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This is a romance set in France and starts in Nice at the time of the Carnival. The Casino is thronged with a very diverse collection of humanity; kings and princes; bourgeois and working class. The protagonists of the story are three Americans, a man and two women, who as the novel begins, are seated in a corner of one of the gambling halls.
Excerpt from A Tragic Idyl That night (toward the end of February, 188-) a vast crowd was thronging the halls of the Casino at Monte Carlo. It was one of the momentary occasions, well known to all who have passed the winter season on the Corniche, when a sudden and prodigious afflux of composite humanity transfigures that place, ordinarily so vulgar with the brutal luxury of the people whom it satisfies. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
When Dr. George Pritchard asked Phoebe to marry him, she hadn't needed much persuading. The recent death of her aunt had left her penniless and without a job. Besides, she did like him. So what if he'd made it plain that he wasn't in love with her—at least she knew where she stood. It wasn't until after the wedding that she began to wonder if liking was going to be enough….
The Critical Idyll is a socio-literary re-evaluation of Goethe’s idyllic verse epic, Hermann und Dorothea. The revival of traditional German values as markers of national identity against the approaching revolutionary armies of the French in the early 1790s is analysed in the main figure, the archetypal German youth, Hermann. Confronted by the misery of German refugees from the left-bank territories in 1796, Hermann becomes the spokesman for a new sense of German identity. The refugee Dorothea, and her first finance, the German Jacobin who died in Paris, provide a perspective on the themes of German identity and individual freedom at this time. The national feelings Hermann expresses are based on a language and community in the German small town, rather than on earlier territorial or dynastic concepts of the German nation. The traditional literary form of the idyll is reformed through irony and parody into a modern, critical and self-reflexive work in which central themes of post-revolutionary society are foregrounded.