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Through a series of five walks this book discovers the sights, sounds and experience of the capital at war; it details the remaining tangible evidence of the dark days via air raid shelter signs, bomb damage on buildings and memorials detailing heroic and often tragic events. The new routes cover a wide area of London and reveal further evidence of the experiences of four years air war in the skies above our capital city. The East End & Docks, Greenwich, Holborn, Bermondsey, Southwark and the West End are all featured, along with detailed maps and numerous contemporary photographs that accompany the text for each walk. The book also contains a number of appendices relating to the wider picture of the war. A well deserved story of Londons Home Guard is told. A list of Civil Defense casualties that occurred within the boroughs covered by the walks is included as well as a detailed list of the locations of wartime fire and ambulance stations across the capital.This book will appeal to both the enthusiast and anyone with an interest in Londons past. It is a further record of the memories and tangible evidence of this dramatic period of our capitals past and a tribute to those who lived through the Blitz and sadly so often, those who did not.
The First World War had a profound impact on British society and on British relations with continental Europe, the Dominions, the United States and the emerging Soviet Union. The pre-war world was transformed, and the world that we recognize today began to take shape. That is why, 100 years after the outbreak, the time is right for this collection of thought-provoking chapters that reassesses why Britain went to war and the preparations made by the armed forces, the government and the nation at large for the unprecedented conflict that ensued.A group of distinguished historians looks back, with the clarity of a modern perspective, at the issues that were critical to Britain's war effort as the nation embarked on the most intense and damaging struggle in its history. In a series of penetrating chapters they explore the reasons for Britain going to war, the official preparations, the public reaction, the readiness of the armed forces, internment, the impact of the opening campaign, the experience of the soldiers, recruitment, training, weaponry, the political implications, and the care of the wounded.
A concise and balanced view of what is known as the Blitz on London. The title emphasizes bombing over blitz and recognises that the meaning of ‘the Blitz’ has now acquired other general connotations and is often equated to ‘Britain in wartime’ or the spirit of carrying on.
The moving and dramatic account, in words and pictures, of how the London borough of Southwark survived the Blitz
The First World War introduced the widespread use of lethal chemical weapons. In its aftermath, the British government, like that of many states, had to prepare civilians to confront such weapons in a future war. Over the course of the interwar period, it developed individual anti-gas protection as a cornerstone of civil defence. Susan R. Grayzel traces the fascinating history of one object – the civilian gas mask – through the years 1915–1945 and, in so doing, reveals the reach of modern, total war and the limits of the state trying to safeguard civilian life in an extensive empire. Drawing on records from Britain's Colonial, Foreign, War and Home Offices and other archives alongside newspapers, journals, personal accounts and cultural sources, she connects the histories of the First and Second World Wars, combatants and civilians, men and women, metropole and colony, illuminating how new technologies of warfare shaped culture, politics, and society.
A machine gunner chronicles his time on the frontlines of WW2 from D-Day to the Battle of the Bulge and the Wehrmacht’s last stand. American machine gunner Ernest “Andy” Andrews arrived in the UK just before deploying to fight in D-Day. Struck by a bullet in Normandy, he was evacuated to England before returning to participate in the race across France. Andy’s squad defended a bunker in the Siegfried Line and fought its way through the Hurtgen Forest to take Hill 232. When the Germans attempted to retake the hill, Andy faced his toughest battle and suffered a shoulder wound. Andy rejoined his company in time to fight in the Battle of the Bulge and the Rhine campaign, and in Germany's Harz Mountains, where the Wehrmacht was trying to organize a last stand. Andy's outfit ends the war fighting in Czechoslovakia, where Andy witnesses the German surrender. Following occupation duty, Andy returned to the States in October 1945. The war shaped Andy's postwar life in countless ways, and in 1994, Andy made the first of three return visits to the European battlefields where he had fought. This vivid firsthand account takes the reader along from Normandy to victory with Andy and his machine-gun crew.
In the opening section of these related studies of modern literature, Bernard Bergonzi considers the poetry and fiction of two World Wars, including discussions of Wilfred Owen, Richard Aldington’s Death of a Hero, Pat Barker’s Regeneration, and the poetry of the Desert War of the 1940s. The second section deals with a number of prominent twentieth-century authors. Among other subjects, it looks at Ford Madox Ford’s The Good Soldier as a novel anticipating the Great War, the treatment of memory in Orwell’s Nineteen Eighty-Four, and aspects of the poetry of T.S. Eliot, responding to arguments about its anti-semitism. The final section is on Catholic writers, from Hopkins and Chesterton to Graham Greene and David Lodge. The book continues Bergonzi’s extensive career as a critic and literary historian of the modern period, and takes a fresh look at the subjects of some of the earlier books, such as Hopkins, Eliot, Wells, and the literature of war.
In May 1940, with France on the verge of defeat, Britain alone stood in the path of the Nazi military juggernaut. Survival seemed to hinge on the leadership of Winston Churchill, whom the King reluctantly appointed Prime Minister as Germany invaded France. Churchill's reputation as one of the great twentieth-century leaders would be forged during the coming months and years, as he worked tirelessly first to rally his country and then to defeat Hitler. But Churchill -- regarded as the savior of his nation, and of the entire continent -- could not have done it alone. As prize-winning historian Jonathan Schneer reveals in Ministers at War, Churchill depended on a team of powerful ministers to manage the war effort as he rallied a beleaguered nation. Selecting men from across the political spectrum -- from fellow Conservative Anthony Eden to leader of the opposing socialist Labor Party Clement Attlee -- Churchill assembled a War Cabinet that balanced competing interests and bolstered support for his national coalition government. The group possessed a potent blend of talent, ambition, and egotism. Led and encouraged by Churchill, the ministers largely set aside their differences, at least at first. As the war progressed, discord began to grow. It reached a peak in 1945: with victory seemingly assured, Churchill was forced by his Minsters at War to dissolve the Government and call a General Election, which, in a shocking upset, he lost to his rival Attlee. Authoritatively recasting our understanding of British high politics during World War II, Schneer shows that Churchill managed the war effort by managing his team of supremely able yet contentious cabinet members. The outcome of the war lay not only in Churchill's individual brilliance but also in his skill as an executive, and in the collective ability of men who muted their personal interests to save the world from barbarism.
Originating in the collaboration of the international Research Network “Gender in Antisemitism, Orientalism and Occidentalism” (RENGOO), this collection of essays proposes to intervene in current debates about historical constructions of Jewish identity in relation to colonialism and Orientalism. The network‌’s collaborative research addresses imaginative and aesthetic rather than sociological questions with particular focus on the function of gender and sexuality in literary, scholarly and artistic transformations of Orientalist images. RENGOO’s first publication explores the ways in which stereotypes of the external and internal Other intertwine. With its interrogation of the roles assumed in this interplay by gender, processes of sexualization, and aesthetic formations, the volume suggests new directions to the interdisciplinary study of gender, antisemitism, and Orientalism.
In 1935, the English writer Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder. The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and presents original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W. H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the poetry of H. D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this group of writers and artists, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, these figures could better project large-scale geopolitical events and crises.