Download Free A Visit To Priapus And Other Stories Book in PDF and EPUB Free Download. You can read online A Visit To Priapus And Other Stories and write the review.

Just as E. M. Forster's novel of gay love, Maurice, remained unpublished throughout his lifetime, Glenway Wescott's long story "A Visit to Priapus" was also destined to be a posthumous work, buried from 1938 until this century in Wescott's massive archive of manuscripts, journals, notebooks, and letters. The autobiographical story is about a literary man, frustrated in love, who puts aside his pride and makes a date with a young artist in Maine. Lavishly rendered in Wescott's elegant prose, the tale is explicit where it needs to be, but—as is typical of Wescott—it is filled with descriptive beauty and introspective lessons about sex and sexuality, love and creativity. Previously published in anthology form in the United Kingdom, "A Visit to Priapus" is presented for the first time in book form in America, containing previously uncollected stories, including three never before published. The result is a candid portrayal of the gifted but enigmatic writer who was famous in youth and remained a perceptive and compassionate voice throughout his long life. Drawn together from midcentury literary journals and magazines of the 1920s and 1930s, as well as from Wescott's papers, the stories were inspired by his life, from childhood to old age, from Wisconsin farm country to New York, London, Germany, and Paris. Finalist, Gay General Fiction, Lambda Literary Awards
George Platt Lynes: The Daring Eye is a life of the gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s to 1955. From age 18, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. Intending to pursue a literary and small press publishing career, Lynes also began photographing authors like Stein, Jean Cocteau, André Gide, and Colette. Soon, he turned exclusively to photography, establishing himself as one of the premier fashion photographers in the Condé Nast stable, documenting the early ballets of George Balanchine, and pursuing his private obsession with seductive images of young male nudes almost never published in his time. Lynes's private life was as glamorous and theatrical as his images with their brilliant studio lighting and dramatic Surrealist set-ups. Barely out his teens, he met the publisher Monroe Wheeler who was already in a relationship with the emerging expatriate novelist Glenway Wescott. The peripatetic threesome maintained a polyamorous connection that lasted some 15 years. Their New York apartment became a mecca for elegant cocktail and name-dropping dinner parties. Their ménage-à-trois complicates our understanding of the pre-Stonewall gay "closet." This biography, drawing upon intimate letters and an unpublished memoir of Lynes's life by his brother, writer and editor Russell Lynes, paints a portrait of the emerging influence of gays and lesbians in the visual, literary, and performing arts that defined transatlantic cosmopolitan culture and presaged later gay political activism.
Travelers' accounts of the people, culture, and politics of the Southern coastal region after the Civil War Charleston is one of the most intriguing of American cities, a unique combination of quaint streets, historic architecture, picturesque gardens, and age-old tradition, embroidered with a vivid cultural, literary, and social history. It is a city of contrasts and controversy as well. To trace a documentary history of Charleston from the postbellum era into the twentieth century is to encounter an ever-shifting but consistently alluring landscape. In this collection, ranging from 1865 to 1947, correspondents, travelers, tourists, and other visitors describe all aspects of the city as they encounter it. Sojourns in Charleston begins after the Civil War, when northern journalists flocked south to report on the "city of desolation" and ruin, continues through Reconstruction, and then moves into the era when national magazine writers began to promote the region as a paradise. From there twentieth-century accounts document a wide range of topics, from the living conditions of African Americans to the creation of cultural institutions that supported preservation and tourism. The most recognizable of the writers include author Owen Wister, novelist William Dean Howells, artist Norman Rockwell, Boston poet Amy Lowell, novelist and Zionist leader Ludwig Lewisohn, poet May Sarton, novelist Glenway Wescott on British author Somerset Maugham in the lowcountry, and French philosopher and writer Simone de Beauvoir. Their varied viewpoints help weave a beautiful tapestry of narratives that reveal the fascinating and evocative history that made this great city what it is today.
A bestseller in 1945, this book has been out of print for over thirty years Like Wescott’s extraordinary novella The Pilgrim Hawk (which Susan Sontag described in The New Yorker as belonging “among the treasures of 20th-century American literature”), Apartment in Athens concerns an unusual triangular relationship. In this story about a Greek couple in Nazi-occupied Athens who must share their living quarters with a German officer, Wescott stages an intense and unsettling drama of accommodation and rejection, resistance and compulsion—an account of political oppression and spiritual struggle that is also a parable about the costs of closeted identity.
When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.
Gordon Merrick and the Great Gay American Novel is the first biography of Gordon Merrick, the most commercially successful writer of gay novels in the twentieth century. This book shows how Merrick’s novels were largely based on his own life and time as a Princeton theater star, a Broadway actor, a New York reporter, an OSS spy, and the friend of countless artists and celebrities as an expatriate in France, Greece, and Sri Lanka. He lived much of his life as an openly gay man with his longtime partner, Charles Hulse. His 1970 novel, The Lord Won’t Mind, broke new ground by showing that an affirming, explicitly gay novel could be a bestseller. His subsequent gay novels were both a cultural phenomenon and a lightning rod for literary critics. This book also examines the complex, often conflicting responses to Merrick’s novels by gay readers and critics, and it thus recovers the early post-Stonewall debates over the definition of “gay literature.” By reconstructing Merrick’s life and critical fortunes, this book expands our understanding of what it means to be a gay man in the twentieth century.
From humble beginnings on a poor Wisconsin farm, the author went on to study at the University of Chicago, narrowly survive the Spanish flu pandemic, and eventually emerge as an influential poet and novelist. A major figure in the American literary expatriate community in Paris during the 1920s and a prominent American novelist in the years leading up to World War II, he spent a decade living abroad before relocating permanently to New York and New Jersey with his partner, Museum of Modern Art publications director and curator Monroe Wheeler. Together they mixed with such intellectual and creative greats as Jean Cocteau, Colette, George Platt Lynes, Paul Cadmus, Somerset Maugham, Christopher Isherwood, Marianne Moore, W. H. Auden, Truman Capote, Joseph Campbell, and scores of other luminaries. During the second half of his life, Wescott wrote nonfiction essays and worked for the Academy Institute of Arts and Letters, all the while keeping journals in which he recorded the experiences that fostered his love of life, literature, the arts, and humanity.--Publisher's description.
As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries. In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.
The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.