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The "Maratha period" of the seventeenth and eighteenth centuries, when an independent Maratha state successfully resisted the Mughals, is a defining era in the history of the region of Maharashtra in western India. In this book, Prachi Deshpande considers the importance of this period for a variety of political projects including anticolonial/Hindu nationalism and the non-Brahman movement, as well as popular debates throughout the nineteenth and twentieth centuries concerning the meaning of tradition, culture, and the experience of colonialism and modernity. Sampling from a rich body of literary and cultural sources, Deshpande highlights shifts in history writing in early modern and modern India and the deep connections between historical and literary narratives. She traces the reproduction of the Maratha period in various genres and public arenas, its incorporation into regional political symbolism, and its centrality to the making of a modern Marathi regional consciousness. She also shows how historical memory provided a space for Indians to negotiate among their national, religious, and regional identities, pointing to history's deeper potential in shaping politics within thoroughly diverse societies. A truly unique study, Creative Pasts examines the practices of historiography and popular memory within a particular colonial context, and illuminates the impact of colonialism on colonized societies and cultures. Furthermore, it shows how modern history and historical memory are jointly created through the interplay of cultural activities, power structures, and political rhetoric.
On the completion of fiftieth year of Sahitya Akademi.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi. From 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07/05/1961 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 65 VOLUME NUMBER: Vol. XXVI. No. 19. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 09-61 ARTICLE: 1. The Democratic Idea In Asia 2. We Maharashtrians 3. Book Review 4. An Independent Judiciary AUTHOR: 1. Sardar K. M. Panikkar 2. P. L. Deshpande 3. Prof. G. C. Bannerjee 4. P. V. Dixit KEYWORDS : 1. Asia,United States,Europe,Labour 2. Maharashtrians,Dramatic Society,English 3. Book,Travel,Govindarajalu 4. Independent Judiciary,Law,Freedom Document ID : APE-1961 (M-J) Vol-III-01 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals.For reproduction previous permission is essential.
In this fascinating book, Marcus argues that the colonial context in which Shakespeare was edited and disseminated during the heyday of British empire has left a mark on Shakespeare’s texts to the present day. Marcus traces important ways in which the colonial enterprise of setting forth the best possible Shakespeare for world consumption has continued to be visible in the recent treatment of Shakespeare’s texts today, despite our belief that we are global or post-colonial in approach.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a Bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onward, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 10 JULY, 1977 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 64 VOLUME NUMBER: Vol. XLII. No. 28 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 20-61 ARTICLE: 1.The Democratic Process-Judicial 2. Management of Private Sector 3. Nehru As A Writer 4. Modernization of Bullock Cart 5. Massive Public Distribution System 6.Indian Pediatrics Through the Ages 7.Confessional Literature 8.Books that Changed The World AUTHOR: 1.Justice H. R. Khanna 2. A. P. Paul 3.Dr. Birendra Kumar Bhattacharjee 4. Dr. A. V. Shanmugam 5. S. Vishwanathan 6. Dr. S. Balakrishnan 7. Vijay Ranekar 8. Dr. K. S. Subramaniam KEYWORDS : 1.Constitution,Law,Enactment,Judicial Review 2.Private Sector,Functions,Professional Management 3.Pandit Nehru,Prison,India,History 4.Bullock Cart,Government,Villages,Modernization 5.Union Minister,Mr. Mohan Dharia,Committee,Government 6. Paediatrics,Children,Medicine,Charaka 7.Confession,Literature,Lord,Crime 8.Books,Population,History,Economy Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
"... [A] rare and remarkable insight into an Indian woman's take on American culture in the 19th century, refracted through her own experiences with British colonialism, Indian nationalism, and Christian culture on no less than three continents.... a fabulous resource for undergraduate teaching." -- Antoinette Burton In the 1880s, Pandita Ramabai traveled from India to England and then to the U.S., where she spent three years immersed in the milieu of progressive social reform movements of the day. Born into a Brahmin family and widowed while still young, she converted to Christianity while in England. In India, she was an activist for the education of women and the improvement of the status of widows. Abroad, she was iconized as a champion of the "oppressed Hindu woman." The Peoples of the United States is Ramabai's comprehensive description of American life, ranging from government to economy, education to domestic activity. As an account of a Western society by an Indian woman and a feminist, it reverses the established equation of male, Orientalist travel narratives. First published in Marathi in 1889, it is offered here in an elegant and engaging English translation by Meera Kosambi, who also provides a critical introduction and extensive annotations.