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This deeply felt memoir is a love letter to Washington, DC. Lancaster, a third-generation Washingtonian, takes readers on a tour of the capital from its swamp-infested beginnings to the present day, with an insider's view of the gritty politics, environment, society, culture, and larger-than-life heroes that characterize her beloved hometown.
This lyrical, whimsical picture book, set in the old city of Istanbul, celebrates kindness and generosity of spirit. Follow one little girl on her busy day through the old city of Istanbul--from the Galata bridge to the Grand Bazaar--as the city opens its arms to her. All along the way, the generous people she meets share many gifts with her: sesame rounds, hot tea, a boat ride, rose candy, pomegranate juice, even a scrub in a Turkish bath! But she doesn't just keep the gifts for herself. At every turn, she finds a way to share what has been given to her and pass it on so others can enjoy it too. With poetic text and radiant artwork, author Anna Pellicioli and Turkish illustrator Merve Atilgan bring us this heartwarming tale of kindness and generosity in the city known as the crossroads of the world.
Contents I. Furious Versionis II. The Interrogation This Hour And What Is Dead Arise, Go Down My Father, In Heaven, Is Reading Out Loud For A New Citizen Of These United States With Ruins III. This Room And Everything In It The City In Which I Love You IV. The Waiting A Story Goodnight You Must Sing Here I Am A Final Thing V. The Cleaving
“A gorgeous, stirring book; a stellar debut.” ―Jeff Zentner, award-winning author of The Serpent King Star-crossed teens meet during the Hong Kong protests in this searing contemporary novel about falling in love in a time of change, for fans of Malinda Lo and Axie Oh. Sixteen-year-old Phoenix knows her parents have invested thousands of dollars to help her leave Hong Kong and get an elite Ivy League education. They think America means big status, big dreams, and big bank accounts. But Phoenix doesn’t want big; she just wants home. The trouble is, she doesn’t know where that is … until the Hong Kong protest movement unfolds, and she learns the city she’s come to love is in danger of disappearing. Seventeen-year-old Kai sees himself as an artist, not a filial son, and certainly not a cop. But when his mother dies, he’s forced to leave Shanghai to reunite with his estranged father, a respected police officer, who’s already enrolled him in the Hong Kong police academy. Kai wants to hate his job, but instead, he finds himself craving his father’s approval. And when he accidentally swaps phones with Phoenix and discovers she’s part of a protest network, he finds a way to earn it: by infiltrating the group and reporting their plans back to the police. As Kai and Phoenix join the struggle for the future of Hong Kong, a spark forms between them, pulling them together even as their two worlds try to force them apart. But when their relationship is built on secrets and deception, will they still love the person left behind when the lies fall away? Perfect for fans of: ★ Romeo and Juliet ★ Star-crossed lovers trope ★ Activism ★ Diaspora lit ★ International politics
Modern Jerusalem, a city central to Jewish, Muslim, and Christian religious imaginaries and the political epicenter of the Israeli-Palestinian crisis, is to put it mildly a highly contested space. More surprising, perhaps, is that its musical landscape not only reflects these rifts but also helped to define them as the ancient city transitioned to modernity during the twentieth century. In City of Song: Music and the Making of Modern Jerusalem, author Michael A. Figueroa argues that musical renderings of Jerusalem have been critical to the formation of Israeli political consciousness. The book demonstrates how Israeli songwriters helped to shape their public's territorial imagination-- creating images of a city at once heavenly and earthly, that dwells in longing, that must not be forgotten, that compels one to bereave the dead, that represents the fulfilment of prophecy, and that is the site of immense cultural diversity. The dynamic history of its representation in lyrics and music helps dispel any notion that the Israeli-Palestinian crisis is timeless, intractable, and based on static, essential identities; while there are continuities across historical divides, radical change constantly transpires. City of Song combines analyses of musical meaning, political discourse, and public performance over the long twentieth century (1880s-2010) to reveal how the Israeli-Palestinian crisis' territorial fixation on Jerusalem has been constructed, historically contingent, and subject to artistic intervention in modernity. Through a musical history of Jerusalem, Figueroa introduces a novel, humanities-centered approach to one of the world's most contested cities, and one of the defining cultural and political questions of our era.
