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"Fascinating and vivid." New Statesman "Thoroughly researched." The Spectator "Intriguing." BBC History Magazine "Vividly told." BBC History Revealed "A timely warning against persecution." Morning Star "Astute and thoughtful." History Today "An important work." All About History "Well-researched." The Tablet On the morning of Thursday 29 June 1682, a magpie came rasping, rapping and tapping at the window of a prosperous Devon merchant. Frightened by its appearance, his servants and members of his family had, within a matter of hours, convinced themselves that the bird was an emissary of the devil sent by witches to destroy the fabric of their lives. As the result of these allegations, three women of Bideford came to be forever defined as witches. A Secretary of State brushed aside their case and condemned them to the gallows; to hang as the last group of women to be executed in England for the crime. Yet, the hatred of their neighbours endured. For Bideford, it was said, was a place of witches. Though 'pretty much worn away' the belief in witchcraft still lingered on for more than a century after their deaths. In turn, ignored, reviled, and extinguished but never more than half-forgotten, it seems that the memory of these three women - and of their deeds and sufferings, both real and imagined – was transformed from canker to regret, and from regret into celebration in our own age. Indeed, their example was cited during the final Parliamentary debates, in 1951, that saw the last of the witchcraft acts repealed, and their names were chanted, as both inspiration and incantation, by the women beyond the wire at Greenham Common. In this book, John Callow explores this remarkable reversal of fate, and the remarkable tale of the Bideford Witches.
This book represents the first systematic study of the role of the Devil in English witchcraft pamphlets for the entire period of state-sanctioned witchcraft prosecutions (1563-1735). It provides a rereading of English witchcraft, one which moves away from an older historiography which underplays the role of the Devil in English witchcraft and instead highlights the crucial role that the Devil, often in the form of a familiar spirit, took in English witchcraft belief. One of the key ways in which this book explores the role of the Devil is through emotions. Stories of witches were made up of a complex web of emotionally implicated accusers, victims, witnesses, and supposed perpetrators. They reveal a range of emotional experiences that do not just stem from malefic witchcraft but also, and primarily, from a witch’s links with the Devil. This book, then, has two main objectives. First, to suggest that English witchcraft pamphlets challenge our understanding of English witchcraft as a predominantly non-diabolical crime, and second, to highlight how witchcraft narratives emphasized emotions as the primary motivation for witchcraft acts and accusations.
Based on the analysis of 157 primary sources, the book presents a picture of a diverse society whose members tried to influence evidentiary techniques to achieve their distinct goals and to bolster their social standing. In so doing this book further uncovers the interplay between the struggle with the evidentiary dilemma and social characteristics (such as class, position along the centre/periphery axis and the professional affiliation) of the participants in the debate. In particular, attention is focused on the professions of law, clergy and medicine. This book finds clear affinity between the professional affiliation and the evidentiary positions of the participants in the debate, demonstrating how the diverse social players and groups employed evidentiary strategies as a resource, to mobilize their interests. The witchcraft debate took place within the formative era of modern evidence law, and the book highlights the mutual influences between the witch trials and major legal developments."--Pub. desc.
In this mystery by the acclaimed author of To Wake the Dead, an inheritance hangs in the balance in a case of stolen identities, imposters, and murder. Banished from the idyllic English countryside he once called home and en route to live with his cousin in America, Sir John Farnleigh, black sheep of the wealthy Farnleigh clan, nearly perished in the sinking of the Titanic. Though he survived the catastrophe, his ties with his family did not, and he never returned to England—not even for the funerals of his mother, his father, or, most recently, his older brother Dudley. Now, nearly twenty-five years since he was first sent away, Sir John has finally returned home to claim his inheritance. But another “Sir John” soon follows, an unexpected man who insists he has absolute proof of his identity and of his claim to the estate. Before the case can be settled, however, one of the two men is murdered, and Dr. Gideon Fell, who happens to be passing through the village, finds himself facing one of the most challenging cases of his career. To solve it, he’ll have to confront a series of bizarre and chilling phenomena, diving deep into the realm of the occult and brushing up against witchcraft, magic, and a sinister automaton to solve a seemingly impossible crime . . . Selected by a panel of twelve mystery luminaries as one of the ten best locked-room mysteries of all time, The Crooked Hinge is a creepy and atmospheric puzzle inspired by a real-life case. It is the ninth installment in the Dr. Gideon Fell series, which may be read in any order. “Carr . . . is at his best in this creepy and baffling entry in the American Mystery Classics series, originally published in 1938. . . . This is an all-time classic by an author scrupulous about playing fair with his readers. Golden age fans won’t want to miss it.” —Publishers Weekly, starred review