more than two hundred hours of Errol Morris’s startlingly frank and intimate interviews with Americans who served at Abu Ghraib and with some of their Iraqi prisoners, as well as on his own research, Philip Gourevitch has written a relentlessly surprising account of Iraq’s occupation from the inside-out – rendering vivid portraits of guards and prisoners ensnared in an appalling breakdown of command authority and moral order. Gourevitch and Morris have crafted a nonfiction morality play that stands to endure as essential reading long after the current war in Iraq passes from the headlines. By taking us deep into the voices and characters of the men and women who lived the horror of Abu Ghraib, the authors force us, whatever our politics, to re-examine the pat explanations in which we have been offered – or sought – refuge, and to see afresh this watershed episode. Instead of a ‘few bad apples’, we are confronted with disturbingly ordinary young American men and women who have been dropped into something out of Dante’s Inferno. This is a book that makes you think, and makes you see – an essential contribution from two of our finest nonfiction artists working at the peak of their powers.
Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.
Despite our material and technological advances, Western society is experiencing a deep malaise caused by a breakdown of trust. We’ve been misled by authorities and institutions, by businesses and politicians, and even by those who were supposed to care for us. The very cohesion of society seems tenuous at times. The church is not immune from these trends. Historically, it has a dubious record when it has wielded power; personally, many of its members are as afflicted by our culture’s breakdown as anyone. In A Wilderness of Mirrors author Mark Meynell explores the roots of the discord and alienation that mark our society, but he also outlines a gospel-based reason for hope. An astute social observer with a pastor’s spiritual sensitivity, Meynell grounds his antidote on four bedrocks of the Christian faith: human nature, Jesus, the church, and the story of God's action in the world. Ultimately hopeful, A Wilderness of Mirrors calls Christians to rediscover the radical implications of Jesus’s life and message for a disillusioned world, a world more than ever in need of his trustworthy goodness.
This "devastating rebuttal to "Fatal Vision"" ("Boston Phoenix") demonstrates that the jury was not privy to crucial evidence in the case of Jeffrey MacDonald, the Green Beret Captain convicted of the murders of his wife and two young daughters. For every reader of Joe McGinniss's "Fatal Vision", here at last is the complete story. Photos.
"​Trailed is a beautifully written account of a great American tragedy--the unsolved murders of an undetermined number of young women, all by the same serial killer, who got away. The truth is still buried. I couldn't put it down." --John Grisham, #1 New York Times bestselling author A riveting deep dive into the unsolved murder of two free-spirited young women in the wilderness, a journalist's obsession--and a new theory of who might have done it In May 1996, Julie Williams and Lollie Winans were brutally murdered while backpacking in Virginia's Shenandoah National Park, adjacent to the world-famous Appalachian Trail. The young women were skilled backcountry leaders and they had met--and fallen in love--the previous summer, while working at a world-renowned outdoor program for women. But despite an extensive joint investigation by the FBI, the Virginia police, and National Park Service experts, the case remained unsolved for years. In early 2002 and in response to mounting political pressure, then-Attorney General John Ashcroft announced that he would be seeking the death penalty against Darrell David Rice--already in prison for assaulting another woman--in the first capital case tried under new, post-9/11 federal hate crime legislation. But two years later, the Department of Justice quietly suspended its case against Rice, and the investigation has since grown cold. Did prosecutors have the right person? Journalist Kathryn Miles was a professor at Lollie Winans's wilderness college in Maine when the 2002 indictment was announced. On the 20th anniversary of the murder, she began looking into the lives of these adventurous women--whose loss continued to haunt all who had encountered them--along with the murder investigation and subsequent case against Rice. As she dives deeper into the case, winning the trust of the victims' loved ones as well as investigators and gaining access to key documents, Miles becomes increasingly obsessed with the loss of the generous and free-spirited Lollie and Julie, who were just on the brink of adulthood, and at the same time she discovers evidence of cover-ups, incompetence, and crime-scene sloppiness that seemed part of a larger problem in America's pursuit of justice in national parks. She also becomes convinced of Rice's innocence, and zeroes in on a different likely suspect. Trailed: One Woman's Quest to Solve the Shenandoah Murders is a riveting, eye-opening, and heartbreaking work, offering a braided narrative about two remarkable women who were murdered doing what they most loved, the forensics of this cold case, and the surprising pervasiveness and long shadows cast by violence against women in the backcountry.