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640 jokes, anecdotes, and limericks, complete with notes on how to tell them, from America's leading renaissance man.
An anthology including nonsense verses, short stories, nursery tales and rhymes, poems, and tongue twisters on such topics as animals, edibles, naughty children and families.
Here are the sermons of anonymous rabbis from the shtetlach as well as writings from the great authors.
From the host of NPR affiliate’s Forum with Michael Krasny, a compendium of Jewish jokes that packs the punches with hilarious riff after riff and also offers a window into Jewish culture. Michael Krasny has been telling Jewish jokes since his bar mitzvah, and it’s been said that he knows more of them than anyone on the planet. He certainly states his case in this wise, enlightening, and hilarious book that not only collects the best of Jewish humor passed down from generation to generation, but explains the cultural expressions and anxieties behind the laughs. "What’s Jewish Alzheimer’s?" "You forget everything but the grudges." "You must be so proud. Your daughter is the President of the United States!" "Yes. But her brother is a doctor!" "Isn’t Jewish humor masochistic?" "No. And if I hear that one more time I am going to kill myself." With his background as a scholar and public-radio host, Krasny delves deeply into the themes, topics, and form of Jewish humor: chauvinism undercut by irony and self-mockery, the fear of losing cultural identity through assimilation, the importance of vocal inflection in joke-telling, and calls to communal memory, including the use of Yiddish. Borrowing from traditional humor and such Jewish comedy legends as Jackie Mason, Mel Brooks, and Joan Rivers, Larry David, Sarah Silverman, Jerry Seinfeld and Amy Schumer, Let There Be Laughter is an absolute pleasure for the chosen and goyim alike.
In this book, a well-known speech writer and brilliant public speaker explains how to use humor effectively in speeches for every occasion and for any type of audience. Included are more than 600 humorous stories and anecdotes from the author's own collection -- stories and anecdotes that anyone can use to enliven a speech. In Part One of Podium Humor, the author discusses from the speaker's standpoint as well as from that of the audience. With numerous examples he explains what humor is made of, what triggers laughter, how to tell a story, and how to use humor to build suspense. From the basics supplied by the author, you learn how to develop your own humorous stories to suit your individual needs. Part Two of the book features a cross-indexed collection of humor: anecdotes, stories, and one-liners on many topical subjects. The author shows you how to work these humorous pieces into your speech by suggesting "lead-in" lines for particular stories plus "bridge" lines to return to the main sppech. Whether you wish to use humor to start or end a speech, to illustrate a point, or to establish rapport with an audience, Podium Humor will give you practical, easy-to-follow advice and a wealth of humorous material for use in your next speech.
(Continued) Includes writings by Agnes Hunt, E.F. Benson, Norman Douglas, Ernest Bramah, Stephen Leacock, Saki, Hilaire Belloc, Max Beerbohm, Harry Graham, G.K. Chesterton, Maurice Baring, Lord Dunsany, A.E. Coppard, Robert Lynd, A. Neil Lyons, Adrian Porter, P.G. Wodehouse, Katherine Mansfield, A.P. Herbert, E. Delafield, Rose Macaulay, Aldous Huxley, F.L. Lucas, D.B. Wyndham Lewis, Bruce Marshall, James Laver, Noel Coward, Jan Struther, John Collier, Roy Campbell, Stella Gibbons, Patrick Barrington, Evelyn Waugh, Eric Knight, William Plomer, T.H. White, John Betjeman, Peter Fleming, R.A.A. Robertson, Nathaniel Gubbins, Daniel Pettiward, Angela Milne, Angela Thirkell, Eliot Crawshay-Williams.
The Treasury of Laughs is a treasure house for students of literature, psycholinguistics, history, sociology, and cultural anthropology. Feng Menglong systematically collected and edited 700-odd humourous skits that presented the entire spectrum of traditional Chinese jokes, and wrote commentaries of great philosophical insight. The anthology offers satirical caricatures of human follies from the cradle to the grave and reveals tension in all sectors of human societies and institutions. Hsu Pi-ching reconstructs the complete Ming Chinese original with meticulous editorial work, in modern punctuated typesetting, and provides the only complete English translation available, with useful footnotes on word plays, literary allusions, and historical background. Readers should find the introductory essays on the connections between humour and emotions/states of mind particularly illuminating.
A treasury of contemporary Southern humor includes more than 150 stories, sketches, essays, poems, memoirs, and song lyrics from William Faulkner, Mark Twain, Zora Neal Hurston, Dave Barry, and other contributors
Over 2,200 Jokes from America’s favorite live radio show A treasury of hilarity from Garrison Keillor and the cast of public radio’s A Prairie Home Companion. A guy walks into a bar. Eight Canada Geese walk into a bar. A termite jumps up on the bar and asks, “Where is the bar tender?” Drum roll. The Sixth Edition of the perennially popular Pretty Good Joke Book is everything the first five were and more. More puns, one-liners, light bulb jokes, knock-knock jokes, and third-grader jokes (have you heard the one about Elvis Parsley?). More religion jokes, political jokes, lawyer jokes, blonde jokes, and jokes in questionable taste (Why did the urologist lose his license? He got in trouble with his peers). More jokes about chickens, relationships, and senior moments (the nice thing about Alzheimer’s is you can enjoy the same jokes again and again). It all started back in 1996, when A Prairie Home Companion fans laughed themselves silly during the first Joke Show. The broadcast was such a hit that it became an almost-annual gagfest. Then fans wanted to read the jokes, share them, and pass them around, and the first Pretty Good Joke Book was born. With over 200 new and updated jokes, the latest edition promises countless giggles, chortles, and guffaws anyone—fans of the radio show or not—will enjoy.