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"Eleven stories that traverse a gritty, surreal terrain between madness and freedom"--
“Will appeal to readers of Elena Ferrante and Margaret Atwood . . . the unusual setting offers an interesting twist on the portrait of an artist as a young woman.” —Bookpage In 1960s Iceland, Hekla dreams of being a writer. In a nation of poets, where each household proudly displays leatherbound volumes of the Sagas, and there are more writers per capita than anywhere else in the world, there is only one problem: she is a woman. After packing her few belongings, including James Joyces’s Ulysses and a Remington typewriter, Hekla heads for Reykjavik with a manuscript buried in her bags. She moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. Hekla’s opportunities are equally limited: marriage and babies, or her job as a waitress, in which harassment from customers is part of the daily grind. The two friends feel completely out of place in a small and conservative world. And yet that world is changing: JFK is shot. Hemlines are rising. In Iceland, another volcano erupts and Hekla meets a poet who brings to light harsh realities about her art—as she realizes she must escape to find freedom abroad, whatever the cost. Miss Iceland, a winner of two international book awards, comes from the acclaimed author of Hotel Silence, which received the Icelandic Literary Prize. “Only a great book can make you feel you’re really there, a thousand miles and a generation away. I loved it.” —Kit de Waal, author of My Name is Leon “[A] winning tale of friendship and self-fulfillment.” —Publishers Weekly, starred review
An author visiting Jerusalem is pulled into a stranger’s mysterious death in this gripping, moving novel by one of Colombia’s major literary voices. Winner of the La Otra Orilla Literary Award Upon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as war rages outside, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana—evangelical pastor, recovering drug addict, ex-con—with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana’s language is potent and vital, and his story captivating. Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that he has taken his own life. But there are a few loose ends that don’t support the suicide hypothesis, and the author is moved by Maturana’s life story to discover the truth about his death, in a literary mystery from “one of the most interesting Latin American writers . . . his most ambitious novel yet” (La Nación). “A modern Decameron.” —La Liberté
Various disasters threaten to stop Poppa and the children from getting to the lake in their rattletrap car, but they manage to come up with an ingenious solution to each problem.
The story begins in Hamburg, 1863. The brilliant Professor Lidenbrock, inspired by an ancient, encoded manuscript, decides to take his reluctant nephew Axel on a seemingly insane mission: to travel down volcanic tunnels to the very center of the earth. With Hans, their intrepid Icelandic guide, they descend deeper and deeper, encountering terrifying prehistoric animals and passing through unimaginably beautiful landscapes. Will Axel ever again see his beloved fiancee Grauben?
Resurrected by her brother using a forbidden combination of alchemy and engineering, apprentice curandera Cristina vows to protect the Republic of Santander against the lechuzas terrorizing immigrants and plaguing the country.
Fifteen artists portray, in words and pictures, the places that are most special to them.