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The Book attempts to study the plays of Rabindranath Tagore.
: Indian English Drama explores significant myths from Indian culture. The present book studies the significant socio-cultural crisis of contemporary society depicted by Tagore with help of historical characters from the great Indian epic. Tagore as a visionary and philosopher dealt with some crucial problems of the society of present time and comments on these issues of the society. The book significantly highlights various socio-cultural practices in Tagore’s plays from modern perspective. The first chapter deals with the playwright Rabindranath Tagore’s early life and literary contribution. Tagore depicts various myth and legends in his dramatic works from great Indian epics like Ramayana and Mahabharata.
The present study aims to explore the relationships between nation and its myth to address larger issues of national, international and universal interests in the dramatic mechanism of Girish Karnad. Dramatics, in the hands of Karnad, uses myth to serve its real purpose of educating and entertaining the masses. As far the importance of myth for a nation is concerned, myth has been establishing its importance in every era and in every society. It frames a major part of national heritage. It constantly reminds us who we are, where we have come from and what future we are leading to. It sounds cautionary call about making wrong decisions with the help of mythological examples. It teaches the lessons and help people avoid a similar fate. The present study aims an investigation of searching role of myth in a scenario which witnesses swift changes in priorities. World today is obsessed with endless conflicts. Every nation brims with national pride. The evil of casteism, regionalism, religious fundamentalism, patriarchy and racism have placed many seen and unseen barricades in the way of national safety and integration. Myth, in such a scenario, comes forward to guide the masses with the wisdom and experiences of ages. It not only acts as a manifesto for the present social order but works as a demonstration pattern of ethical values, sociological order, and miraculous conviction also so that traditional values can be strengthened to the extent that these can accommodate the changing form of long-established concept of morality. Myth finds expression through various forms of art. Literature is one such form that makes us see beyond obvious and what the front door shows. It takes man to discover, inquire and construct new knowledge. Literature is a means to leap into the past through myth, history and legends. Literature, especially drama is such a form of art that reflects and expresses the inner sections of human mind in a better way. It depicts man, family, community, nation and world with all the possible tinges of truth. It not only affirms faith but can challenge long-held beliefs as well. It has been a strong medium to convey deeper meanings of life in its true and vivid colours.
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
This book is a polemic work which gives an alternative perspective on the portrayal of women in selected plays of the celebrated playwrights Rabindranath Tagore, Girish Karnad and Vijay Tendulkar. The author has attempted to intricately analyse the works of the individual playwrights and various characters in their plays. The author has personally interviewed the playwrights Girish Karnad and Vijay Tendulkar and has extracted relevant portions of the interviews as an appendix the book. The book maybe a useful reference material for scholars, researchers and all graduate and under-graduate students of English literature.
This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.
A selection of some 350 letters spanning Nobel prize-winning writer Rabindranath Tagore's entire life - the first to be available to English readers.
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.