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A Short View of the Immorality, and Profaneness of the English Stage is a book by Jeremy Collier. It provides several lengthy and meticulously sharp analyzations of Ancient well known theatrical plays.
Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
The way that characters in early modern theatrical performance think through their surroundings is important in our understanding of perception, memory, and other forms of embodied affective thought. This book explores this concept in dramatic works by Marlowe, Shakespeare, Beaumont, and Jonson.
Illuminates the fascinating, intertwined histories of games and the Early Modern theater
An original investigation into conjuring tricks and stage magic on the medieval stage.
Collected dramatic criticism by William Hazlitt, one of the highest regarded critic and essayists in the history of the English language.