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Camillo Agrippa's widely influential "Treatise on the Science of Arms" was a turning point in the history of fencing. The author - an engineer by trade and not a professional master of arms - was able to radically re-imagine teaching the art of fencing. Agrippa's treatise is the fundamental text of Western swordsmanship. Just as earlier swordsmanship can be better understood from Agrippa's critiques, so too was his book the starting point for the rapier era. Every other treatise of the early-modern period had to deal explicitly or implicitly with Agrippa's startling transformation of the art and science of self-defense with the sword. Likewise, all of the fundamental ideas that are still used today - distance, time, line, blade opposition, counterattacks and countertime - are expressed in this paradigm-shifting treatise. This is a work that should be on the bookshelf of anyone interested in the history, practice or teaching of fencing. His treatise was also a microcosm of sixteenth-century thought. It examines the art, reduces it to its very principles, and reconstructs it according to a way of thinking that incorporated new concepts of art, science and philosophy. Contained within this handy volume are concrete examples of a new questioning of received wisdom and a turn toward empirical proofs, hallmarks of the Enlightenment. The treatise also presents evidence for a redefinition of elite masculinity in the wake of the military revolution of the sixteenth century. At the same time, is offers suggestive clues to the place of the hermetic tradition in the early-modern intellectual life and its implications for the origins of modern science. Camillo Agrippa's "Treatise on the Science of Arms" was first published in Rome in 1553 by the papal printer Antonio Blado. The original treatise was illustrated with 67 engravings that belong to the peak of Renaissance design. They are reproduced here in full. "Mondschein has at last made available to English-speaking readers one of the most important texts in the history of European martial arts. Agrippa marks a turning point in the intellectual history of these arts.... Mondschein's introduction to his work helps the reader understand Agrippa - and the martial practices themselves - as pivotal agents in the evolving cultural and intellectual systems of the sixteenth century. Above all, Mondschein's translation is refreshingly clean and idiomatic, rendering the systematic clarity of the Italian original into equally clear modern English - evidence of the author's familiarity with modern fencing and understanding of the physical realities that his author is trying to express. Mondschein's contextualization of his topic points the way for future scholarly exploration, and his translation will doubtless be valued by both students of cultural history and practitioners of modern sword arts." - Dr. Jeffrey L. Forgeng, Paul S. Morgan Curator -Higgins Armory Museum, Adj. Assoc. Prof. of Humanities, Worcester Polytechnic Institute First English translation. Hardcover, 234 pages, 67 illustrations, introduction, bibliography, glossary, appendix, index."
This Book "Gunnery in 1858: Being a Treatise on Rifles, Cannon, and Sporting Arms; Explaining the Principles of the Science of Gunnery, and Describing the Newest Improvements in Fire-Arms" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
This book contains a representation of an early 20th century typescript by A. F. Johnson, currently owned by the Howard de Walden Library and housed in the Wallace Collection, containing his unpublished translation of the 1606 treatise of Salvator Fabris. Since it is not possible to scan the book, it was photographed by Guy Windsor and these photos were carefully transcribed by Michael Chidester, and then formatted to resemble the original as closely as modern technology allows. No attempt has been made to correct spelling, grammar, or formatting errors present in the original. This is the unillustrated edition, exactly matching the typescript. There is also an illustrated edition containing reproductions of Fabris' artwork on the blank verso pages, as might have been intended for the original.
This book contains a representation of an early 20th century typescript by A. F. Johnson, currently owned by the Howard de Walden Library and housed in the Wallace Collection, containing his unpublished translation of the 1606 treatise of Salvator Fabris. Since it is not possible to scan the book, it was photographed by Guy Windsor and these photos were carefully transcribed by Michael Chidester, and then formatted to resemble the original as closely as modern technology allows. No attempt has been made to correct spelling, grammar, or formatting errors present in the original. This is the illustrated edition, containing reproductions of Fabris' artwork on the blank verso pages, as might have been intended for the original. There is also an unillustrated edition, exactly matching the typescript.
Excerpt from Gunnery in 1858: Being a Treatise on Rifles, Cannon, and Sporting Arms; Explaining the Principles of the Science of Gunnery, and Describing the Newest Improvements in Fire-Arms The urgent need for practical information on the important subject of Gunnery is evinced by the numerous patents taken out during the last few years, most of which have fallen still-born, through deficient practical science on the part of the inventors. My aim in producing this book has been to point out the errors into which many ingenious inventors have fallen, and to Show how similar failures may be avoided in future, by indicating the only right road to improvement in Gunnery, -the strict observance of scientific principles in every old process and in all new inventions: for it is to the ignorance or neglect of the principles of the science that failures in Gunnery are due. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The most detailed and comprehensive treatise on swordsmanship ever written, Gerard Thibault's Academy of the Sword offers an extraordinary glimpse into a forgotten landscape of ideas, in which Pythagorean sacred geometry illuminated the lethal realities of rapier combat to create one of the Western world's only thoroughly documented esoteric martial arts. Translated by the widely respected occultist and scholar John Michael Greer, this stunningly illustrated and precisely detailed manual of Renaissance swordsmanship is a triumphant document of Renaissance culture-as well as a practical manual of a martial art that can still be studied and practiced today.
Richard M. Price asks why, among all the ominous technologies of weaponry throughout the history of warfare, chemical weapons carry a special moral stigma. Something more seems to be at work than the predictable resistance people have expressed to any new weaponry, from the crossbow to nuclear bombs. Perceptions of chemical warfare as particularly abhorrent have been successfully institutionalized in international proscriptions and, Price suggests, understanding the sources of this success might shed light on other efforts at arms control.To explore the origins and meaning of the chemical weapons taboo, Price presents a series of case studies from World War I through the Gulf War of 1990-1991. He traces the moral arguments against gas warfare from the Hague Conferences at the turn of the century through negotiations for the Chemical Weapons Convention of 1993. From the Italian invasion of Ethiopia to the war between Iran and Iraq, chemical weapons have been condemned as the "poor man's bomb." Drawing upon insights from Michel Foucault to explain the role of moral norms in an international arena rarely sensitive to such pressures, he focuses on the construction of and mutations in the refusal to condone chemical weapons.
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