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Harper Dupree has pinned all her hopes on a future in fashion design. But when it comes crashing down around her, she returns home to Fairhope, Alabama, and to Millie, the woman who first taught her how to sew. As Harper rethinks her own future, long-hidden secrets about Millie's past are brought to light. In 1946, Millie Middleton--the daughter of an Italian man and a Black woman--boarded a train and left Charleston to keep half of her heritage hidden. She carried with her two heirloom buttons and the dream of owning a dress store. She never expected to meet a charming train jumper who changed her life forever . . . and led her yet again to a heartbreaking choice about which heritage would define her future. Now, together, Harper and Millie return to Charleston to find the man who may hold the answers they seek . . . and a chance at the dress shop they've both dreamed of. But it's not until all appears lost that they see the unexpected ways to mend what frayed between the seams.
In 1942, Tono and his wife are struggling because of his antipathy towards the fascist regime. His brother-in-law, the local fuehrer, chooses Tono to oversee a button shop owned by a sweet, harmless Jewish widow, Mrs. Lautman. Unable to explain his position to Mrs. Lautman, Tono gradually accepts her belief that he is her assistant. When the Jews are ordered deported, the well-meaning Tono decides to shield her from the Nazis.
Nola Trenholm is hopeful for a fresh start in the Big Easy but must deal with ghosts from her past—as well as new ones—in this first book in a spin-off series of Karen White's New York Times bestselling Tradd Street novels. After a difficult detour on her road to adulthood, Nola Trenholm is looking to begin anew in New Orleans, and what better way to start her future than with her first house? But the historic fixer-upper she buys comes with even more work than she anticipated when the house’s previous occupants don’t seem to be ready to depart. Although she can’t communicate with ghosts like her stepmother can, luckily Nola knows someone in New Orleans who is able to—even if he’s the last person on earth she wants anything to do with ever again. Beau Ryan comes with his own dark past—a past that involves the disappearance of his sister and parents during Hurricane Katrina—and he’s connected to the unsolved murder of a woman who once lived in the old Creole cottage Nola is determined to make her own...whether the resident restless spirits agree or not.
Downtown Brooklyn's Fulton Mall is one of the most bustling public spaces in New York City. A colossus of commerce, itwelcomes over one hundred thousand shoppers daily and ranks among the most profitable commercial real estate in the entire country, and is also home to some of the city's most recognized institutions, including cheesecake mecca Junior's, that have been immortalized in song, film, and culture. Despite its historic link to Brooklyn's past and its financial success as a shopping district, Fulton Street is rarely celebrated in New York. The street's hand-painted signs, customized jewelry, rare sneakers, mega-church, and vendors offer a special sampling of noncorporate commerce, but many consider its sensorial and physical density a sign of blight. Misunderstandings about race, class, and profitability have led Fulton Street to be characterized as run-down, dangerous, or underutilized, and as a result it has been subject to nearly continuous renovation. Recently rezoned and becoming increasingly attractive to national chain stores, Fulton Street is once again poised for big changes. Street Value is a challenge to creatively rethink the planning and urban design of Fulton Street and other urban shopping districts. Street Value explores the mall's historical and contemporary conditions through original essays, oral histories, new and archival photographs, historic documents, and interviews with key planners, developers, city officials, historians, and activists from the 1960s to the present. Street Value probes the ideology of redevelopment and demonstrates how commercial, governmental, and activist forces have coalesced to produce one of Brooklyn's most legendary public spaces.
Rosie, Lily, and Tess, three cousins who are living together with their aunt, decide to make a miniature flower shop just like Aunt Lucy's real shop, and give it to her as a gift.
