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Mirza Asadullah Khan Ghalib (1797-1869) lived at a time of historic change in India, a period when the British conquest of India was in its ascendancy and the Mughal empire was coming to an end. He was witness to the ravaging of Delhi and its courtly culture, culminating in the uprising of 1857. This trauma, accompanied by his personal losses, informs his poetry, evidenced in Divan-EGhalib, containing 235 Urdu ghazals redolent with a sense of loss, grief and a plangent longing for a vanished way of life. Yet, what sets his poetry apart is an irrepressible sense of humour, energy and linguistic delight that drive his darkest lamentations. In A Tribute to Ghalib, Azra Raza and Sara Suleri Goodyear select twenty-one ghazals that illustrate the astonishing range of Ghalib's many voices and the ideas that populate his poetry. Every ghazal is accompanied by an introduction, a literal translation and a detailed commentary, shedding light on the complexities of the individual sher as well as the ghazal as a whole. This book will be invaluable not only to the Ghalib aficionado but also the lay reader.
Mirza Asadullah Khan Ghalib (1797 1869) Lived At A Time Of Historic Change In India A Period When The British Conquest Of India Was In Its Ascendancy And The Mughal Empire Was Coming To An End. He Was Witness To The Ravagement Of Delhi And Its Courtly Culture, Culminating In The Catastrophe Of The Uprising Of 1857. This Trauma, Accompanied By His Personal Losses, Informs His Poetry, Evidenced In Divan-E-Ghalib Containing 235 Ghazals In Urdu, Ghazals Redolent With A Sense Of Loss, Grief And A Plangent Longing For A Vanished Way Of Life. Yet, What Sets His Poetry Apart Is An Irrepressible Sense Of Humour, Energy And Linguistic Delight That Drive His Darkest Lamentations. In Ghalib: Epistemologies Of Elegance, Sara Suleri Goodyear And Azra Raza Select Twenty-One Ghazals That Illustrate The Astonishing Range Of Ghalib S Many Voices And The Ideas That Populate His Poetry. Every Ghazal Is Accompanied By An Introduction, A Literal Translation And A Detailed Commentary That Elucidate The Complexities Of The Individual Sher And The Ghazal As A Whole. The Result Is An Erudite Introduction To The Work Of The Greatest Urdu Poet Of All Time, Which Will Be Invaluable Not Only To The Ghalib Aficionado But Also The Lay Reader Spellbound By The Intricate Imagery And The Dazzling Scope Of This Extraordinary Poet.
A Brilliant Biography Of Nineteenth Century India S Greatest Poet Mirza Mohammad Asadullah Khan Ghalib Began Writing Poetry In Persian At The Age Of Nine And The Pre-Eminent Poet Of The Time, Mir, Predicted A Great Future For The Precocious Genius When He Was Shown His Verse. But Success And Material Rewards Did Not Come To Ghalib Easily For The Times Were Against Him, And He Did Not Suffer Fools Gladly Even If They Occupied Positions Of Importance. Ghalib Was At The Height Of His Powers When Events Took A Turn For The Worse. First Came The Decline Of The Mughal Court, Then The Rise Of The British Empire And, Finally, The Revolt Of 1857. Though Ghalib Lived Through The Upheavals And Purges Of The Revolt, In Which Many Of His Contemporaries And Friends Died And His Beloved Delhi Was Irrevocably Changed, He Was A Broken Man And Longed For Death. When He Died, On 15 February 1869, He Left Behind Some Of The Most Vivid Accounts Of The Events Of The Period Ever Written. In This Illuminating Biography Pavan K. Varma Evocatively Captures The Spirit Of The Man And The Essence Of The Times He Lived In.
With the fascinating scholarship of The Emperor of All Maladies and the deeply personal experience of When Breath Becomes Air, a world-class oncologist examines the current state of cancer and its devastating impact on the individuals it affects -- including herself. In The First Cell, Azra Raza offers a searing account of how both medicine and our society (mis)treats cancer, how we can do better, and why we must. A lyrical journey from hope to despair and back again, The First Cell explores cancer from every angle: medical, scientific, cultural, and personal. Indeed, Raza describes how she bore the terrible burden of being her own husband's oncologist as he succumbed to leukemia. Like When Breath Becomes Air, The First Cell is no ordinary book of medicine, but a book of wisdom and grace by an author who has devoted her life to making the unbearable easier to bear.
Amit Basole teaches Economics at Azim Premji University, Bangalore. Urdu poetry as well as history and architecture of the Indian subcontinent are his passions. Anjum Altaf is a South Asian living in Lahore. He is the author of Transgressions: Poems Inspired by Faiz Ahmed Faiz, Aakar Books Delhi 2019, Liberty Books Karachi 2020.
Forced to leave his home in war-torn Syria, thirteen-year-old Ghalib makes an arduous journey with his family to a refugee camp in Turkey. Includes glossary.
Here is a special abridged English translation of a major Indo-Persian epic: a panoramic tale of magic and passion, a classic hero’s odyssey that has captivated much of the world. It is the spellbinding story of Amir Hamza, the adventurer who in the service of the Persian emperor defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith before finding his way back to his first love. In Musharraf Ali Farooqi’s remarkable abridged rendition, this masterwork is captured with all its colorful action and fantastic elements intact. Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer’s epic sagas, The Adventures of Amir Hamza is a true literary treasure.
Mirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.
This selection of poetry and prose by Ghalib provides an accessible and wide-ranging introduction to the preeminent Urdu poet of the nineteenth century. Ghalib's poems, especially his ghazals, remain beloved throughout South Asia for their arresting intelligence and lively wit. His letters—informal, humorous, and deeply personal—reveal the vigor of his prose style and the warmth of his friendships. These careful translations allow readers with little or no knowledge of Urdu to appreciate the wide range of Ghalib's poetry, from his gift for extreme simplicity to his taste for unresolvable complexities of structure. Beginning with a critical introduction for nonspecialists and specialists alike, Frances Pritchett and Owen Cornwall present a selection of Ghalib's works, carefully annotating details of poetic form. Their translation maintains line-for-line accuracy and thereby preserves complex poetic devices that play upon the tension between the two lines of each verse. The book includes whole ghazals, selected individual verses from other ghazals, poems in other genres, and letters. The book also includes a glossary, the Urdu text of the original poetry, and an appendix containing Ghalib's comments on his own verses.