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In this dystopian romance, a warlord discovers one of his prisoners is his childhood bully. After the political mood bursts and fractures into mayhem, the U.S. is divided into territories. States no longer exist and tyranny blossoms. The warlords secure their areas, new rules and laws have been setup, and the rest of the population struggles to survive. Before the country ran amok, I worked as a food scientist for contents and food safety. The militia destroyed my labs and scientific research. As a 37-year-old woman, I’m left scavenging for food and clothing. One fateful day, I’m captured and thrown into a cell. Even though I don’t know what it entails, I’ve been chosen as a taste offering prisoner. I refuse to eat the food, which infuriates the guards. After being beaten and almost assaulted, I’m requested by the warlord, Rain Skinner. In his chambers, he recognizes me as his grammar school bully, and at that moment, I realize I’m doomed. Now, there’s nothing he wants more than to make me pay for the hell I put him through. Author’s Note: Sometimes all we have time for is a quickie. This is a dark dystopian romance. It contains adult content and triggers. Reader discretion is advised. If you want a list of warnings, please visit authordenisebaer.com
This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). 'Quota Quickies' will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.
What can we learn from exploring the differences in male and female orgasmic experience? Is the penis an entity with a mind of its own? These issues and others, such as the popular portrayals of male sexuality as active and outwardly focused and female sexuality as passive and internally located, are discussed in The Science/Fiction of Sex. Contemporary feminist and poststructuralist theories of sex and gender are explored alongside an investigation of how people make sense of such concepts as heterosexuality, orgasm, sexual dysfunction, femininity and masculinity, and safer sex practice. Potts asks men and women about their actual experiences of heterosex. This interview material, combined with excerpts from sexological and medical texts and features from film and television, draws attention to the ways in which western cultural constructs influence our ideas and experiences of the body, sex, and gender. Potts also uses deconstructive theory as a textual tool, concentrating on how binary oppositions such as inside/outside and mind/body impact on our understandings of heterosex, and affect the power relations between women and men. She also examines how the radical postmodern theories of the body and sexuality proposed by Irigaray, Lyotard, and Deleuze and Guattari disrupt such dualistic modes of understanding and experiencing sexualized bodies. The Science/Fiction of Sex will be of interest to those studying women and psychology as well as gender studies, cultural studies, feminist studies, sociology, philosophy, public health and education.
THE EXIT INTERVIEW is a story about the competitiveness between two business, oriented buddies whose friendship became marred by jealousy and envy, ended in tragic circumstances, or at best, melodramatically. In LOVE IS A DRUM, Pops is a senior citizen who shares the spotlight with Malcolm, a young romantic who projects himself years ahead of his time to emphasize with the old man. THE EMPTY STAGE is a story that indulges in the often beguiling concept of reality. It speaks to a reality that Billy, a television cameraman, and Walter, a character actor, both finds it difficult to identify actuality. BLOOD AND WINE is a story that shows the need for our compassion in understanding the vagrant and try to ease if not remedy his eerie, and dismal world of existence.
Quick fixes to improve your life for freshly independent, fast-paced chicks Based on the popular QuickieChick website, lifestyle expert Laurel House's QuickieChick's Cheat Sheet to Life, Love, Food, Fitness, Fashion, and Finance on a Less Than Fabulous Budget offers quick tips for smart, sassy, independent chicks. This is the essential manual on life's lessons delivered in fun, snappy, and instantly-gratifying bites of information. Beyond a fab pair of stilettos, a big shot mentor and a go-to ab workout, QuickieChick reminds us that what every chick really needs are the 3Gs: Gumption, Grace, and Guidance. QuickieChick is filled with professional advice from business entrepreneurs, exclusive tips straight from celebrities, insightful anecdotes from real women who have "been there and done that," end of chapter cheat sheets that simplify the steps to success in concise and actionable advice, and fun quizzes that help you find out who you really are. This is the perfect rescue handbook for post-grad girls about life and how to live it...fabulously on a budget. QuickieChick features practical solutions that guide you through: • How to ace the job interview • How to gain financial independence, move out of your parents' place, and avoid roommate drama • Quickie workouts for every location: in bed, at the office, on an airplane, in the kitchen, and more • How to get a boost of confidence by wearing "power panties" • 1-ingredient refrigerator facials: how to get fab skin by using ingredients found in your fridge • Dating and dumping: when to leave, when to stay, where to meet guys, and how to keep them hooked • Work party protocol: how to dress, what to say, and how to act • How to throw a fab cocktail party on a budget...with no stress • Finding a mentor
Blood and Wine is complied from a collection of fictional writings, free verse and autobiographical material I wrote and published in several books over the years. I selected segments I thought were essential to the general focus of my book to hone prose and target free verse to signify the creative process within which my book strives. I began the book with a poetic challenge-Intruders, do not enter the mind / of the unborn child in the womb of thought-thereby promoting prose against the originality of free verse.
