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A highly readable and informative guide for secondary school teachers who want to induce African literature in their classes.
In college and graduate school, Jewell Parker Rhodes never encountered a single reading assignment or exercise that featured a person of color. Now she has made it her mission to rectify the situation, gathering advice and inspiring tips tailored for African Americans seeking to express their life experiences. Comprehensive and totally energizing, the African American Guide to Writing and Publishing Nonfiction bursts with supportive topics such as: ·Finding your voice ·Getting to know your literary ancestors ·Overcoming a bruised ego and finding the determination to pursue your dreams ·Gathering material and conducting research ·Tapping sweet, bittersweet, and joyful memories ·Knowing when to keep revising, and when to let go The guide also features unforgettable excerpts from luminaries such as Maya Angelou, Brent Staples, Houston Baker, and pointers from bestselling African American authors Patrice Gaines, E. Lynn Harris, James McBride, John Hope Franklin, Pearl Cleage, Edwidge Danticat, and many others. It is a uniquely nurturing and informative touchstone for affirming, bearing witness, leaving a legacy, and celebrating the remarkable journey of the self.
“A valuable resource [with] useful ideas about how to . . . enhance student engagement with the continent, and expand Africa’s presence within the curriculum.” —Stephen Volz, Kenyon College Teaching Africa introduces innovative strategies for teaching about Africa. The contributors address misperceptions about Africa and Africans, incorporate the latest technologies of teaching and learning, and give practical advice for creating successful lesson plans, classroom activities, and study abroad programs. Teachers in the humanities, sciences, and social sciences will find helpful hints and tips on how to bridge the knowledge gap and motivate understanding of Africa in a globalizing world.
INTERNATIONAL BESTSELLER • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE'S JOHN LEONARD PRIZE • WINNER OF THE PEN / HEMINGWAY AWARD FOR DEBUT FICTION • Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. One of Oprah’s Best Books of the Year, Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed—and shows how the memory of captivity has been inscribed on the soul of our nation.
Stories from West Africa and the African Diaspora: a journey into the realm of deities, spirits, mysticism, spiritual roots and ancestral wisdom. Acknowledging that the Yorùbá are one of the largest and most important groups of people in West Africa, apart from its value as a cultural treasure, African Narratives of Orishas, Spirits and Other Deities will delight the readers with its wealth of information on Yorùbá Orisha, Vodun, and Nkisi religious beliefs which are told in a spirited form with humor and poetry. Every page reveals different deeds and aspects of Yorùbá deities known as Òrìṣà, as well as a number of spirits and other deities. This stunning collection of 352 narratives showcases the diversity of Yorùbá Òrìṣà culture and evokes divine àṣẹ power. It gives West African deities their much deserved respect and place in world culture. Alex Cuoco specifically kept the texts in this collection of narratives and supporting topics, in a non-academic format to afford the reader a free flow of thought without interruptions to check notes. He chose to use simple language throughout the book to make the texts understandable and valuable to the general reader, as well as, making it a great contribution to the informed. The narratives of Orishas, spirits and other deities and all other supporting topics in chapters 3-4 examine Òrìṣà, Vodun, and spirit beliefs in cultures in Nigeria, Republic of Benin, Togo, Ghana, as well as, the Angola-Congo Nkisi deities, thus creating a cross-cultural foundation for spiritual learning and gaining of wisdom and knowledge. (It contains an extensive Yorùbá glossary) An extensive compilation for enthusiasts of African Studies, Mythology, Religion, and Mysticism
“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now. “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). “Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” —N. K. Jemisin Developed for television by writer/executive producer Branden Jacobs-Jenkins (Watchmen), executive producers also include Joe Weisberg and Joel Fields (The Americans, The Patient), and Darren Aronofsky (The Whale). Janicza Bravo (Zola) is director and an executive producer of the pilot. Kindred stars Mallori Johnson, Micah Stock, Ryan Kwanten, and Gayle Rankin.
The Black Loyalists depicts the unique expressions of the Black Loyalist identity to Nova Scotia and Sierra Leone.
A Students' Guide to African American Literature, 1760 to the Present is designed to assist college students (and others) who are relative novices to the study of African American literature. Focusing on the prose tradition (from early autobiographical narratives to contemporary fiction), the author highlights themes, issues, and motifs peculiar to, and recurring in, African American literature, while providing students with more specific information on a number of key texts. Each chapter comes with suggestions for assignments and a selected bibliography for further research. The book also contains an appendix, which contains six student essays, as well as a useful glossary.