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"In the first book devoted to the impact made by Borges on the contemporary aesthetic imagination, Aizenberg brings together specially commissioned essays from international scholars in a variety of disciplines to provide a wide-ranging assessment of Borges's influence on the fiction, literary theory, and arts of our time."--Publishers website.
This volume brings together a collection of essays on Borges by leading scholar Jaime Alazraki. Together the essays constitute an introduction to important aspects of Borges' oeuvre, including the influence of the Kabbalah, structure and style in the fiction, Borges' poetry, and Borges' impact on Latin American literature.
This study approaches the use of mathematics in fiction in an entirely new way, as a potent instrument of language. Following Wittgenstein's description of mathematical constructs as a component of ordinary language, Fisher shows how number, geometric figuration, algebraic coding, and transcendent abstractions have been made to function as practical narrative tools. Far from rehearsing the various paradigms of numerology, whether Pythagorean, Elizabethan, or Cabalistic, this book explores the tactical deployment of mathematical objects as shaping and framing agents. It reveals how mathematical objects may be subordinated to the storyteller's art.
Irwin mirrors the aesthetic impact of the genre by creating in his study the dynamics of a detective story--the uncovering of mysteries, the accumulation of evidence, the tracing of clues, and the final solution that ties it all together.
The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. --Book Jacket.
“Borges’s composed, carefully wrought, gnarled style is at once the means of his art and its object—his way of ordering and giving meaning to the bizarre and terrifying world he creates: it is a brilliant, burnished instrument, and it is quite adequate to the extreme demands his baroque imagination makes of it . . . . Absolutely and most vividly original.”—Saturday Review The seventeen pieces in Ficciones demonstrate the gargantuan powers of imagination, intelligence, and style of one of the greatest writers of this or any other century. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal’s abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. More playful and approachable than the fictions themselves are Borges’s Prologues, brief elucidations that offer the uninitiated a passageway into the whirlwind of Borges’s genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything in between.
Excerpt from Kabbalah, the Harmony of Opposites: A Treatise Elucidating Bible Allegories and the Significance of Numbers Mathers, is a familiar volume among students of things generally termed occult and as that trea tise supplies a vast amount of curious information in a comparatively simple manner, we shall make many references to that extraordinary volume in the course of the followmg pages. It may be said that Kabbalism as usually pre sented is a form of theosophical teaching employing a Hebrew instead of a Greek or Sanscrit terminology. That is the broadest definition which can well be given of it. Those who take a narrower view regard it is solely an esoteric reading of the Torah or Pen tateuch, and many European Jews who prize a mys tical tradition find in a study of Kabbalah a. Complete vindication of the highest spiritual claims ever made for the divine or1g1n of the Sacred Books of Israel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Handpicked works from the greatest Argentinian writer of the twentieth century. “Without Borges the modern Latin American novel simply would not exist” (Carlos Fuentes, author and diplomat). After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his work—short stories, essays, poems, and brief mordant “sketches,” which, in Borges’s hands, take on the dimensions of a genre unique in modern letters. In this anthology, the author has put together those pieces on which he would like his reputation to rest; they are not arranged chronologically, but with an eye to their “sympathies and differences.” A Personal Anthology, therefore, is not merely a collection, but a new composition. “An important work, by far the best yet available to the reader . . . who seeks a representative sampling of the great Argentine writer . . . the standard introduction to Borges in England and the United States.” —Saturday Review
Now, in the appealing and collectible Pocket Classics format, an anthology of beloved, classic detective stories—riveting and irresistibly addictive tales of crimes and those who unravel them. Beginning with modern masters such as Sara Paretsky, Ruth Rendell, and Ian Rankin, this collection works its way back through the golden age of the 1920s and ’30s to the genre’s source in Edgar Allan Poe and Arthur Conan Doyle. The famous detectives who stalk these pages range from the brilliant and eccentric (Conan Doyle’s Sherlock Holmes and Poe’s C. Auguste Dupin) to the deceptively unlikely (G. K. Chesterton’s humble priest, Father Brown; and Agatha Christie’s tweedy spinster, Miss Marple); from the tough-guy private eyes created by Dashiell Hammett and Raymond Chandler to accidental bystanders, such as the perceptive neighbors in Susan Glaspell’s haunting “A Jury of Her Peers.” From classic whodunits featuring Erle Stanley Gardner’s Perry Mason and Georges Simenon’s Inspector Maigret to Jorge Luis Borges’s postmodern tribute to Poe in “Death and the Compass,” the stories in this volume will tantalize, perplex, and amaze.