In a breathtaking saga spanning the final three decades of the Great Migration - from the Jim Crow south in rural midcentury Mississippi through the transformative 1970s - a tenacious single mother and culinary genius builds an unprecedented empire. But the one dream she can’t stop chasing may cost her everything… Readers of Terry McMillan, Dolen Perkins-Valdez, Tracy Brown, ReShonda Tate, and Sadeqa Johnson will be captivated by this powerful story of mothers and daughters, against-all-odds success, generational trauma, and redefining home. Money is security. Always. Margo Dupree has lived by that rule since childhood, when her father’s death plunged her and her mother into poverty. Marriage brought only disillusionment and struggle. But it also gave Margo the determination to migrate north in search of a better life for herself and her young daughter, Lana. The north, however, isn’t the panacea she expected, and Margo finds herself contending with the all-too-familiar obstacles of racism and prejudice, not to mention the new stresses of urban living. But things change once she realizes that what was once her greatest shame is now her greatest asset—the skills she learned from her mother’s job as a cook. Using her tasty recipes, personality, and relentless hustle, Margo begins to build a successful restaurant chain. Yet despite her ever-more desperate efforts, she can't earn her heart’s deepest desire: Lana’s forgiveness for her early absence. As Lana becomes a beautiful young woman with an increasingly mercenary temperament, Margo wonders if she knows her daughter at all—and if she can save her from the bitter and frighteningly dangerous mistakes that may shatter both of their worlds . . .
Poems / Images are a collection of verse, and excerpts from fiction I wrote over the years, with prose narrative honed and targeted to poems to make a connective, and where possible, an explosive imagery. Obviously, the writer believes he has met the goals he sets out for himself in this book, by making an imaginary unity in sound and meaning substantive, confident all along in his credo that he is always partial to impartiality.
Three wise and witty novels of the sixties, sexuality, and the South by a New York Times–bestselling “strong, salty, original talent” (Doris Lessing). Kinflicks: “An ambitious, funny, lucid and unfailingly honest” coming-of-age novel set in the 1960s American South (The New Yorker). Tart-tongued Tennessean Ginny Babcock seems to live in an idyllic world—and her mother documents every moment for the family’s home movies. But mother’s “kinflicks” don’t capture everything about Ginny. Not by a long shot. Original Sins: In this “thoroughly endearing” novel, Sally, Emily, Jed, Raymond, and Donny are friends who dream big in rural Tennessee (Chicago Tribune). But the road to reality isn’t quite what they imagined. Some take the safe route; others drift away to reconsider their roots and traditions; and for Donny, an African American, fulfilling dreams is all about resilience. In the ever-shifting landscape of the 1950s and ’60s, they grow up, grow apart, and have every good intention of coming back together. Five Minutes in Heaven: Raised in the Tennessee hills in the 1950s, Jude grows into a young woman who finds her soul mate in her new neighbor Molly. But when age and social convention intervene, she ventures north to pursue all that sixties New York has to offer—including a transitional comfort with a man in the midst of his own sexual discovery. With an endearing heroine and a smart consideration of what it means to love—and be loved—this coming-of-age novel is “a little bit of heaven” (Rita Mae Brown).