Austin’s famed South by Southwest is far more than a festival celebrating indie music. It’s also a big networking party that sparks the imagination of hip, creative types and galvanizes countless pilgrimages to the city. Festivals like SXSW are a lot of fun, but for city halls, media corporations, cultural institutions, and community groups, they’re also a vital part of a complex growth strategy. In Music/City, Jonathan R. Wynn immerses us in the world of festivals, giving readers a unique perspective on contemporary urban and cultural life. Wynn tracks the history of festivals in Newport, Nashville, and Austin, taking readers on-site to consider different festival agendas and styles of organization. It’s all here: from the musician looking to build her career to the mayor who wants to exploit a local cultural scene, from a resident’s frustration over corporate branding of his city to the music executive hoping to sell records. Music/City offers a sharp perspective on cities and cultural institutions in action and analyzes how governments mobilize massive organizational resources to become promotional machines. Wynn’s analysis culminates with an impassioned argument for temporary events, claiming that when done right, temporary occasions like festivals can serve as responsive, flexible, and adaptable products attuned to local places and communities.
A young girl’s exploration of the city she loves. A young girl and her father spend a day in the city, her city, traveling to the places they go together. As they do, the girl, who is visually impaired, describes what she senses in delightfully precise, poetic detail. Her city, she says, “pitters and patters, and drips and drains.” It’s both “smelly” and “sweet.” Her city also speaks, as it “dings and dongs and rattles and roars.” And sometimes, maybe even some of the best times, it just listens. A celebration of all there is to appreciate in our surroundings — just by paying attention!
In this carefully researched and hauntingly written memoir, Lisa Gruenberg not only records her own life, but also that of relatives long lost to darkness, terror, and murder. In dreamlike sequences she weaves known facts of the lives of those lost into tableaus of imagined family dinners, conversations and leisure activities set in the Vienna landscape. She especially brings back to life some of the girls and women whose fates remain largely unknown. Indeed, she embodies her aunt Mia as she walks in her shoes, sees with her eyes, and speaks with her voice. These flights into the past are presented within the framework of Gruenberg's own family, her husband and daughters, and her father. He escaped from Vienna in 1939 and shared few of his memories with her, and that only late in life when disease had beaten down his defenses against remembering. The trauma and feeling of guilt often described in Holocaust survivors is reflected in this memoir, also the burden shared by so many of their children and grandchildren. At the same time, this tale is one of lightness and finding balance in all these difficulties and trials. There is an endless network of cousins and friends of cousins, one more colorful than the next. They are spread all over the world and Gruenberg seeks many of them out in her search for the past. At the center stands author's ability to look at the truth unflinchingly, including truths apparent in herself. She shares her insights in all their nakedness, starkness and, yes, hilarity. This, together with the author's luminous prose, make My City of Dreams an important landmark in 21st century testimony of the Holocaust.
It's their last stand at the beginning of the end ¿During the final battle of a long war, characters on both sides find their stories intertwine, and the secrets of a hidden world begin to surface. Soldiers, spies, and wayward princesses, they all meet at the City Above and Below.
"Jesse Hagopian brought a rare moment of truth to the corporate-dominated Education Nation show when he spoke on behalf of his colleagues at Garfield High in Seattle. He instantly became the voice and face of the movement to stop pointless and punitive high-stakes testing."—Diane Ravitch, author of Reign of Terror In cities across the country, students are walking out, parents are opting their children out, and teachers are rallying against the abuses of high-stakes standardized testing. These are the stories—in their own words—of some of those who are defying the corporate education reformers and fueling a national movement to reclaim public education. Alongside the voices of students, parents, teachers, and grassroots education activists, the book features renowned education researchers and advocates, including Nancy Carrlson-Paige, Karen Lewis, and Monty Neill. Jesse Hagopian teaches history and is the Black Student Union adviser at Garfield High School, the site of the historic boycott of the MAP test in 2013. He is an associate editor of Rethinking Schools, and winner of the 2013 "Secondary School Teacher of Year" award from the Academy of Education Arts and Sciences. He is a contributing author to Education and Capitalism: Struggles for Learning and Liberation and 101 Changemakers: Rebels and Radicals Who Changed US History, and writes regularly for Truthout, Black Agenda Report, and the Seattle Times Op-Ed page.