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Major intellectual and cultural history of intolerance and toleration in early modern Enlightenment Europe.
This book is for the beginning art major or for the general student who wants to learn more about drawing. Drawing teachers and advanced art students may also find it useful. While this book is about underlying visual principles and not naturalistic styles, it relies heavily on the study of objects, as mutual experiences in that world heighten communication between student and teacher and student and student. Through the study of objects, the student of drawing discovers how to see more intensely, compose, use the materials of drawing, work intuitively, and criticize. The chapters, as arranged, provide a coherent system of study. But regardless of any particular approach, all the ideas presented are meant to help gain an intimate, working knowledge of what the verb 'to draw' actually means. A Collegiate Press book
The first biography for more than 100 years of the greatest English actor between Burbage and Garrick, Thomas Betterton.
This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.