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Fans of Kate DiCamillo and R. J. Palacio will love The Thing About Georgie, a warm and humorous story starring an unforgettable young boy with dwarfism, from acclaimed author Lisa Graff. "An upbeat and sensitive look at what it's like to be different, this novel will spark discussion.” (Booklist) As far as Georgie is concerned, everyone has a "thing." The thing about poodles is that Georgie Bishop hates to walk them. The thing about Jeanie the Meanie is that she would rather write on her shoe than help Georgie with their Abraham Lincoln project. The thing about Andy's nonna is that she kisses Georgie's cheeks and doesn't speak one word of English. The thing about Georgie's mom is that she's having a baby—a baby who will probably be taller than Georgie very, very soon. The thing about Georgie . . . well, what is the thing about Georgie?
Be yourself like Molly Lou Melon no matter what a bully may do. Molly Lou Melon is short and clumsy, has buck teeth, and has a voice that sounds like a bullfrog being squeezed by a boa constrictor. She doesn't mind. Her grandmother has always told her to walk proud, smile big, and sing loud, and she takes that advice to heart. But then Molly Lou has to start in a new school. A horrible bully picks on her on the very first day, but Molly Lou Melon knows just what to do about that.
What would you do to win a dare war? In a humorous and insightful novel reminiscent of her award-winning titles The Thing About Georgie and Umbrella Summer, Lisa Graff tells the story of fourth-graders Kansas Bloom and Francine Halata, who start out as archenemies, until--in a battle of wits and willpower--they discover that they have a lot more in common than either would have guessed. This dual-perspective novel will appeal to girls and boys alike--and to anyone who has ever wanted anything so badly that they'd lick a lizard to get it.
From the critically acclaimed author of A Tangle of Knots comes a humorous story full of heart, courage and a touch of magic. Bernetta’s summer couldn’t be going any worse.First her ex-best friend frames her for starting a cheating ring in their private school that causes Bernetta to lose her scholarship for 7th grade. Even worse, Bernetta’s parents don’t believe she’s innocent, and forbid her from performing at her father’s magic club. Now Bernetta must take immediate action if she hopes to raise $9,000 for tuition. But that’s a near impossible task with only three months until school. Enter Gabe, a boy con-artist who’s willing to team up with Bernetta to raise the money. But only if she’s willing to use her talent for magic to scheme her way to success.
Annie Richards knows there are a million things to look out for—bicycle accidents, food poisoning, chicken pox, smallpox, typhoid fever, runaway zoo animals, and poison oak. That's why being careful is so important, even if it does mean giving up some of her favorite things, like bike races with her best friend, Rebecca, and hot dogs on the Fourth of July. Everyone keeps telling Annie not to worry so much, that she's just fine. But they thought her brother, Jared, was just fine too, and Jared died. It takes a new neighbor, who looks as plain as a box of toothpicks but has some surprising secrets of her own, to make Annie realize that her plans for being careful aren't working out as well as she had hoped. And with a lot of help from those around her—and a book about a pig, too—Annie just may find a way to close her umbrella of sadness and step back into the sunshine. With winsome humor and a dash of small-town charm, Lisa Graff's third novel is a touching look at rising above grief and the healing power of community.
The man known as Cheradenine Zakalwe was one of Special Circumstances' foremost agents, changing the destiny of planets to suit the Culture through intrigue, dirty tricks and military action. The woman known as Diziet Sma had plucked him from obscurity and pushed him towards his present eminence, but despite all their dealings she did not know him as well as she thought. The drone known as Skaffen-Amtiskaw knew both of these people. It had once saved the woman's life by massacring her attackers in a particularly bloody manner. It believed the man to be a lost cause. But not even its machine could see the horrors in his past. Ferociously intelligent, both witty and horrific, Use of Weapons is a masterpiece of science fiction. The Culture Series Consider Phlebas The Player of Games Use of Weapons The State of the Art Excession Inversions Look to Windward Matter Surface Detail The Hydrogen Sonata
Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.
Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story. It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron has spent her career discovering why these methods don’t work and coming up with a powerful alternative, based on the science behind what our brains are wired to crave in every story we read (and it’s not what you think). In Story Genius Cron takes you, step-by-step, through the creation of a novel from the first glimmer of an idea, to a complete multilayered blueprint—including fully realized scenes—that evolves into a first draft with the authority, richness, and command of a riveting sixth or seventh draft.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times). “Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom passed down from Anne’s father—also a writer—in the iconic passage that gives the book its title: “Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”