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“An illuminating TV show biography” (Kirkus Reviews), the ultimate inside story of 60 Minutes—the program that has tracked and shaped the biggest moments in post-war American history. From its almost accidental birth in 1968, 60 Minutes has set the standard for broadcast journalism. The show has profiled every major leader, artist, and movement of the past five decades, perfecting the news-making interview and inventing the groundbreaking TV exposé. From legendary sit-downs with Richard Nixon in 1968 and Bill Clinton in 1992 to landmark investigations into the tobacco industry, Lance Armstrong’s doping, and the torture of prisoners in Abu-Ghraib, the broadcast has not just reported on our world but changed it, too. Executive Producer Jeff Fager takes us into the editing room with the show’s brilliant producers and beloved correspondents, including hard-charging Mike Wallace, writer’s-writer Morley Safer, soft-but-tough Ed Bradley, relentless Lesley Stahl, intrepid Scott Pelley, and illuminating storyteller Steve Kroft. He details the decades of human drama that have made the show’s success possible: the ferocious competition between correspondents, the door slamming, the risk-taking, and the pranks. Above all, Fager reveals the essential tenets that have never changed: why founder Don Hewitt believed “hearing” a story is more important than seeing it, why the “small picture” is the best way to illuminate a larger one, and why the most memorable stories are almost always those with a human being at the center. “As traditional reporting is increasingly being challenged by high-decibel, opinion-drenched media, Fager highlights storytelling that conveys a deep understanding of issues and demonstrates the power of television to inform” (The Washington Post). Fifty Years of 60 Minutes is at once a sweeping portrait of fifty years of American cultural history and an intimate look at how the news gets made.
A nostalgic memoir of the Hasty family during the year 1909 with one chapter devoted to each month of the period.
A couple years back, I was at the Phoenix airport bar. It was empty except for one heavy-set, gray bearded, grizzled guy who looked like he just rode his donkey into town after a long day of panning for silver in them thar hills. He ordered a Jack Daniels straight up, and that's when I overheard the young guy with the earring behind the bar asking him if he had ID. At first the old sea captain just laughed. But the guy with the twinkle in his ear asked again. At this point it became apparent that he was serious. Dan Haggerty's dad fired back, "You've got to be kidding me, son." The bartender replied, "New policy. Everyone has to show their ID." Then I watched Burl Ives reluctantly reach into his dungarees and pull out his military identification card from World War II. It's a sad and eerie harbinger of our times that the Oprah-watching, crystal-rubbing, Whole Foods-shopping moms and their whipped attorney husbands have taken the ability to reason away from the poor schlub who makes the Bloody Marys. What we used to settle with common sense or a fist, we now settle with hand sanitizer and lawyers. Adam Carolla has had enough of this insanity and he's here to help us get our collective balls back. In Fifty Years We'll All Be Chicks is Adam's comedic gospel of modern America. He rips into the absurdity of the culture that demonized the peanut butter and jelly sandwich, turned the nation's bathrooms into a lawless free-for-all of urine and fecal matter, and put its citizens at the mercy of a bunch of minimum wagers with axes to grind. Peppered between complaints Carolla shares candid anecdotes from his day to day life as well as his past—Sunday football at Jimmy Kimmel's house, his attempts to raise his kids in a society that he mostly disagrees with, his big showbiz break, and much, much more. Brilliantly showcasing Adam's spot-on sense of humor, this book cements his status as a cultural commentator/comedian/complainer extraordinaire.
Fifty Years in the Karen Revolution in Burma is about commitment to an ideal, individual survival and the universality of the human experience. A memoir of two tenacious souls, it sheds light on why Burma/Myanmar's decades-long pursuit for a peaceful and democratic future has been elusive. Simply put, the aspirations of Burma's ethnic nationalities for self-determination within a genuine federal union runs counter to the idea of a unitary state orchestrated and run by the dominant majority Burmans, or Bamar. This seemingly intractable dilemma of opposing visions for Burma is personified in the story of Saw Ralph and Naw Sheera, two prominent ethnic Karen leaders who lived—and eventually left—"the Longest War," leaving the reader with insights on the cultural, social, and political challenges facing other non-Burman ethnic nationalities. Fifty Years in the Karen Revolution in Burma is also about the ordinariness and universality of the challenges increasingly faced by diaspora communities around the world today. Saw Ralph and Naw Sheera's day to day lives—how they fell in love, married, had children—while trying to survive in a precarious war zone—and how they had to adapt to their new lives as refugees and immigrants in Australia will resound with many.
