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The Man Who Loved Children is Christina Stead's masterpiece about family life. Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children. Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own. First published in 1940, The Man Who Loved Children was hailed for its satiric energy. Now its originality is again lauded by novelist, Jonathan Franzen, in his illuminating new introduction.
This dictionary contains 6000 commonly used English idioms with their corresponding Albanian translation. Nearly 15,000 examples from specialised dictionaries, explanatory dictionaries, fiction and phrasebooks are used to illustrate the phrases.
In this book, the development of the English dictionary is examined, along with the kinds of dictionary available, the range of information they contain, factors affecting their usage, and public attitudes towards them. As well as an descriptive analysis of word meaning, the author considers whether a thematic, thesaurus-like presentation might be more suited than the traditional alphabetical format to the description of words and their meaning.
Contemporary metaphor theory has recently begun to address the relation between metaphor, culture and ideology. In this wide-ranging book, Andrew Goatly, using lexical data from his database Metalude, investigates how conceptual metaphor themes construct our thinking and social behaviour in fields as diverse as architecture, engineering, education, genetics, ecology, economics, politics, industrial time-management, medicine, immigration, race, and sex. He argues that metaphor themes are created not only through the universal body but also through cultural experience, so that an apparently universal metaphor such as event-structure as realized in English grammar is, in fact, culturally relative, compared with e.g. the construal of 'cause and effect' in the Algonquin language Blackfoot. Moreover, event-structure as a model is both scientifically reactionary and, as the basis for technological mega-projects, has proved environmentally harmful. Furthermore, the ideologies of early capitalism created or exploited a selection of metaphor themes historically traceable through Hobbes, Hume, Smith, Malthus and Darwin. These metaphorical concepts support neo-Darwinian and neo-conservative ideologies apparent at the beginning of the 21st century, ideologies underpinning our social and environmental crises. The conclusion therefore recommends skepticism of metaphor’s reductionist tendencies.
Jumpstart! Poetry is about involving children as creative writers through writing poems. The book contains a bank of ideas that can be drawn upon when teaching poetry but also at other times to provide a source for creative writing that children relish. There are more than 100 quick warm-ups to fire the brain into a creative mood and to ‘jumpstart’ reading, writing and performing poetry in any key stage 1 or 2 classroom.
Who first wrote ‘absence makes the heart grow fonder’, ‘accidentally on purpose’ or ‘no pain, no gain?' Did you know that there is no evidence Queen Victoria said ‘We are not amused’ or Marie Antoinette proclaimed ‘Let them eat cake’, but ‘iron curtain’ was in use for 40 years before Winston Churchill said it, and we have P. G. Wodehouse to thank for ‘straight from the horse’s mouth’? This witty and accessible compendium reveals the obscure origins of over 500 common phrases, dispelling myths and offering plenty of fascinating facts to delight the trivia-holic in all of us.
Elevate your business English language with "Advanced Business English Idioms Visual Guide: Master Sales & Marketing Conversations," a comprehensive resource designed to boost your confidence in speaking English and transform your English language skills. Ideal for sales professionals, marketers, and intermediate English learners, this book unveils the power of idiomatic expressions, helping you sound more like a native speaker and communicate more persuasively.
Although Christina Stead is best known for the mid-century masterpiece set in Washington D.C. and Baltimore, The Man Who Loved Children, it was not her only work about the America. Five of Christina Stead’s mid-career novels deal with the United States, capturing and critiquing American life with characteristic sharpness and originality. In this examination of Stead’s American work, Fiona Morrison explores Stead’s profound engagement with American politics and culture and their influence on her “restlessly experimental” style. Through the turbulent political and artistic debates of the 1930s, the Second World War, and the emergence of McCarthyism, the “matter” of America provoked Stead to continue to create new ways of writing about politics, gender and modernity. This is the first critical study to focus on Stead’s time in America and its influence on her writing. Morrison argues compellingly that Stead’s American novels “reveal the work of the greatest political woman writer of the mid twentieth century”, and that Stead’s account of American ideology and national identity remains extraordinarily prescient, even today.