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An extraordinarily beautiful mixed-race woman travels through the 1930s from the Prohibition era to the dawn of World War II, moving from domestic servant to mistress of a wealthy industrialist and on to a loving relationship with maestro George Gershwin while he completes the operatic masterpiece Porgy and Bess. Filled with the history of Tampas exotic Ybor City, the home of Cuban culture in America, readers are introduced to the place and the people that produced legendary handmade clear Havana cigars for a half century. The novel also provides a perspective on the awakening of Americas sexuality, glamorous old Havana, the post-Prohibition rise of organized crime and the historic uncertainties of Cuban-American relations.
Chronicles the author's teen years in the Tampa area during the 1930s and 1940s
In 1885, Vincent Martinez Ybor, a Spanish entrepreneur, purchased forty acres east of Tampa and built a company town of tall red-brick factories and small wood-frame houses for the workers. Over the next forty years, this community of cigar-makers from Cuba, Spain, and Italy grew into a thriving industry that made Tampa the Cigar Capital of the World. The urban renewal of the 1960s, however, struck a deathblow to Ybor City; thousands of cigar-makers homes and businesses were leveled by bulldozers, and an interstate highway stormed through the dying neighborhood. The narratives, reflecting a coming-of-age in this colorful community that no longer exists, speak of a kidnapping, a hold-up, a shark attack, a deadly duel, and a murder. A teenager comes to grips with his sexual identity, an activist mother resists Jim Crow laws, and an unexpected baby changes everyones life. In Cigar City Stories, author Emilio Gonzalez-Llanes presents a collection of short stories that provides a snapshot of this lost island in time. Julian stood on that raised platform in the middle of the factory floor, reading to the workers: Anna Karenina, War and Peace, Les Miserables, writings of Cervantes, newspapers, and the poems of Jos Marti. He didnt just read the words; he took on the voice and mannerisms of the characters in the novels, like an actor in the theater. Good performances were followed by the sustained thumping roar of two hundred chavetas, or tobacco knives, repeatedly striking the workers tobacco-cutting boards. from El Lector
The year is 1958; the place, Ybor City, Florida. Mina, Clemencia, and Dolores, three aging sisters, look forward to seeing their children, in-laws, and grandchildren come for a pleasant visit to this quiet, blue-collar neighborhood that all three call home. But the calm surface of the streets hides a darker, more dangerous side. Old family rivalries, sexual intrigues, class envy, political antagonism, and even borderline criminal activity threaten the peace. No one has realized it yet, but this proud Cuban-American clan stands on the brink of a terrible fall. Originally published in 1963, this is the 35th anniversary edition of the classic that brought the authorÍs name to national prominence. With an introduction by the authorÍs son, Rafael Yglesias, this highly autobiographical novel recounts three days in the life of a Cuban-American family in 1958 as they are confronted by a series of crises.
The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.
"Complete with a profile index of each known Trafficante family member, Cigar City Mafia shows readers the local factories, bolita gambling houses, and the Hillsborough River. There a new body floated to the surface practically every other day."--Jacket
It is a story of unfolding consequences that begins when the black and white solidarity of emigrating Cubans comes up against Jim Crow racism and progresses through a painful renegotiation of allegiances and identities."--Jacket.
Tampa Bay offers an array of interesting places to visit and explore, including beautiful beaches, aquariums, theme parks, breweries, art museums, parks, and restaurants. But whether you’re a local or a tourist, there are plenty of spots you might be missing. Why not step into the dark night in Ybor City to discover the streets and spaces where stories of early immigrants unfold on a walking ghost tour? Or watch the 1940s sponge diving video and then soak up the Greek culture and kooky kitsch at Spongeorama in Tarpon Springs. Climb through the great aboveground root forest at Edward Medard Conservation Park in Plant City. Or wait for the first weekend of each month and dig through the treasures at Brocante Vintage Market in St. Pete. In this second edition of 100 Things to Do in Tampa Bay Before You Die, you’ll find one hundred ideas to help you get to know Tampa Bay, or get to know it even better.
Cigar City: Tales From a 1980s Creative Ghetto, is a collection of linked short stories about the young artists, writers, poets, musicians and actors who inhabited Tampa's Ybor City in the 1980s. Drawn by urban authenticity and cheap rents, they created a surreal, chaotic arts scene set against the backdrop of the empty cigar factories and shotgun shacks of Tampa's immigrant past. Ybor drew international artists like James Rosenquist, Jim Dine and dozens more, and mirrored what was happening in New York's Alphabet City.The stories are fictional but they capture the spirit of the district during the 1980s. The collection is illustrated with photos from the era by Bud Lee and David Audet.
In 1896, Wenceslao Gálvez y Delmonte fled the violence of Cuba’s war for independence and settled in Tampa. He soon made his new home the focus of a work of costumbrismo, the Spanish-language genre built on closely observing the everyday manners and customs of a place. Translated here into English, Gálvez’s narrative mixes evocative descriptions with charming commentary to bring to life the early Cuban exile communities in Ybor City and West Tampa. The writer’s sharp eye finds the local characters, the barber shops and electric streetcars, the city landmarks and new Cuban enclaves. One day, Gálvez offers his thoughts on the pro-independence activities of community leaders like Martín Herrera and Fernando Figuerdo. On another, our exiled bourgeois intellectual author wryly recounts his new life as a door-to-door salesman and lector reading aloud to workers in a cigar factory. This scholarly edition includes photographs and newspaper clippings, a foreword on Gálvez’s extraordinary pre-exile years, extensive notes to the translation, and a wealth of other supplementary material putting the author’s life and work in context. A volume in the series New World Diasporas, edited by Kevin A. Yelvington