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Sir Arthur Conan Doyle is one of those authors whose literary creation is much more famous than the man himself. Those who do know the name Arthur Conan Doyle tend to know him only as the inventor of the world's greatest detective, Sherlock Holmes. A smaller segment of this group goes further and remembers Doyle as the inventor of the great detective who squandered his fame with crackpot beliefs in faeries and the supernatural. Sadly, there is so much more to the man who revolutionized the writing not just of detective fiction but also of the genre of horror, the supernatural, and even influenced history itself. This two volume anthology's point is to put Doyle back on the pedestal he so rightly deserves. Its aim is twofold. First, to introduce readers to Doyle's lesser known (yet no less important) works. These works speak for themselves in showing a master writer at his craft. The stories are timeless, enjoyable, and hopefully will lead to new fans embracing a great author's somewhat forgotten tales. The second aim is to show the relevance of Doyle's works. Through a collection of articles written by current scholars and experts, readers can see just how revolutionary Doyle's writings remain even today.
Based on the Sherlock Holmes film: Ellery Queen matches wits with the Baker Street sleuth to unmask Jack the Ripper. Ellery Queen is struggling over his latest book when a friend brings him a mystery. It is a journal, written by a Victorian doctor, of reports on the remarkable adventures of his close friend, a brilliant detective named Sherlock Holmes. Queen’s surprise turns to amazement as he turns its pages and discovers the lost story of Sherlock Holmes’s greatest case: the pursuit of Jack the Ripper. From the brothels and back alleys of fog-choked Whitechapel to the manor of one of England’s greatest families, Holmes and Dr. Watson chase history’s most fearsome killer. But it will take the brilliance of Ellery Queen to solve the case once and for all. Based on the Sherlock Holmes film A Study in Terror, this collaboration between two of the world’s greatest detectives is one of the most original mystery novels of all time.
Sir Arthur Conan Doyle is one of those authors whose literary creation is much more famous than the man himself. Those who do know the name Arthur Conan Doyle tend to know him only as the inventor of the world's greatest detective, Sherlock Holmes. A smaller segment of this group goes further and remembers Doyle as the inventor of the great detective who squandered his fame with crackpot beliefs in faeries and the supernatural. Sadly, there is so much more to the man who revolutionized the writing not just of detective fiction but also of the genre of horror, the supernatural, and even influenced history itself. This two volume anthology's point is to put Doyle back on the pedestal he so rightly deserves. Its aim is twofold. First, to introduce readers to Doyle's lesser known (yet no less important) works. These works speak for themselves in showing a master writer at his craft. The stories are timeless, enjoyable, and hopefully will lead to new fans embracing a great author's somewhat forgotten tales. The second aim is to show the relevance of Doyle's works. Through a collection of articles written by current scholars and experts, readers can see just how revolutionary Doyle's writings remain even today.
The world’s greatest detective faces one of the history’s greatest monsters: the knife-wielding terror of Victorian London, Jack the Ripper Grotesque murders are being committed on the streets of Whitechapel. Sherlock Holmes believes they are the skillful work of one man—a man who earns the gruesome epithet of Jack the Ripper. As the investigation proceeds, Holmes realizes that the true identity of the Ripper puts much more at stake than just catching a killer . . .
Working with the image of the Indian shaman as Wild Man, Taussig reveals not the magic of the shaman but that of the politicizing fictions creating the effect of the real. "This extraordinary book . . . will encourage ever more critical and creative explorations."—Fernando Coronil, [I]American Journal of Sociology[/I] "Taussig has brought a formidable collection of data from arcane literary, journalistic, and biographical sources to bear on . . . questions of evil, torture, and politically institutionalized hatred and terror. His intent is laudable, and much of the book is brilliant, both in its discovery of how particular people perpetrated evil and others interpreted it."—Stehen G. Bunker, Social Science Quarterly
What other characters from English literature have captivated hearts and minds as thoroughly as Sherlock Holmes and his loyal companion John Watson? Many fans imagine the relationship between these men is deep and more than platonic. Edited by noted mystery author Joseph R. G. DeMarco, A Study in Lavender queers the Holmes universe; the authors have devised stories in which Holmes and Watson are lovers, or investigate mysteries of inverts hidden from the laws and cultures of the Victorian era; even the indomitable Lestrade has his turn at love; and famous actors who helped put Holmes on the silver screen face trysts they never dared to film.