When Carlene Lovelle discovers her husband has been keeping a secret, the women of Texas rally behind her in a battle-of-the-sexes romantic comedy from New York Times bestselling author Carolyn Brown. Carlene Lovelle, owner of Bless My Bloomers lingerie shop in Cadillac, Texas, has everything she's ever wanted: a loving husband, a successful small town business on Main Street that sells custom lingerie for making women feel beautiful, and great friends who never disappoint. However, that all changes when Carlene finds a pair of sexy red panties in her husband's briefcase. She knows exactly who those panties belong to—they were purchased from her very own shop! She's beginning to think her life would've been easier if she'd just opened Main Street Books and stayed away from silky underthings. Now her marriage is over and her life is in a tailspin. She's humiliated, upset, and heartbroken, but it's time to move on to the anger stage of grieving. There's no point looking backward when looking forward reminds Carlene that all she needs are the ladies of this small town to rally around and teach her that revenge is a dish best served red-hot. (Previously published as The Red-Hot Chili Cook-Off and A Heap of Texas Trouble.)
A taxonomy we didn’t know we needed for identifying and cataloging stray shopping carts by artist and photographer Julian Montague. Abandoned shopping carts are everywhere, and yet we know so little about them. Where do they come from? Why are they there? Their complexity and history baffle even the most careful urban explorer. Thankfully, artist Julian Montague has created a comprehensive and well-documented taxonomy with The Stray Shopping Carts of Eastern North America. Spanning thirty-three categories from damaged, fragment, and plow crush to plaza drift and bus stop discard, it is a tonic for times defined increasingly by rhetoric and media and less by the plain objects and facts of the real world. Montague’s incomparable documentation of this common feature of the urban landscape helps us see the natural and man-made worlds—and perhaps even ourselves—anew. First published in 2006 to great perplexity and acclaim alike, Montague’s book now appears in refreshed and expanded form. Told in an exceedingly dry voice, with full-color illustrations and photographs throughout, it is both rigorous and absurd, offering a strangely compelling vision of how we approach, classify, and understand the environments around us. A new afterword sheds light on the origins of the project.
An interdisciplinary study of the central role that the neighborhood played in seventeenth-century Dutch painting and culture The neighborhood was a principal organizing structure of Dutch cities in the seventeenth century, and each had its own regulations, administrators, social networks, events, and diverse population of residents. Linda Stone-Ferrier argues that this sense of community contributed to the steady demand for pictures portraying aspects of this culture. These paintings, by such artists as Jan Steen and Pieter de Hooch, reinforced the role and values of the neighborhood. Through close readings of such works--by Steen and De Hooch and, among others, Gerrit Dou, Gabriel Metsu, Jacob van Ruisdael, and Johannes Vermeer--Stone-Ferrier deftly considers social history, urban studies, anthropology, and women's studies in this penetrating exploration. Her new interpretations of seventeenth-century Dutch painting across genres--scenes of streets, domesticity, professions, and festivity--challenge existing paradigms in Dutch art history.
Have you ever wanted to travel the Kings Highway in Jordan and walk down the famous Siq Gorge to the ancient city of Petra? Or wanted to spend an Orthodox Christmas in Bethlehem? Wondered how you would feel if stuck with a flat tyre in the middle of the Sudanese desert at sunrise? Or pondered about the Call to Prayer as it echoes repeatedly across Istanbul at sunset? Have you ever wondered how so many people live and survive in the Middle East without the rules and regulations of western building, working, and plumbing? Meet Shazam the Jordanian taxi driver, the boys in the Sea of Shoeshine, Mr Ali and his famous Green Door Pizza in Jerusalem, Russell from Noosa, and the Great Paperweights of Giza as you travel on a journey of adventure, mishaps, revelations, architectural wonders, and lack of plumbing, though Israel, Egypt, Jordan and Turkey. And dont forget the Cats of Istanbul, the Cairo Cat Shop, and Camel School and the Art of Haggling . In 1997, architect Mahalath Halperin, together with her colleague and his wife, Peter and Pauline Buckwell, spent four crazy weeks travelling by plane, train, and automobile throughout the Middle East on a journey to discover architecture, culture, and of course, plumbing. And they found lots of cats along the way. This is the story of that adventure.