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After years of absence, Pedrinho de Oliveira, the character "Pedrinho" from Monteiro Lobato's stories, was surprised by an unexpected invitation that took him back to the farm, causing him to revisit his memories and face the truth that had long been hidden. Now an adult, he could walk around the place recounting his childhood adventures. Despite the pain, he would face his fears and memories, which for years deceived him with distorted memories. The truth surrounding the farm is darker than he remembered, with negative forces and the melancholy of a true "study in yellow." -- The book "A Study in Yellow" is an extension of the original text "Saci," providing a reinterpretation of the events of that night of terror. The notes and memories reveal that Saci was truly a dangerous creature, Cuca was a woman expelled from the community for a scaly skin disease, Narizinho's depression was real, and Grandma Anastácia was wasting away with Alzheimer's. Discover the truth behind Tio Barnabé and the creatures that inhabited the children's imagination in that terrifying forest. -- "A Study in Yellow" is an escape from the atmosphere of playfulness, leaving in its place a deep and dark drama.
Literary Nonfiction. Asian & Asian American Studies. THE YELLOW BOOK, a cross-genre meditation on what it means to be Korean/American and write, begins with a moment of doubt, in which the speaker, forced into speech by his interlocutor, is no longer sure he is who he is: You sure you're not Jackie Chan? [...] Honestly, I say, I don't even know. The speaker opts for camouflage, transformation, and evasion. The book, similarly, aims to elude identification, to contradict itself. It moves broken-tongued, between memoir and essay and poem, between body and footnote, between Korean memory and English utterance, between remembrance and forgetfulness, between history and fiction. Populated by a varied cast of characters--a god, a bear, a tiger, Mr. Miyagi, Jack London, a fictionalized version of Civil War general Franz Sigel, and a non-fictitious chihuahua--THE YELLOW BOOK is a travelogue, a picaresque, a mythology, a catalog of grievances, an act of revenge, an apology, a joke book, a defiance, an obeisance, a performance, a slander, a love letter, a manifesto, a refutation.
In this collection of quotes and stories, the authors draw on those that bestpoint to understanding the key elements in a life well lived.
Settle down by the fire . . . . . . and immerse yourself in this mesmerising new colouring book. Join celebrations across the world and throughout the ages, from skating at the Rockefeller Center to surfing in Sydney and frost fairs on the Thames to Victorian toy shops. Travel with the wise men following a star, spot Santa's sleigh skimming over the rooftops and discover dazzling gingerbread houses with Lizzie's intricate inky illustrations. A whole world of festivity is waiting for you inside . . .
George Washington grew up in the English colony of Virginia. He was tall and strong, fair in judgment, and respected by his friends as a good leader. As he grew older, George saw how England took advantage of the American colonies—and he didn't like it. When the colonies declared their independence, George was chosen to lead their army as its general. And when the colonies won their freedom, George was elected to lead the new nation as its first president.
A Study Guide for Charlotte Perkins Gilman's "Yellow Wallpaper," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Learn the practical science to work directly with the root energy of all existence, and experience for oneself the reality of the ancient and mysterious Divine Mother Kundalini, spoken of in all the world’s great religions. Includes practices of meditation, transmutation, astral projection, pranayama, and the long-hidden Jinn Science.
For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.
In "The Yellow Sign", a painter and his model become ensnared in a series of eerie events linked to a mysterious, unsettling symbol. As they uncover more about The King in Yellow, an enigmatic play that drives people to madness, their lives spiral into paranoia and terror. The story explores themes of fate, madness, and the supernatural as they face a grotesque figure from the artist's nightmares.
We might think the Egyptians were the masters of building tombs, but no other civilization has devoted more time and resources to underground burial structures than the Chinese. For at least five thousand years, from the fourth millennium B.C.E. to the early twentieth century, the Chinese have been building some of the world’s most elaborate tombs and furnishing them with exquisite objects. It is these objects and the concept of the tomb as a “treasure-trove” that The Art of the Yellow Springs seeks to critique, drawing on recent scholarship to examine memorial sites the way they were meant to be experienced: not as a mere store of individual works, but as a work of art itself. Wu Hung bolsters some of the new trends in Chinese art history that have been challenging the conventional ways of studying funerary art. Examining the interpretative methods themselves that guide the study of memorials, he argues that in order to understand Chinese tombs, one must not necessarily forget the individual works present in them—as the beautiful color plates here will prove—but consider them along with a host of other art-historical concepts. These include notions of visuality, viewership, space, analysis, function, and context. The result is a ground-breaking new assessment that demonstrates the amazing richness of one of the longest-running traditions in the whole of art history.