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A TALE OF AN ENCOUNTER novel has been translated into more than nine languages. Life loves to set traps, so it doesn't give us everything at the same time. When you get something, you will definitely lose something else in return. A coincidence after parting for years gives them the opportunity to meet again. A strange mixture of longing, pride, blame, and finally remorse. As soon as one of them initiates, two gates to the unknown will be opened in front of them, and they will have to choose. A threshold of returning and melting into the crucible of love again. The other threshold leads to a black hole that swallows up everything. Were we able to integrate once again and forget about the past? Will they continue, or will a memory from the past return to disturb the calmness of life after it starts smiling at them? What love can destroy in our lives? What is the outcome of multiplying jealousy by revenge? To what extent would a person turn into a narcissistic monster, ready to destroy anything for the sake of his claimed happiness? The moment of falling is the moment in which you give trust in the wrong person. Only then will he start sharpening it so as to use it as a weapon against you. Definitely, you will be his first victim.
A powerful imagining by two Native creators of a first encounter between two very different people that celebrates our ability to acknowledge difference and find common ground. Based on the real journal kept by French explorer Jacques Cartier in 1534, Encounter imagines a first meeting between a French sailor and a Stadaconan fisher. As they navigate their differences, the wise animals around them note their similarities, illuminating common ground. This extraordinary imagining by Brittany Luby, Professor of Indigenous History, is paired with stunning art by Michaela Goade, winner of 2018 American Indian Youth Literature Best Picture Book Award. Encounter is a luminous telling from two Indigenous creators that invites readers to reckon with the past, and to welcome, together, a future that is yet unchartered.
A Taino Indian boy on the island of San Salvador recounts the landing of Columbus and his men in 1492.
A play that traces a journey into the depths of the Amazon rainforest, incorporating innovative technology into a solo performance.
'A beautiful, wry love story' David Nicholls, author of ONE DAY 'I love this woman's writing. Golden sentences' Diana Evans, author of ORDINARY PEOPLE 'One of the year's most beautifully written books, THIS HAPPY traces the path to womanhood of Alannah from disastrous affair to no-less-comfortable marriage and beyond' The i, Best Books of 2020 So Far 'If you loved Sally Rooney's NORMAL PEOPLE, read this novel ... Darkly romantic ... Reminiscent of Eimear McBride's lyrical Joycean sentences' Vogue 'The best novel I have read all year' Sunday Business Post I have taken apart every panel of this, like an ornamental fan. But we stayed in the cottage for three weeks only, just three weeks, because it was cut short you see - cut short after just three weeks, when I'd left my entire life behind. When Alannah was twenty-three, she met a man who was older than her - a married man - and fell in love. Things happened suddenly. They met in April, in the first bit of mild weather; and in August, they went to stay in rural Ireland, overseen by the cottage's landlady. Six years later, when Alannah is newly married to another man, she sees the landlady from afar. Memories of those days spent in bliss, then torture, return to her. And the realisation that she has been waiting - all this time - to be rediscovered.
Alexis McQuillan went looking for spirits. She found a demon. Her life will never be the same. Alexis is a psychic who never believed in demons until she came face to face with pure evil. This is her true story of spiritual warfare with a terrifying entity so powerful it turned her life upside down and put her in mortal danger. The nightmare begins shortly after Alexis and her husband relocate to a small lakeside community. After hearing rumors about the nearby Matthews residence, Alexis investigates the nineteenth-century house and its spirit inhabitants. She soon finds herself caught in a demon's snare of violent fury—isolating her from her family, attacking her in the one place she thinks she is safe, and staining her very soul.
“Great storytelling from Steve Arterburn! Read The Encounter and learn things about yourself that you never knew were there.”—Andy Andrews, New York Times best-selling author, The Traveler’s Gift and The Noticer The past can be a dark and haunting place - full of secrets and mysteries too deep, too painful to confess. For Jonathan Rush, a wealthy and famous entrepreneur, this is an agonizing and startling reality — one he never knew existed in his life until now. On a mission to Fairbanks, Alaska, to uncover the truth behind his mother’s abandonment when he was only four years old, Jonathan comes face-to-face with his unresolved bitterness as well as a mysterious woman named Mercy who holds the key to unlocking the secrets of his past. Somehow he must convince Mercy to confide in him, learn how to forgive his mother, and — even more painful — learn how to forgive himself. The Encounter, from best-selling author, counselor, and speaker Stephen Arterburn, artfully reveals the power of your story, the fierce need for acceptance, and the true hope of healing. Discover in its pages the radical joys of forgiveness both toward others as well as from the ultimate healer and forgiver: Jesus Christ. Through the truth and hope revealed in this gripping parable, learn to step out from the darkness of a painful past and into the healing light of a forgiven future.
In this evocative work of what the author in his afterword calls “a kindof novelistic memoir,” Jay Parini takes us back fifty years, when he fled the United States for Scotland—in flight from the Vietnam War and desperately in search of his adult life. There, through unlikely circumstances, he meets the famed Argentinian author Jorge Luis Borges. Borges—visiting his translator in Scotland—is in his seventies, blind and frail. When Borges hears that Parini owns a 1957 Morris Minor, he declares a long-held wish to visit the Highlands, where he hopes to meet a man in Inverness who is interested in Anglo-Saxon riddles. As they travel, stopping at various sites of historical interest, the charmingly garrulous Borges takes Parini on a grand tour of Western literature and ideas, while promising to teach him about love and poetry. As Borges’s idiosyncratic world of labyrinths, mirrors, and doubles shimmers into being, their escapades take a surreal turn. Borges and Me is a classic road novel, based on true events. It’s also a magical mystery tour of an era, like our own, in which uncertainties abound, and when—as ever—it’s the young and the old who hear voices and dream dreams.
The Politics of the Encounter is a spirited interrogation of the city as a site of both theoretical inquiry and global social struggle. The city, writes Andy Merrifield, remains "important, virtually and materially, for progressive politics." And yet, he notes, more than forty years have passed since Henri Lefebvre advanced the powerful ideas that still undergird much of our thinking about urbanization and urban society. Merrifield rethinks the city in light of the vast changes to our planet since 1970, when Lefebvre's seminal Urban Revolution was first published. At the same time, he expands on Lefebvre's notion of "the right to the city," which was first conceived in the wake of the 1968 student uprising in Paris. We need to think less of cities as "entities with borders and clear demarcations between what's inside and what's outside" and emphasize instead the effects of "planetary urbanization," a concept of Lefebvre's that Merrifield makes relevant for the ways we now experience the urban. The city—from Tahrir Square to Occupy Wall Street—seems to be the critical zone in which a new social protest is unfolding, yet dissenters' aspirations are transcending the scale of the city physically and philosophically. Consequently, we must shift our perspective from "the right to the city" to "the politics of the encounter," says Merrifield. We must ask how revolutionary crowds form, where they draw their energies from, what kind of spaces they occur in—and what kind of new spaces they produce.
Dubliners is a collection of picturesque short stories that paint a portrait of life in middle-class Dublin in the early 20th century. Joyce, a Dublin native, was careful to use actual locations and settings in the city, as well as language and slang in use at the time, to make the stories directly relatable to those who lived there. The collection had a rocky publication history, with the stories being initially rejected over eighteen times before being provisionally accepted by a publisher—then later rejected again, multiple times. It took Joyce nine years to finally see his stories in print, but not before seeing a printer burn all but one copy of the proofs. Today Dubliners survives as a rich example of not just literary excellence, but of what everyday life was like for average Dubliners in their day. This book is part of the Standard Ebooks project, which produces free public domain ebooks.