This carefully crafted and collectible volume tells the intimate story of Peter, Paul, and Mary and their music, in their words and with iconic images that follow their passionate, fifty-year journey to the center of America’s heart. Photographs, many rare and never before published, taken over five decades by some of the world’s top photographers, follow them from their earliest performances in the 1960s, when Mary was the most desired, beautiful, and charismatic performer and a new role model for women. Follow the trio as they lead America to discover the passionate soul of folk music. Join the struggle for racial equality, social justice, and freedom in this memorable journey, from the historic 1963 March on Washington with Martin Luther King, Jr., to the trio’s appearance before a half million people in 1969 to end the Vietnam War, to their singing at the Hollywood Bowl for Survival Sunday in 1978, helping to launch the anti-nuke movement, the world’s first international environmental movement. Through these images, readers will feel and almost hear the trio’s songs calling for a more caring, better world as they performed with a courage and conviction that became for so many the embodiment and soundtrack of their generation’s awakening to conscience, to activism, and to a new dream for all of humankind. Peter, Paul, and Mary’s songs of defiant hope and a certain unmasked innocence are still a powerful part of our American consciousness, and this book reenacts the history of how the trio marked many lives with their indelible stamp of honesty of the sort we all yearn to recapture and recreate today—for ourselves, our children, and the generations to come.
Fifty Years in Chains: Or, the Life of an American Slave (1859) was an abridged and unauthorized reprint of the earlier Slavery in the United States (1836). In the narratives, Ball describes his experiences as a slave, including the uncertainty of slave life and the ways in which the slaves are forced to suffer inhumane conditions. He recounts the qualities of his various masters and the ways in which his fortune depended on their temperament. As slave narrative scholar William L. Andrews has noted, Ball's oft-repeated narrative directly influenced the manner and matter of later fugitive slave.
The stories in Fifty Years a Hooker range from dramatic, nerve-pounding accounts of shark hunts to tales of comic misadventures, involving a host of eccentric characters who could not resist the pull of Frank Mundus ́ legendary "idiot magnet". Mundus ́ extensive compilation accurately reflects the book ́s title. He was, indeed, a hooker. For fifty years he sold his services, took good care of his customers and saw to it that they had a good time, hoping that they went away satisfied and would come back again.Among the stories you ́ll find in Fifty Years a Hooker are: White Shark, White Pineapple.The agony of waiting for the right writer. How I Got Started Shark Fishing.How a broken arm and two train wrecks kept me on the right track for a fishing career. The Pelican Disaster.My involvement in one of the worst maritime disasters off Long Island.Harry Hoffman and the Case of the Lost White Shark.The zany fishing misadventures of my friend, Harry Hoffman, and me.The 4,500 lb. White Shark.My mate, my customers and I fight one of the largest whites ever taken commercially by harpoon.Peter Gimbel.The first man who swam with sharks, while I rode shotgun. The time an ice-cream cone saved my life, plus other close calls. The time I hollered at Jackie Onassis for jay-walking on the island of St. Maarten. The St. Maarten Sting: Or, How I Sold the Cricket III Borrowing a storyline from the movie The Sting, I sell my other boat and outsmart a couple of Caribbean pirates. Portrait of the Artist as an Idiot. A mysterious artist (who lost the Mayor of Shelter Island ́s bust!) claims me as his muse for a watercolor of a white shark.Mundus of Arabia.A Saudi Prince hires me to pioneer shark fishing in the Red Sea. I just miss a public beheading and narrowly escape one year in jail. The 3,427-lb White Shark. In 1986 I achieve my lifetime ambition of catching the largest fish of any kind on rod and reel, with the help of some seasoned mates and an experienced angler.Pistol-Whipped by the Law.A mate ́s dog and his ex-wife set off a chain reaction which culminates in my arrest for possession of a firearm. Three-time Loser, Fourth-time Winner.The two happiest times in a man ́s life are when he buys a boat and sells it . . . and sells it and sells it, and hopefully sells it again, like I did!Getting to the Heart of Things.I remarry, burn my snow shoes and retire to Hawaii, where I plant pineapples and fruit trees, adopt a orphaned 350 lb. wild boar, and survive open-heart surgery, aneurysm repair and prostate cancer. My South African Shark Safari.In which I travel to South Africa with the Discovery Channel and hook up with white sharks once more-this time through the lens of a camera.
In 1969, Andy Warhol launched Interview, an underground film journal that quickly transformed into an iconic symbol of New York City culture and style. The monthly's expansive conversations and irreverent approach opened doors to the intimate circles of society and became a launchpad for creative talents such as André Leon Talley and Fran Lebowitz. With a vibrant mix of rising celebrities including Madonna and Leonardo DiCaprio, alongside the legendary presence of Elizabeth Taylor and Steven Spielberg, the magazine became known as "The Crystal Ball of Pop." Now, fifty years since its inception, dive into the extraordinary archives of Interview and rediscover the columns, photography and voices that collectively tell the history of American culture decade by decade.
Each document has been meticulously transcribed and is placed in historical context with an introduction and annotation. Taken together, the accounts featured here allow readers to study this founding period in Latter-day Saint women's history and to situate it within broader themes in nineteenth-century American religious history.