Download Free A Thomas Hardy Dictionary Book in PDF and EPUB Free Download. You can read online A Thomas Hardy Dictionary and write the review.

This dictionary provides explanations of references and words used with rare meanings, sources of quotations and allusions, identifications of fictional places and people, major symbols and important influences with critical comments on all Hardy's novels, short stories and poetry.
In The Ashgate Research Companion to Thomas Hardy, some of the most prominent Hardy specialists working today offer an overview of Hardy scholarship and suggest new directions in Hardy studies. The contributors cover virtually every area relevant to Hardy's fiction and poetry, including philosophy, palaeontology, biography, science, film, popular culture, beliefs, gender, music, masculinity, tragedy, topography, psychology, metaphysics, illustration, bibliographical studies and contemporary response. While several collections have surveyed the Hardy landscape, no previous volume has been composed especially for scholars and advanced graduate students. This companion is specially designed to aid original research on Hardy and serve as the critical basis for Hardy studies in the new millennium. Among the features are a comprehensive bibliography that includes not only works in English but, in acknowledgment of Hardy's explosion in popularity around the world, also works in languages other than English.
The wide-ranging and lively essays in Reading Thomas Hardy will appeal to anyone interested in Hardy. Specialists and Hardy enthusiasts will find a showcase for the work of many of the world's leading Hardy scholars. Subjects covered include Hardy the writer and Hardy the man, individual texts and wider themes, and Hardy's relationships to other artists. Whether presenting new research, embodying the best of traditional approaches, or challenging the reader with new interpretations, all the papers are authoritative and accessible.
This book reads Hardy's poetry of the rural as deeply rooted in the historical tradition of the pastoral mode even as it complicates and extends it. It shows that in addition to reinstating the original tensions of classical pastoral, Hardy dramatizes a heightened awareness of complex communities and the relations of class, labour, and gender.
In the mid- late 1800s and early 1900s, Thomas Hardy produced a plethora of eclectic works that were considered too candid and even sacrilegious for their time. Hardy's publishing of fiction, drama, poetry, and the short story ranks him with Shakespeare, one of few other authors in the English language to write major works in more than one literary genre. Growing up, Hardy apprenticed as an architect but soon realized his true calling was writing. He based much of his work on his homeland and local culture in England, creating the fictional county of Wessex, the setting for most of his works. This companion explores the life of Hardy, examining his career and most important works. Ideal for high school and undergraduate students, as well as readers with a general interest in Hardy's life and works, this book takes a close look at Hardy's unconventional works and why he ultimately decided to abandon novel-writing in favor of his first love-poetry.
In this, the first book-length study of astronomy in Hardy's writing, historian of science and literary scholar Pamela Gossin brings the analytical tools of both disciplines to bear as she offers unexpected and sophisticated readings of seven novels that enrich Darwinian and feminist perspectives on his work, extend formalist evaluations of his achievement as a writer, and provide fresh interpretations of enigmatic passages and scenes. In an elegantly crafted introduction, Gossin draws together the shared critical values and methods of literary studies and the history of science to articulate a hybrid model of scholarly interpretation and analysis that promotes cross-disciplinary compassion and understanding within the current contention of the science/culture wars. She then situates Hardy's own deeply interdisciplinary knowledge of astronomy and cosmology within both literary and scientific traditions, from the ancient world through the Victorian era. Gossin offers insightful new assessments of A Pair of Blue Eyes, Far from the Madding Crowd, The Return of the Native, Two on a Tower, The Woodlanders, Tess of the D'Urbervilles, and Jude the Obscure, arguing that Hardy's personal synthesis of ancient and modern astronomy with mythopoetic and scientific cosmologies enabled him to write as a literary cosmologist for the post-Darwinian world. The profound new myths that comprise Hardy's novel universe can be read as a sustained set of literary thought-experiments by which he critiques the possibilities, limitations, and dangers of living out the storylines that such imaginative cosmologies project for his time - and ours.
This book is designed to serve as a practical guide for students and others wishing to improve their skills in the detailed analysis and discussion of Hardy's prose texts. Its aim is to sharpen readers' awareness of the complexity and subtlety of Hardy's art by encouraging responsiveness to such aspects as language and style, imagery and symbol, descriptive and dramatic method and narrative technique. At the same time extracts are considered not in isolation but in relation to the overall purposes of a highly-organised text. While the main focus is on four of Hardy's most-widely read novels, the twenty-four examples of close analysis cover six major themes that are relevant to all his fiction. There are also numerous references to his other writings in prose and verse. The second part of the book provides, in succinct form, essential background material, including an outline of Hardy's life and career and an account of the literary, historical and intellectual contexts of his fiction. As well as a guide to further reading, a chapter is devoted to samples of criticism illustrating a range of approaches to the chosen texts and representing the work of important critics past and present.
Thomas Hardy still seems to speak to us, in fiction and in poetry, as 'our contemporary'. This second edition of Peter Widdowson's study identifies the elements in Hardy's work which enable him to be read thus: the focus on unstable class and sexual relationships in a society undergoing rapid change; the highly-charged representations of women at the heart of this process; the self-reflexive artifice of the writing itself as an aspect of Hardy's 'satiric' view of a 'new Dark Age'. Professor Widdowson shows where this radical and destabilizing Hardy is to be located in the texts, while also seeking to recast our conventional conception of Hardy the Poet. For this new edition, the author has updated the bibliography and included a 'Postscript" on film and TV adaptations of Hardy's fiction, since many newcomers to it now first experience his work in this medium. This study offers a comprehensive guide to reading Hardy anew as a writer who challenges our assumptions about art and life.