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Highlights the diverse oral traditions of the African American cultures of the New World.
In A Treasury of Afro-American Folklore, esteemed novelist and folklorist Harold Courlander brings together another extensive and unique collection of tales, recollections, epics, traditions, beliefs, myths, historical chronicles, and songs, this time from the numerous black cultures of the New World. This remarkable exploration, which covers the unwritten traditions and literature of the Spanish-, French-, and English-speaking islands of the Caribbean, the areas of Central and South America inhabited by people of African descent, and the black communities of the United States, brings to light amazing tales of scoundrels, heroes, rollicking adventures, and friendship, descriptions of cult life around which many traditions and beliefs flowed, insight into the social scene in places where black and white ideas intermingled and became Afro-American, and much more. With a focus on the interconnectedness of cultural inheritances throughout the Afro-American region as well as the local divergences, A Treasury of Afro-American Folklore eloquently demonstrates the powerful cultural influence of Africa on this side of the Atlantic. Book jacket.
African American folklore dates back 240 years and has had a significant impact on American culture from the slavery period to the modern day. This encyclopedia provides accessible entries on key elements of this long history, including folklore originally derived from African cultures that have survived here and those that originated in the United States. Inspired by the author's passion for African American culture and vernacular traditions, African American Folklore: An Encyclopedia for Students thoroughly addresses key elements and motifs in black American folklore-especially those that have influenced American culture. With its alphabetically organized entries that cover a wide range of subjects from the word "conjure" to the dance style of "twerking," this book provides readers with a deeper comprehension of American culture through a greater understanding of the contributions of African American culture and black folk traditions. This book will be useful to general readers as well as students or researchers whose interests include African American culture and folklore or American culture. It offers insight into the histories of African American folklore motifs, their importance within African American groups, and their relevance to the evolution of American culture. The work also provides original materials, such as excepts from folktales and folksongs, and a comprehensive compilation of sources for further research that includes bibliographical citations as well as lists of websites and cultural centers.
Full of life, wisdom, and humor, these tales range from the earthy comedy of tricksters to accounts of how the world was created and got to be the way it is to moral fables that tell of encounters between masters and slaves. They include stories set down in nineteenth-century travelers' reports and plantation journals, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean. With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folkore Library
Connection point is a folklore that tells about who the Nig!?r is and where the people known by that name came from. How important is a name to a people? A name is a very powerful vehicle that identifies the people or their tribes. It gives us a history of the people. In essence, we come to understand the nature of the people better; even more, we gain information from each other to make behavior adjustment in the differences we have with each other. The Author takes the folklore he received growing up close to his grandfather and developed it into this book. Lee Ferry took the "N" word to pieces and rendered the word to the departure point of the people, a Niger River Kingdom. Then, in his research appeared the Jewish prince-priest from Yemen, with a Saint George and the Dragon type mission to bring the Songo (River Nig!?rs) back to Judaism. Lee examines the Songo folklore, which seems to coincide with our folklore; they came from Egypt where an island in the Nile had an Israelite Temple on it around the time the Temple was destroyed. The people were Ethiopians. Then the struggle for right or might is on. The story is lively with a bold approach to a subject no one is willing to talk about; yet at the time, it is a fact that this subject needs to be cleaned up once and for all.
A celebration of African American life and culture brings together four hundred years of folklore, traditional tales, recipes, proverbs, legends, folk songs, and folk art.