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Skookum, cultus, hyack, saltchuck, klahowya, tillicum: It is in words like these that the last vestiges of a lost British Columbian language remain. It was known as Chinook. Its use today is mainly confined to colloquialisms, and place names like Boston Bar, Canim Lake, Illahee Mountain, Snass Creek, and Skookumchuck. It began as a trading jargon, but it soon evolved into a distinct West Coast tongue. Down through the years, as many as a quarter of a million people relied on it. Chinook was an everyday necessity.A Voice Great Within Us consists of an introductory essay by Glavin exploring the development and spread of Chinook throughout the West Coast, and the place it continues to have in our history; the Chinook poem, Rain Language; Lillard's own essay on the part that Chinook played in his own life and exploration of British Columbia. In addition, A Voice Great Within Us includes a lexicon containing hundreds of Chinook words and expressions and a map and gazetteer of British Columbia, showing eighty Chinook place names in this province.A Voice Great Within Us is Number 7 in the Transmontanus series of books edited by Terry Glavin.
“What an achievement, these sixty years of poetry! In whatever terms we Americans regard the rest of our recent history, the score of things done well and done ill, this much at least we have done superlatively.”—Hayden Carruth This famous anthology includes the works of more than 130 major American poets of the modern period—Robert Frost, Paul Goodman, Carl Sandburg, T.S. Eliot, Ezra Pound, Allen Ginsberg, and Gwendolyn Brooks among them—along with short biographies of each. “Not only the best on its period, I think, but is even perhaps safe from the competition of rivals.”—Robert Lowell
This anthology of poetry presents works from influential poets of the twentieth century.
Offers authoritative readings of the major long poems and sequences, exploring their relationship to one another and to the works of Stevens' precursors.
Much of Canadian cultural life is sustained and enriched by translation. Translation Effects moves beyond restrictive notions of official translation in Canada, analyzing its activities and effects on the streets, in movie theatres, on stages, in hospitals, in courtrooms, in literature, in politics, and across café tables. The first comprehensive study of the intersection of translation and culture, Translation Effects offers an original picture of translation practices across many languages and through several decades of Canadian life. The book presents detailed case studies of specific events and examines the reverberation and spread of their effects. Through these imaginative, at times unusual, investigations, the contributors unveil the simultaneous invisibility and omnipresence of translation and present a cross-cut of Canadian translation moments. Addressing the period from the 1950s to the present and including a wide scope of examples from medical interpreting to film dubbing, the essays in this book create a panoramic view of the creation of modern culture in Canada. Contributors include Piere Anctil (University of Ottawa), Hélène Buzelin (Université de Montréal), Alessandra Capperdoni (Simon Fraser University), Philippe Cardinal, Andrew Clifford (York University), Beverley Curran, Renée Desjardins (University of Ottawa), Ray Ellenwood, David Gaertner, Chantal Gagnon (Université de Montréal), Patricia Godbout, Hugh Hazelton, Jane Koustas (Brock University), Louise Ladouceur (Université de l'Albera, Gillian Lane-Mercier (McGill University), George Lang, Rebecca Margolis, Sophie McCall (Simon Fraser University), Julie Dolmaya McDonough, Denise Merkle (Université de Moncton), Kathy Mezei, Sorouja Moll, Brian Mossop, Daisy Neijmann, Glen Nichols (Mount Allison University), Joseph Pivato, Gregory Reid, Robert Schwartzwald, Sherry Simon, Luise von Flotow (University of Ottawa), and Christine York.
This detailed critical study of Wallace Stevens identifies the major concerns of his poetry. Lucy Beckett presents Stevens as a contemplative poet, engaged on a long enquiry into the nature of the relationship between the creative imagination and the world it illuminates and recreates.
Reference guide to poetry anthologies with descriptions and evaluations of each anthology.
Collects works by American poet Hayden Carruth, including lyrics; narratives; comic, meditative, and erotic poems; and reflections on the natural world.
John Lutz traces Aboriginal people’s involvement in the new economy, and their displacement from it, from the arrival of the first Europeans to the 1970s. Drawing on an extensive array of oral histories, manuscripts, newspaper accounts, biographies, and statistical analysis, Lutz shows that Aboriginal people flocked to the workforce and prospered in the late nineteenth century. He argues that the roots of today’s widespread unemployment and “welfare dependency” date only from the 1950s, when deliberate and inadvertent policy choices – what Lutz terms the “white problem” drove Aboriginal people out of the capitalist, wage, and subsistence economies, offering them welfare as “compensation.”
An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter, on seeing his Works” to Garrett Hongo’s “Ancestral Graves, Kahuku” and Joy Harjo’s “Rabbit Is Up to Tricks”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. “This is a personal book about American poetry,” writes Hirsch, “but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me, part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.”