The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe
The terrifyingly surreal universe of horror master H. P. Lovecraft bleeds into the logical world of Sherlock Holmes, Sir Arthur Conan Doyle’s champion of rational deduction, in these stories by twenty top horror, mystery, fantasy, and science fiction writers. Arthur Conan Doyle’s Sherlock Holmes is among the most famous literary figures of all time. For more than a hundred years, his adventures have stood as imperishable monuments to the ability of human reason to penetrate every mystery, solve every puzzle, and punish every crime. For nearly as long, the macabre tales of H. P. Lovecraft have haunted readers with their nightmarish glimpses into realms of cosmic chaos and undying evil. But what would happen if Conan Doyle’s peerless detective and his allies were to find themselves faced with mysteries whose solutions lay not only beyond the grasp of logic, but of sanity itself? In this collection of all-new, all-original tales, twenty of today’s most cutting-edge writers provide their answers to that burning question. “A Study in Emerald” by Neil Gaiman: A gruesome murder exposes a plot against the Crown, a seditious conspiracy so cunningly wrought that only one man in all London could have planned it—and only one man can hope to stop it. “A Case of Royal Blood” by Steven-Elliot Altman: Sherlock Holmes and H. G. Wells join forces to protect a princess stalked by a ghost—or perhaps something far worse than a ghost. “Art in the Blood” by Brian Stableford: One man’s horrific affliction leads Sherlock Holmes to an ancient curse that threatens to awaken the crawling chaos slumbering in the blood of all humankind. “The Curious Case of Miss Violet Stone” by Poppy Z. Brite and David Ferguson: A girl who has not eaten in more than three years teaches Holmes and Watson that sometimes the impossible cannot be eliminated. “The Horror of the Many Faces” by Tim Lebbon: Dr. Watson witnesses a maniacal murder in London—and recognizes the villain as none other than his friend, Mr. Sherlock Holmes. With thirteen other dark tales of madness, horror, and deduction, a new and terrible game is afoot: “Tiger! Tiger!” by Elizabeth Bear “The Case of the Wavy Black Dagger” by Steve Perry “The Weeping Masks” by James Lowder “The Adventure of the Antiquarian’s Niece” by Barbara Hambly “The Mystery of the Worm” by John Pelan “The Mystery of the Hanged Man’s Puzzle” by Paul Finch “The Adventure of the Arab’s Manuscript” by Michael Reaves “The Drowned Geologist” by Caitlín R. Kiernan “A Case of Insomnia” by John P. Vourlis “The Adventure of the Voorish Sign” by Richard A. Lupoff “The Adventure of Exham Priory” by F. Gwynplaine MacIntyre “Death Did Not Become Him” by David Niall Wilson and Patricia Lee Macomber “Nightmare in Wax” by Simon Clark
Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
WINNER, 2022 John Hope Franklin Prize, given by the American Studies Association HONORABLE MENTION, 2022 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association Reveals the troubling intimacy between Black women and the making of US global power The year 1968 marked both the height of the worldwide Black liberation struggle and a turning point for the global reach of American power, which was built on the counterinsurgency honed on Black and other oppressed populations at home. The next five decades saw the consolidation of the culture of the American empire through what Erica R. Edwards calls the “imperial grammars of blackness.” This is a story of state power at its most devious and most absurd, and, at the same time, a literary history of Black feminist radicalism at its most trenchant. Edwards reveals how the long war on terror, beginning with the late–Cold War campaign against organizations like the Black Panther Party for Self-Defense and the Black Liberation Army, has relied on the labor and the fantasies of Black women to justify the imperial spread of capitalism. Black feminist writers not only understood that this would demand a shift in racial gendered power, but crafted ways of surviving it. The Other Side of Terror offers an interdisciplinary Black feminist analysis of militarism, security, policing, diversity, representation, intersectionality, and resistance, while discussing a wide array of literary and cultural texts, from the unpublished work of Black radical feminist June Jordan to the memoirs of Condoleezza Rice to the television series Scandal. With clear, moving prose, Edwards chronicles Black feminist organizing and writing on “the other side of terror”, which tracked changes in racial power, transformed African American literature and Black studies, and predicted the crises of our current era with unsettling accuracy.