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The series has sold over 50,000 copies to date and generated almost £200K of revenue Ricoeur is almost up there with Zizek and Derrida in terms of big names We publish his The Rule of Metaphor in Routledge Classics Richard Kearney has written an introduction to add a bit of background We had a rival bidder for English language rights in Chicago UP
This book was first published in 2007. When electrons are confined to two dimensions, cooled to near absolute zero temperature, and subjected to a strong magnetic field, they form an exotic new collective state of matter. Investigations into this began with the observations of integral and fractional quantum Hall effects, which are among the most important discoveries in condensed matter physics. The fractional quantum Hall effect and a stream of other unexpected findings are explained by a new class of particles: composite fermions. This textbook is a self-contained, pedagogical introduction to the physics and experimental manifestations of composite fermions. Ideal for graduate students and academic researchers, it contains numerous exercises to reinforce the concepts presented. The topics covered include the integral and fractional quantum Hall effects, the composite-fermion Fermi sea, various kinds of excitations, the role of spin, edge state transport, electron solid, bilayer physics, fractional braiding statistics and fractional local charge.
Broken tools -- The name is changed, but the tale is told of you -- Double exposure -- Looking backward? -- The national classicist -- Becoming Wang Jingxuan -- Conclusion : pure and chaste writing
Explores the effects of xenobiotics on the nervous system. Details the neurotoxic effects of all major categories of neurotoxicants and elucidates current understanding of the biomolecular mechanisms responsible for their respective toxicities. Covers both traditional and nontraditional neurotoxic agents.
Bringing the World Home sheds new light on China’s vibrant cultural life between 1895 and 1919—a crucial period that marks a watershed between the conservative old regime and the ostensibly iconoclastic New Culture of the 1920s. Although generally overlooked in the effort to understand modern Chinese history, the era has much to teach us about cultural accommodation and is characterized by its own unique intellectual life. This original and probing work traces the most significant strands of the new post-1895 discourse, concentrating on the anxieties inherent in a complicated process of cultural transformation. It focuses principally on how the need to accommodate the West was reflected in such landmark novels of the period as Wu Jianren’s Strange Events Eyewitnessed in the Past Twenty Years and Zhu Shouju’s Tides of the Huangpu, which began serial publication in Shanghai in 1916. The negative tone of these narratives contrasts sharply with the facile optimism that characterizes the many essays on the "New Novel" appearing in the popular press of the time. Neither iconoclasm nor the wholesale embrace of the new could square the contradicting intellectual demands imposed by the momentous alternatives presenting themselves. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.
A fresh approach to the history and shape of science fiction In Science Fiction and the Mass Cultural Genre System, John Rieder asks literary scholars to consider what shape literary history takes when based on a historical, rather than formalist, genre theory. Rieder starts from the premise that science fiction and the other genres usually associated with so-called genre fiction comprise a system of genres entirely distinct from the pre-existing classical and academic genre system that includes the epic, tragedy, comedy, satire, romance, the lyric, and so on. He proposes that the field of literary production and the project of literary studies cannot be adequately conceptualized without taking into account the tensions between these two genre systems that arise from their different modes of production, distribution, and reception. Although the careful reading of individual texts forms an important part of this study, the systemic approach offered by Science Fiction and the Mass Cultural Genre System provides a fundamental challenge to literary methodologies that foreground individual innovation.
Jules Verne's reputation undergoes a much-needed rehabilitation in the hands of Timothy Unwin, who reexamines the author's work, from his earliest writings to his later and only recently discovered manuscripts. Verne was, Unwin argues, a master of the self-conscious novel, his work a pastiche of science discourse, fictional and non-fictional writings, and flamboyant, theatrical narrative. Unwin makes a compelling case for Verne as a master of the nineteenth-century experimental novel, in the company of Gustave Flaubert and other canonical French writers. The text will be a wonderful addition to the shelves of those interested in science fiction, experimental writing, and critical theory.
Translations of Mathematical Monographs
The theory of water waves is most varied and is a fascinating topic. It includes a wide range of natural phenomena in oceans, rivers, and lakes. It is mostly concerned with elucidation of some general aspects of wave motion including the prediction of behaviour of waves in the presence of obstacles of some special configurations that are of interes