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Drawing upon a wide range of private papers, this family biography recreates the social and domestic setting of an ambitious family which had been part of the highest levels of political leadership in Britain for almost 150 years, throwing important light upon public and private centres of power and influence from the late 18th to the early 20th century.
This book spotlights the Old Testament’s “supporting cast,” the vast array of nameless characters wedged in the margins of biblical stories. Often categorized as literary props or aspects of scenery, these anonymous figures (“laborers,” “a creditor,” “the crowd,” “servants,” “elders,” “a midwife,” etc.) frequently shoulder the burden of a story that is never theirs. Grounded in literary theory, Gina Hens-Piazza sets forth a new taxonomy for these often anonymous characters.
For every Hamlet, there is a supporting cast; for every Mrs. Dalloway, an entire realm of subordinate portraits. Yet if literary criticism cares at all about significant detail, emergent patterns, and the subtleties in narrative, flat and minor characters are crucial to an understanding of the fictional process itself. Beginning with E. M. Forster's landmark study of flat and round characters, this book is both a critical and writerly examination of the species: Why are certain minor characters so salient in readers' minds, and why are flat characters often so comic? Is a name enough to create a character, and if so, what is the vanishing point of characterization? The walking allegory, the narrator, the disrupter, the doppelg&änger&—how are they used, and to what effect? The Supporting Cast first explores the theoretical limits of character, from structuralist taxonomies to reader-response concerns, with examples culled from a wide range of literature. The author then applies these concepts, in chapters of sustained analysis, to works of Conrad, Forster, and Woolf. The work also provides comments on flat and minor characters in other media and a full-scale character index of Woolf's Jacob's Room.
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
NEW YORK TIMES BESTSELLER • NOW A TNT ORIGINAL SERIES • “A first-rate tale of crime and punishment that will keep readers guessing until the final pages.”—Entertainment Weekly “Caleb Carr’s rich period thriller takes us back to the moment in history when the modern idea of the serial killer became available to us.”—The Detroit News When The Alienist was first published in 1994, it was a major phenomenon, spending six months on the New York Times bestseller list, receiving critical acclaim, and selling millions of copies. This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere. The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over. Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences. Praise for The Alienist “[A] delicious premise . . . Its settings and characterizations are much more sophisticated than the run-of-the-mill thrillers that line the shelves in bookstores.”—The Washington Post Book World “Mesmerizing.”—Detroit Free Press “The method of the hunt and the disparate team of hunters lift the tale beyond the level of a good thriller—way beyond. . . . A remarkable combination of historical novel and psychological thriller.”—The Buffalo News “Engrossing.”—Newsweek “Gripping, atmospheric . . . intelligent and entertaining.”—USA Today “A high-spirited, charged-up and unfailingly smart thriller.”—Los Angeles Times “Keeps readers turning pages well past their bedtime.”—San Francisco Chronicle
***From the acclaimed author of My Name is Leon*** 'Stories of everyday lives that will resonate and move you utterly' Stylist _______________________________________________ As she walks out of her marriage, a woman remembers the day her husband rescued a boy from drowning. A blind man on his wedding day celebrates the pursuit of love. And a young man leaves prison with only one desire - to see his son again. Kit de Waal's characters light up the page in vivid stories of thwarted desire, love and loss. With power and precision, humanity and insight, Supporting Cast captures the extraordinary moments in our ordinary lives, and the darkness and the joy of the everyday. ________________________________________________ 'It's so good. Full of Kit's trademark humanity. I can feel my heart grow with every word' Cathy Rentzenbrink 'Stunning. Kit is in utter command of language and story here, and wields them like no other writer' Donal Ryan 'A magnificent study of humanity in all its various sorrows. Her writing is exquisite and the stories are beautiful in their simplicity and truth' Liz Nugent
What do all great stories have in common? What techniques do great writers use? How do you take your writing to the next level?There are no storytelling rules-but there are patterns. The Structure of Story details the specific writing tools that will help you recognize and apply the patterns of great stories.You will learn how to shift your focus from storytelling rules to storytelling tools. By applying these tools, you'll be able to keep the reader on the edge of their seat while delivering an emotional, meaningful story.In The Structure of Story, you'll learn the four dramatic tools that keep the reader engaged, the two things every story must accomplish, how to write multi-dimensional characters that drive plot, how a story's theme can be conveyed through a character arc, how to create an organic plot driven by cause and effect, the critical things that your opening must accomplish, what goes in the middle of a story, how to write an emotional climax, how subtext works and when to use it, how to create a twist ending, tools for showing rather than telling, how to pace your story properly, how to write an ending that's both satisfying and inevitable, and how to avoid a repetitive plot.No matter where you are in your writing career, The Structure of Story will give you new techniques to take your writing to the next level.
Master the skills to create your very own manga! Expert manga artist Mark Crilley guides you to another level with this powered-up drawing book. Complete your Crilley collection with this third installation, which elevates the instruction to focus on drawing methods to help you create distinctive and detailed professional-level manga art. Through 40 in-depth step-by-step demonstrations not covered in other Mastering Manga books, Mark reveals his secrets for adding color, how to draw manga-style animals, ways to use photo reference, his preferred art supplies and how to fix character inconsistencies. The book is broken down into three sections: • Characters and Styles. Learn how to draw characters in every manga style--elegant Shojo, angular Dark Fantasy, action-packed Shonen and cute cartoon. Includes non-human characters like animal familiars (realistic or chibi) and aliens. Break-out lessons focus on anatomy, hairstyles and all genres of clothing, from classic anime uniforms to fantasy costuming. • Poses and Action. Make your characters bold, memorable and full of vitality. Get the most out of your poses by learning how to create natural, standing and dynamic running poses, plus sword fights, romantic Shojo interactions and stances for animals, manga monsters, chibi cuties and mech a robots. Advanced lessons include how to convey a sense of motion, tips on body language and how to effectively using foreshortening. • Finishing Touches. Elevate your art with Mark's professional instruction on completing your comic. These final lessons include page layouts, logo design, how to place a character in a setting, correctly using dialogue and speech bubbles, advanced costume design (fantasy armor, wings, and more) and how to create attention-grabbing cover art. "Manga is all about fresh concepts and fascinating characters. You've got ideas. You've invented new characters. There's a whole world waiting to see what you've come up with!" --Mark Crilley