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Documents an extraordinary journey into the world of the Wabanaki peoples in early nineteenth-century America.
Anyone interested in Native American lifeways will want to pore over Notes on a Lost Flute. Hardy brings together his expertise in forestry, horticulture, and environmental science to tell us about New England when its primary inhabitants were the native Wabanaki tribes. With experience in teaching adults and children, Hardy has written this book in an entertaining and accessible style, making it of interest and useful to adults and students alike.
When the Wabanaki were moved to reservations, they proved their resourcefulness by catering to the burgeoning tourist market during the 19th and early 20th centuries, when Bar Harbor was called Eden. This engaging, richly illustrated, and meticulously researched book chronicles the intersecting lives of the Wabanaki and wealthy summer rusticators on Mount Desert Island. While the rich built sumptuous summer homes, the Wabanaki sold them Native crafts, offered guide services, and produced Indian shows.
Documents the generations of Native peoples who for twelve millennia have moved through and eventually settled along the rocky coast, rivers, lakes, valleys, and mountains of a region now known as Maine.
For people planning an Allagash trip, The Allagash Guide provides information about what to take, how much time you will need, where to start, what to do about your vehicle, campsites and much more. The equipment and food lists in the book are extensive and will allow youto make up your own lists with the confidence that nothing needed will be left behind. This book will make you an Allagash expert the first time out.
For centuries, the people of the Wabanaki Nations of the northeastern United States and eastern Canada used signs, symbols and designs to communicate with one another. As Native Peoples became victims of European expansion, the Wabanaki were separated by war, the search for work and intermarriage, as well as by hiding their identities to avoid persecution. In this diaspora, their visual language helped them keep their teachings and culture alive. Their designs have evolved over time and taken on different meanings, and they are now used on objects that are considered art. While their beauty is undeniable, these pieces cannot be fully appreciated without understanding their context. Tribal member Jeanne Morningstar Kent sheds light on this language, from the work of ancient Wabanaki to today's artists--like David Moses Bridges, Donna Sanipass and Jennifer Neptune--once again using their medium to connect with their fellow Wabanaki.
Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co