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In this epic sequel to Once & Future, Ari and her Rainbow knights must pull off a Holy Grail heist thousands of years in the past -- without destroying their own destinies. Ari Helix may have won her battle against the tyrannical Mercer corporation, but the larger war has just begun. Ari and her cursed wizard Merlin must travel back in time to the unenlightened Middle Ages and steal the King Arthur's Grail -- the very definition of impossible. It's imperative that the time travelers not skew the timeline and alter the course of history. Coming face to face with the original Arthurian legend could produce a ripple effect that changes everything. Somehow Merlin forgot that the past can be even more dangerous than the future . . .
Two knights have their dinner plans derailed as they discover object after object in their stove—objects that ominously belong to their missing friend, Harold—in this delightfully slapstick picture book. Someone has put a sword in the stove. Was it Eenie? Was it Meenie? Was it Harold? WHO WOULD PUT A SWORD IN THE STOVE!? Frank Dormer’s rollicking whodunit has bumbling characters worthy of The Three Stooges, sly humor straight out of Monty Python, and an irresistible screwball spirit all its own.
As the murmur of prayers fills the icy room, mother and baby seem doomed. When the newborn finally struggles into the world, the Count of Flanders flees in a rage. The child is not the expected male heir — but a girl. Growing up under the disapproving eye of her heartless father, the strong-willed Marguerite instinctively learns to survive in the fierce and violent male world of the Middle Ages, with its pagan rituals and bloody fights to the death. When her father demands that she wed a man she detests, the young countess uses all her cunning to stop the marriage. The only thing she cannot conquer is the plague, which marches across the land killing thousands, including the man she loves. Based on a real character, this colorful story is told with sharp humor and is filled with dramatic intensity. The final scene in the book, in which Marguerite and her father engage in a savage sword fight, will remain engrained in readers’ memories.
This beautiful HarperCollins Children's Modern Classics edition is perfect for every bookshelf.
King Arthur has issued a challenge. The first knight to find the sword Edgecalibur will be the next king. Join Sir Cumference, Lady Di of Ameter, and their son, Radius, as they race to help their friend, Vertex, find the sword and discover the secrets of cubes, pyramids, cylinders, and cones.
When the Civil War began, Northern soldiers and civilians alike sought a framework to help make sense of the chaos that confronted them. Many turned first to the classic European military texts from the Napoleonic era, especially Antoine Henri Jomini's Summary of the Art of War. As Carol Reardon shows, Jomini's work was only one voice in what ultimately became a lively and contentious national discourse about how the North should conduct war at a time when warfare itself was rapidly changing. She argues that the absence of a strong intellectual foundation for the conduct of war at its start--or, indeed, any consensus on the need for such a foundation--ultimately contributed to the length and cost of the conflict. Reardon examines the great profusion of new or newly translated military texts of the Civil War years intended to fill that intellectual void and draws as well on the views of the soldiers and civilians who turned to them in the search for a winning strategy. In examining how debates over principles of military thought entered into the question of qualifications of officers entrusted to command the armies of Northern citizen soldiers, she explores the limitations of nineteenth-century military thought in dealing with the human elements of combat.
Marguerite's father is desperate for a son. Instead he's stuck with a feisty, stubborn, red-headed daughter who refuses to behave like a lady. This exciting medieval romance-adventure story is based on historical fact about a 14-year-old heiress to Flanders called Marguerite Van Male.
The classic Disney story of how a poor, lowly page ends up as the King of England--with a little help from Merlin the wizard--will delight boys and girls ages 2 to 5. Based on the classic Walt Disney animated movie, this Little Golden Book retelling of The Sword in the Stone was first published in 1963.
King Arthur as you’ve never seen her! This bold YA novel reimagines the Once and Future King as a queer teenage girl on an epic quest to save the universe. Coming to terms with your identity is always difficult. But for Ari, the 42nd reincarnation of King Arthur, it just got a whole lot more complicated. Gender-bending royalty, caustic wit and a galaxy-wide fight for peace and equality all collide in this epic adventure. With an awkward adolescent Merlin and a rusty spaceship, this is the Arthurian legend as you have never before seen it. ‘A rip-roaring, no holds-barred, gloriously queer reinvention of Arthurian legend.’ Malinda Lo, author of Last Night at the Telegraph Club ‘Utterly compelling, brilliantly witty, and delightfully queer.’ Simon James Green, author of Noah Can't Even
In the days of King Arthur there stood a mighty oak tree within the walls of a castle. Peace reigned in the castle until the fearsome night when Lionel, longlost brother of Lord Weldon, returned to cause trouble and unhappiness. It was then that Shan, the son of Lord Weldon, took on the duties of a knight and hid the sword in the hollow of the giant oak. The days that followed were filled with adventures that tried the courage of the young boy. Shan was surprised by bearded robbers in the woods. He met noble knights in plumed helmets, and eventually he even made a trip to high-towered Camelot. His story is filled with the pageantry and color of England in King Arthur's time. It creates a vivid picture of the Knights of the Round Table and the wisdom of King Arthur himself. Mr. Bulla captures the spirit of those romantic days in a straightforward, exciting manner. The result is another delightful book for his wide audience of young readers. Paul Galdone's vigorous illustrations are as evocative as the text.