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From the author of A Field Guide to Getting Lost comes a heartwarming, “emotionally perceptive” (Kirkus Reviews) story about new beginnings, burgeoning friendships, and finding your flock. Callie can’t wait for her new life to start. After a major friendship breakup in San Diego, moving overseas to Scotland gives her the perfect chance to reinvent herself. On top of that, she’s going to live in a real-life castle! But as romantic as life in a castle sounds, the reality is a little less comfortable: it’s run-down, freezing, and crawling with critters. Plus, starting off on the wrong foot with the gardener’s granddaughter doesn’t help her nerves about making new friends. So she comes up with the perfect solution: she’ll be homeschooled. Her parents agree, on one condition: she has to participate in a social activity. Inspired by a journal that she finds hidden in her bedroom, Callie decides to join a birding club. Sure, it sounds unusual, but at least it’s not sports or performing. But when she clashes with the club leader, she risks losing a set of friends all over again. Will she ever be able to find her flock and make this strange new place feel like home?
A 2018 Caldecott Honor Book that Kirkus Reviews calls "a must-read for our times," A Different Pond is an unforgettable story about a simple event - a long-ago fishing trip. Graphic novelist Thi Bui and acclaimed poet Bao Phi deliver a powerful, honest glimpse into a relationship between father and son - and between cultures, old and new. As a young boy, Bao and his father awoke early, hours before his father's long workday began, to fish on the shores of a small pond in Minneapolis. Unlike many other anglers, Bao and his father fished for food, not recreation. A successful catch meant a fed family. Between hope-filled casts, Bao's father told him about a different pond in their homeland of Vietnam. Thi Bui's striking, evocative art paired with Phi's expertly crafted prose has earned this powerful picture books six starred reviews and numerous awards.
Observes how a glacial pond and the abundance of plants and animals that draw life from it change over the course of a year.
An irreverent trip through American culture by a critic who “cracks jokes as easily as one would crack walnut shells” (Washington Post). Americans have long been fascinated with the oddness of the British, but the English, says literary critic Terry Eagleton, find their transatlantic neighbors just as strange. Only an alien race would admiringly refer to a colleague as “aggressive,” use superlatives to describe everything from one’s pet dog to one’s rock collection, or speak frequently of being “empowered.” Why, asks Eagleton, must we broadcast our children’s school grades with bumper stickers announcing “My Child Made the Honor Roll”? Why don’t we appreciate the indispensability of the teapot? And why must we remain so irritatingly optimistic, even when all signs point to failure? On his quirky journey through the language, geography, and national character of the United States, Eagleton proves to be at once an informal and utterly idiosyncratic guide to our peculiar race. He answers the questions his compatriots have always had but (being British) dare not ask, like why Americans willingly rise at the crack of dawn, even on Sundays, or why we publicly chastise cigarette smokers as if we’re all spokespeople for the surgeon general. In this pithy, warmhearted, and very funny book, Eagleton melds a good old-fashioned roast with genuine admiration for his neighbors “across the pond.”
They said her grandfather was dead. They said her grandmother was crazy. Christy knows they're wrong. When her grandmother dies, 13-year-old Christy inherits an old family secret: the pond behind her house is in fact a portal to another world. What’s more, she learns that her grandfather went through the portal when he mysteriously “disappeared” nine years ago. Christy tries to respect her grandmother’s final wishes and not go exploring, but when a classmate named Rob falls into the pond, she has to act. Since no one would believe her if she told them the truth about the pond, Christy arranges her own rescue party. In order to rescue Rob, she’ll have to brave a bizarre alien landscape, evade hostile creatures, and protect Danny, the boy from next door who followed her through the portal. Meanwhile on Earth, the grown-ups launch a frantic search, and they’re willing to drain the pond to find out what happened. Will Christy be able to find her grandfather, rescue Rob, and return safely to Earth before she becomes a permanent resident of the Empty World? Portal Through the Pond is the first book of the Empty World Saga, a science fiction adventure series for kids aged 8-12. If your kids have blown through the Land of Stories, devoured the Keeper of the Lost Cities, or can't wait for the next Wings of Fire, make the complete Empty World Saga their next read. Pick up your copy of Portal Through the Pond, and land in an alien world!
Gunner can't wait to visit his best friend, Hayden, in Hub City. From playing hide-and-seek with his best bud, eating great food from the hottest local restaurants, and spending some time in a luxurious hotel for dogs, Gunner's first adventure in the big city is one to remember!
A beautifully written collection of essays for anyone who’s ever lived in that unwieldy group called family—a story that takes us from Iowa to the high country of Wyoming and Montana as a woman and her husband search for the perfect place to raise their five daughters and five sons. Rooted in real-life experience, this unique essay collection of passion, intimacy, work, religion, puberty, love and loss, and the struggle to be steadfast in times of enormous social change reads like a novel—full of lively characters, spirited dialogue, and a landscape that takes you from Iowa to the high country of Wyoming and Montana. As the chapters unfold, one focused on each child, Virginia Tranel and her husband search for the ideal place to raise the five daughters and five sons born to them between 1957 and 1978. Tranel artfully weaves daily moments with world events as she reflects on how our culture affects our decisions. She offers candid observations on everything from her reproductive choices and feminism's influence on her thinking to sibling rivalries and her family's emotional response when an architect son emails firsthand reports of the horrors of September 11. Whether considering the issues intrinsic to marriage and child-raising, or questioning her own common sense, her insights are always provocative and deeply moving.
Networking requires you to "kiss a lot of frogs" (i.e., meet a lot of people) to find your "princes"-those precious few who can make a difference in your life. But the real secret to networking is discovering what you can do for someone else. Networking guru Darcy Rezac helps redefine networking-his "what can I do for you?" approach has helped thousands overcome their fear of networking and find more success. Rezac uses his trademarked 7-step N.E.T.W.O.R.K. process to help readers avoid the "toads" and make the right connections-in business and in life. N: Never leave home without one's business cards E: Establish, exchange, engage-simple techniques that really work T: Travel in pairs-how to have more fun networking W:"Work the pond"-practice Positive Networking and use time wisely O: Opportunity is everywhere-discover "small-worlds" connections R: Repeat, repeat, repeat-the more networking one does, the better one gets K: Keep it going-the art of follow-up and relationship-building
Can Katie capture the magic of the Monet masterpieces? There's an art competition at the gallery and Katie is desperate to win. All she has to do is paint a picture in the style of Claude Monet. Surely Katie can manage that ... can't she?
“A sharp, funny, and eccentric debut … Pond makes the case for Bennett as an innovative writer of real talent. … [It]reminds us that small things have great depths.”–New York Times Book Review "Dazzling…exquisitely written and daring ." –O, the Oprah Magazine Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page.