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The 1971 East Pakistan tragedy was not just a failure of the military but also a collapse of civil society in the West Wing. The few voices raised against the military action were too feeble to make the army change its course, a course that lead to military defeat and the break-up of the country. At the time, the author was GOC 14 Division in East Pakistan. Apart from his direct narration of the events, his portrayal of the major dramatis personae, such as Field Marshal Ayub Khan, General Yahya Khan, Lt. Gen. Tikka Khan and Lt. Gen. A.A.K. Niazi, are insightful. A necessary text that demands scrutiny from all interested in the course of Pakistan's history.
A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.
“I lived the same life as everyone else, the life of ordinary people, the masses.” Sitting in a prison cell in the autumn of 1944, the German author Hans Fallada sums up his life under the National Socialist dictatorship, the time of “inward emigration”. Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. He records his thoughts about spying and denunciation, about the threat to his livelihood and his literary work and about the fate of many friends and contemporaries. The confessional mode did not come naturally to Fallada, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. Fallada’s frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.
The National Book Award Finalist and New York Times bestseller that became a guide and balm for a country struggling to understand the election of Donald Trump "A generous but disconcerting look at the Tea Party. . . . This is a smart, respectful and compelling book." —Jason DeParle, The New York Times Book Review When Donald Trump won the 2016 presidential election, a bewildered nation turned to Strangers in Their Own Land to understand what Trump voters were thinking when they cast their ballots. Arlie Hochschild, one of the most influential sociologists of her generation, had spent the preceding five years immersed in the community around Lake Charles, Louisiana, a Tea Party stronghold. As Jedediah Purdy put it in the New Republic, "Hochschild is fascinated by how people make sense of their lives. . . . [Her] attentive, detailed portraits . . . reveal a gulf between Hochchild's 'strangers in their own land' and a new elite." Already a favorite common read book in communities and on campuses across the country and called "humble and important" by David Brooks and "masterly" by Atul Gawande, Hochschild's book has been lauded by Noam Chomsky, New Orleans mayor Mitch Landrieu, and countless others. The paperback edition features a new afterword by the author reflecting on the election of Donald Trump and the other events that have unfolded both in Louisiana and around the country since the hardcover edition was published, and also includes a readers' group guide at the back of the book.
An urgent manifesto and a dramatic memoir of awakening, this is the story of revolutionary love. Finalist for the Dayton Literary Peace Prize • “In a world stricken with fear and turmoil, Valarie Kaur shows us how to summon our deepest wisdom.”—Elizabeth Gilbert, author of Eat Pray Love How do we love in a time of rage? How do we fix a broken world while not breaking ourselves? Valarie Kaur—renowned Sikh activist, filmmaker, and civil rights lawyer—describes revolutionary love as the call of our time, a radical, joyful practice that extends in three directions: to others, to our opponents, and to ourselves. It enjoins us to see no stranger but instead look at others and say: You are part of me I do not yet know. Starting from that place of wonder, the world begins to change: It is a practice that can transform a relationship, a community, a culture, even a nation. Kaur takes readers through her own riveting journey—as a brown girl growing up in California farmland finding her place in the world; as a young adult galvanized by the murders of Sikhs after 9/11; as a law student fighting injustices in American prisons and on Guantánamo Bay; as an activist working with communities recovering from xenophobic attacks; and as a woman trying to heal from her own experiences with police violence and sexual assault. Drawing from the wisdom of sages, scientists, and activists, Kaur reclaims love as an active, public, and revolutionary force that creates new possibilities for ourselves, our communities, and our world. See No Stranger helps us imagine new ways of being with each other—and with ourselves—so that together we can begin to build the world we want to see.
A “remarkable chronicle” of a journey back to this West African nation after years of exile (The New York Times Book Review). Noo Saro-Wiwa was brought up in England, but every summer she was dragged back to visit her father in Nigeria—a country she viewed as an annoying parallel universe where she had to relinquish all her creature comforts and sense of individuality. After her father, activist Ken Saro-Wiwa, was killed there, she didn’t return for several years. Then she decided to come to terms with the country her father given his life for. Traveling from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the decrepit kitsch of the Transwonderland Amusement Park, she explores Nigerian Christianity, delves into the country’s history of slavery, examines the corrupting effect of oil, and ponders the huge success of Nollywood. She finds the country as exasperating as ever, and frequently despairs at the corruption and inefficiency she encounters. But she also discovers that it is far more beautiful and varied than she had ever imagined, with its captivating thick tropical rain forest and ancient palaces and monuments—and most engagingly and entertainingly, its unforgettable people. “The author allows her love-hate relationship with Nigeria to flavor this thoughtful travel journal, lending it irony, wit and frankness.” —Kirkus Reviews
It's January 1943. Australia is at war and Perth is buzzing. US troops have permanently docked in the city in what local men refer to bitterly as the American occupation, and Perth women are having the time of their lives. The Americans have money, accents like movie stars, smart tailored uniforms and good manners. What's more, they love to dance and show a girl a good time, and young women are throwing caution to the wind and pushing social boundaries with their behaviour. Not Meg Eaton, however. The war has brought her nothing but heartbreak, stealing her young love eighteen months ago. Until, in the middle of a Perth heat-wave, she meets her lost lover's brother, Tom standing over a dead body in her neighbour's backyard. Suddenly, Meg finds herself embroiled in the murder mystery, and increasingly involved with Tom Lagrange. But is he all that he seems? And what exactly was his relationship with the dead woman? Debut author Deborah Burrows has brought her skills as a historian to the fore with this meticulously researched and thoroughly entertaining novel of love and intrigue.
When an old friend asked him to write a weekly dispatch from New Hampshire for the Mail on Sunday's Night and Day magazine, Bill Bryson firmly turned him down. So firm was he, in fact, that gathered here are nineteen months' worth of his popular columns about the strangest of phenomena -- the American way of life.Whether discussing the dazzling efficiency of the garbage disposal unit, the mind-boggling plethora of methods by which to shop, the exoticism of having your groceries bagged for you, or the jaw-slackening direness of American TV, Bill Bryson brings his inimitable brand of bemused wit to bear on the world's richest and craziest country.
Bill Griffeth, longtime genealogy buff, takes a DNA test that has an unexpected outcome: "If the results were correct, it meant that the family tree I had spent years documenting was not my own." Bill undertakes a quest to solve the mystery of his origins, which shakes his sense of identity. As he takes us on his journey, we learn about choices made by his ancestors, parents, and others - and we see Bill measure and weigh his own difficult choices as he confronts the past.
‘I lived the same life as everyone else, the life of ordinary people, the masses.’ Sitting in a prison cell in the autumn of 1944, Hans Fallada sums up his life under the National Socialist dictatorship, the time of ‘inward emigration’. Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. His frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here in English for the first time. The confessional mode did not come naturally to Fallada the writer of fiction, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. In the ‘house of the dead’ he exacts his political revenge on paper. ‘I know that I am crazy. I’m risking not only my own life, I’m also risking … the lives of many of the people I am writing about’, he notes, driven by the compulsion to write. And write he does – about spying and denunciation, about the threat to his livelihood and his literary work, about the fate of many friends and contemporaries such as Ernst Rowohlt and Emil Jannings. To conceal his intentions and to save paper, he uses abbreviations. His notes, constantly exposed to the gaze of the prison warders, become a kind of secret code. He finally succeeds in smuggling the manuscript out of the prison, although it remained unpublished for half a century. These revealing memoirs by one of the best-known German writers of the 20th century will be of great interest to all readers of modern literature.